Carl Begai

By Carl Begai

In a show of diva-esque conceit, I can lay claim to having locked on Lacuna Coil long before they were a big deal in Europe and less than a footnote on the North American metal scene. We go back to 1998 and the release of their self-titled EP, a venture that attracted the attention of anyone in tune with the likes of The Gathering and Theatre Of Tragedy, both of whom were in their heyday. The band did their Italian heritage proud, displaying the characteristic energy of a traditionally passionate people, excited at the prospect of being able to chase their dreams at a professional level. The band is older and wiser now, but there’s no lack of enthusiasm when discussing their newest work, Dark Adrenaline. Sure, it may be tempered somewhat by a sense of responsibility for the career they’ve created, but there’s still a sense of “I can’t believe this is my life…” in the air as vocalist Cristina Scabbia delves into the new record.

“That’s very true,” she says. “That was true especially in the very beginning, when things are happening and you don’t really know how it works. That’s when every little thing gets you excited. The things that get us excited now are different. We’ve grown up, we have a lot more experience; we’re not virgins in the music business anymore (laughs).” (continue reading…)

By Carl Begai

During a recent interview for the as-yet-untitled follow-up to his HDK album from 2009, System Overload, former After Forever guitarist Sander Gommans discussed his involvement on the new metal solo album from singer/songwriter and Avantasia / HDK vocalist Amanda Somerville. Gommans enjoys being his own boss, but he freely admits the creative process for the Trillium debut, Alloy, made him realize that even the master of the universe has to take the back seat once in a while.

“In the beginning it was hard for me because normally you wrote something for somebody and let it go, but since Amanda and I are partners, I didn’t let it go that easily. I wanted to make the best out of it, and I wanted Amanda to make the best choices. I helped her out with some of the administrative stuff and I wrote a few songs, but it was really Amanda’s project and I had to get used to her big involvement. Not so much in the writing of my songs, but in the vocal arrangements and lyrics. She had a really good idea of how the album should sound and what she wanted, and I kept telling her ‘It’s not metal enough… it needs to be more metal.’ And she would tell me, ‘This is my project, I want to have it exactly the way I want to have it…’ (laughs).”

“She made the choices in the creative aspects of the album, and now that it’s out, it’s about surprising to me how cool it is. It offers so much more than the average metal band, and it has so much more to it that you can really see what a talented person Amanda is when it comes to having her own vision. In my arrogance, I found out that I should stop being arrogant and shut up sometimes (laughs).” (continue reading…)

Fasten your seatbealts for another year. And with it comes more noise to piss off the neighbours, annoy the kids, and make your significant think very seriously about soundproofing his or her personal space…

As most people know, Woods Of Ypres frontman and founder David Gold was killed in a car accident on December 21st, 2011. It’s a tragic loss for his family, friends, any anyone that was a fan of his music.

I’ve posted a tribute to David, who was a good friend. It can be found here.

David’s family is selling the remaining Woods merchandise on hand, with all proceeds going directly to fund his funeral costs. Items remaining are as follows:

- Woods 1
- Woods 2
- Woods 3
- Independent Nature (Best Of Woods 1-3)
- signed Allure vinyl
- signed Home vinyl
- poster

Send your order along with your shipping address to David’s PayPal address at davidypresgold@gmail.com. Note that his sister Marie is in charge of all orders, so this is 100% legitimate. (continue reading…)

Lauren Harris is known in music circles as the daughter of Iron Maiden bassist/founder Steve Harris first, and as a vocalist second. If she has her way that’ll change over the next year, and she’s off to a promising start

This interview never would have come to pass if it wasn’t for a tip from ex-Megadeth guitarist Jeff Young, who suggested checking out an indie band called Six Hour Sundown on YouTube during a weekly round of “Look what I found…” They came across as a better than average ‘80s-flavoured hair band for the modern day (minus the poofy hair), and the singer was a familiar face. Quick online investigation confirmed that it was indeed Lauren Harris front and center, but Six Hour Sundown’s appearance in the ring has been so low key that most of the initial attention received is the result of genuine curiosity rather than Iron Maiden family tree hype.

“It has been rather low key,” Harris agrees, “because we were doing the Maiden thing through 2008 and 2009, and there was a lot of hype around it at the time. I haven’t really been in the spotlight for the last couple years, and I’ve started up a new band using a new name rather than using my own name again. I’ve started from scratch, really.”

Most people would agree that dropping her own name in favour of Six Hour Sundown can only benefit Harris in the end. The move was made, she says, when her touring band fell apart.

“The first album was a solo thing, but when I was on the road with the guys it turned into more of a band. It was only natural for that to happen since we spent so much time together, and we really were like a family. You hear about some bands that just don’t get on, they’re not like real friends, but we were friends. But, because of other circumstances, it couldn’t continue. Randy (Gregg/bass) was in New York and we couldn’t keep flying him over to the UK because money was an issue. And with Richie (Faulkner/guitars), well, he went off and joined Judas Priest (laughs). (continue reading…)

By Carl Begai

“Take these words home and think them through,
‘Cuz the next song I write might be about you.”
Project Wyze – ‘Only Time Will Tell’

Nobody in their right mind wants the publicity Tiefdruck Musik label boss Daniel Heerdmann is getting these days. Granted, it’s small scale recognition that likely won’t make it to a CNN news reel, but his so-called business practices have been yanked out into the open by My Ruin. A tale of band vs label conflict turning ugly is hardly unique, but My Ruin’s recent test of will is one for the books; or in this case, an album. Their new outing, A Southern Revelation, is a response to a record deal gone painfully awry, which saw the band’s 2010 album Ghosts And Good Stories die a premature death at the hands of Tiefdruck Musik. Not ones to go meekly into the night, vocalist/founder Tairrie B. Murphy and guitarist-turned-multi-intrumentalist/husband Mick Murphy chose to call Heerdmann out directly in response, first in a press release, and then in the lyrics on the new album. The attack is direct and leaves no question as to who’s leaving the ring with a bloody nose, metaphors be damned, and Tairrie is quite content being the one doing the damage.

Tairrie: “At this point I really don’t give a fuck. This man conned us; he snowed us big time. Calling him ‘The Soulless Beast’… it’s really true. He led us to believe that he was going to do all these things for us. When he approached us about the record deal – and we had a lot of conversations with him on Skype – he was cool. He told us that the reason we weren’t bigger is because nobody had ever promoted us properly because they didn’t know what to do with the band, but he could do the job. We were thinking ‘Wow, this guy really gets it.’ He told me that he’d been a fan since my Manhole days, that he saw me on tour supporting Fear Factory on the Demanufacture tour in 1996. I felt that we had a connection with this guy, which was amazing.”

“We got the deal going, and it was almost like a friend thing with this guy. We announced the signing while we were in the studio recording Ghosts And Good Stories, and soon after we got this really weird email from an old friend, Shaun Glass from Soil, who is now with Dirge Within. He told us we had to be really fucking careful because Daniel Heerdmann is a lying sack of shit. We wanted to know where that was coming from, and we told Shaun we were going to confront Daniel about it. I’m very open and forward when I want to know something.”

“So, I went to Daniel right after that and told him what Shaun had said, and Daniel had a comeback for everything, which was fine. At this point we’d signed the deal; what were we going to do? Daniel tried to really explain himself, so I gave him the benefit of the doubt because God knows people have had run-ins with My Ruin. There have been altercations, and I know some people out there talk shit about me and my husband. It did worry me a little in the back of my mind, but we decided to walk our own path, and as we got deeper into the record Daniel became even more supportive. He wanted to hear what we were doing and how the songs were coming along, and we’d never had that experience before. It was great. But, as soon as we got done with the record and we delivered it – and it was something we were so proud of – this guy did the Jeckyll and Hyde thing overnight.” (continue reading…)

By Carl Begai

I don’t have much use for God these days.

With that in mind, when December 25th, 2011 rolled around I decided that I wouldn’t be celebrating the birth of some overblown, fictitious, omnipotent phantom as I gave gifts to my loved ones, turned the music up louder than usual, and drank more than I should have. Hell no. I chose instead to celebrate the life of my friend, David Gold.

David was taken from us on December 21st, 2011. He was 31 years old.

He was the voice and mind behind the band Woods Of Ypres. Not to discount or dumb down the invaluable contributions of the band members that worked with him over the years, but thanks to David’s efforts – seemingly superhuman and borderline insane at times – his music touched people around the world. He put Canada on the map amongst doom metal fans, and for anyone fortunate enough to lock into Woods Of Ypres, the name joined the likes of Rush, Annihilator, Voivod and Strapping Young Lad as a band to be revered when discussing metal spawned on Canuck soil.

I was introduced to David via a suspicious package that arrived on my doorstep in 2002. Living in Germany as BW&BK’s European correspondent, packages in the mail are nothing new, but a parcel sent from Toronto that I didn’t request or wasn’t warned about beforehand was odd. The name on the return address rang a bell, but I couldn’t place it. Inside was the first Woods Of Ypres CD with a hand-written note from David, introducing himself and the band, asking me to take a listen and offer my thoughts.

To this day I have no idea how he got my address, but I’m grateful to whoever gave it to him.
(continue reading…)

By Carl Begai

Ten years ago, if you’d told Obsession vocalist Michael Vescera he’d be in a band with Impellitteri guitarist Chris Impellitteri, ex-Whitesnake / ex-Ozzy Osbourne bassist Rudy Sarzo, and Judas Priest drummer Scott Travis, he likely wouldn’t have ruled out the possibility. With a career spanning 25 years that includes albums and tours with Loudness, Yngwie Malmsteen, and Helloween guitarist Roland Grapow, working with a line-up of all-star musicians would probably be viewed by Vescera as par for the course provided the planets aligned in his favour. Had you told him that he’d do so looking like something out of a Saturday morning cartoon, he would have laughed in your face. And yet, these days Vescera finds himself fronting just such a band and having a truckload of fun doing so.

“When I was younger I wanted to be a member of KISS,” he laughs, “and now I’m at least getting to play dress-up for the stage.”

Animetal USA owes its existence to a concept established in Japan well over a decade ago. The original Animetal – fronted by Anthem vocalist Eizo Sakamoto and ex-Volcano guitarist She-ja – was launched in 1996, taking famous Japanese anime theme songs dating back to the ‘60s, ‘70s and ‘80s and turning them into metal anthems. Their debut album, Animetal Marathon, went on to sell 300,000 units in Japan. Animetal released seven albums along with several compilations before going on indefinite hiatus in 2006, and according to Japan-based Area51 guitarist Yoichiro Ishino the band received more attention from the anime scene than metal fans. As a result, Animetal charted several times, even hitting the Top 10.

“We appreciate the legacy of the original Animetal and what they accomplished,” says Vescera, well aware of the origin story. “We’re really just looking forward to the future with Animetal USA and hoping to bring it to the rest of the world, not just Japan. In most of the press we did in Japan, they truly appreciate us bringing Japanese culture and music to rest of the world. We’re all hoping for a long run with this.” (continue reading…)