By Carl Begai
Japanese fusion guitarist Nozomi Itani is a musical personality that, up until recently, has been flying below the rock scene’s radar. He’s been flying for quite some time though, and not only in his homeland. Itani’s roots as a musician were planted in Germany, where he lived from the age of four for over 30 years when his father – a pioneering businessman that helped introduce Japanese companies to the Western world – moved to Europe in 1962. In that time he carved out a successful albeit behind-the-scenes career, which eventually brought him home. These days he spends the bulk of his time teaching music, but Itani still managed to write and record and new instrumental album to showcase his talents, appropriately titled Station To Station.
“My mother studied classical piano, and she always wanted the kids to learn how to play an instrument,” Itani says of his start in music. “I started playing piano and violin when I was a kid but I was very lazy (laughs). I took lessons for a few years but I gave up. I didn’t want to play a musical instrument, but by the time I turned 16 rock n’ roll was something very special. It was the time when rock n’ roll was really cool, so to have an electric guitar was very special. When I bought my first Deep Purple LP, my mother saw the picture of the band members and shouted ‘Oh my God, they’re terrorists!’ (laughs). When I started playing guitar I really loved to listen to Eric Clapton, B.B. King, and all kinds of progressive rock stuff like Genesis, Yes and Gentle Giant. Most of my friends listened to pop music, Top 10 hits, but I wasn’t very interested in that.”
“The cool thing was that at the end of the ’70s and in the early ’80s, there was this big punk movement and the New Wave Of British Heavy Metal, and on the other hand there was this big jazz fusion movement. I listened to all these so-called studio guitarists, and the heavy metal thing was interesting too because there were guitar heroes like Yngwie Malmsteen, Steve Vai and Joe Satriani, but I think my real roots are in jazz fusion. On the other hand, I really love to play power chords on the guitar (laughs). This is the balance in my music. I always have this image of playing chord progressions and melodies that are linked to jazz but should sound like hard rock and heavy metal. My vision is to play a jazz standard on a Flying V one day (laughs).” Continue Reading