BW&BK Interview: IRON SAVIOR – Hero Warship

By Carl Begai

“Whatever we do with Iron Savior, we have to have fun. If we don’t have fun we don’t do it.”

Which is the reason Iron Savior is still alive and kicking some 18 years since vocalist/guitarist Piet Sielck had the wild idea of clambering out of his producer’s chair and forming a band with pre-Helloween bandmate Kai Hansen and ex-Blind Guardian drummer Thomen Stauch, both long departed. It’s also the reason a cover of the Mando Diao pop hit ‘Dance With Somebody’ appears on Iron Savior’s new album, Rise Of The Hero. Not at all what you expect of an outfit that fills the gap between Primal Fear and Gamma Ray and started as a dead serious hammer-and-nails concept band, but Sielck and his merry men couldn’t give a damn.


“We were just really tired of doing rather predictable old classic metal songs,” Sielck says. “Basically that’s a case of just re-recording the song and maybe giving it better production. I think we did a pretty good job with the Mando Diao song; it reminded us of the work we did with SEAL’s ‘Crazy’ (for the Condition Red album from 2002) because the outcome is definitely different from the original. Our version has a vibe of its own, and that’s actually the main reason we decided to have it on the regular album. It was originally supposed to be a bonus track for the Japanese release. It’s not really metal, it’s kind of alternative, but I actually like the original version and I like the guy’s voice. When the song came out on 2009 in Europe, I thought it was a great alternative to all the Top 40 stuff that was out at the time. It definitely stuck out against everything else.”

“The video we did for the first single from Rise Of The Hero, ‘Burning Heart’, this is us and this is the vibe we’re carrying,” he adds. “Some people may ask ‘Are they serious at all?’ but we’re doing this basically for the fun of it.”

This lighthearted approach to their craft seems to be paying off. Shortly after its release Rise Of The Hero hit the album charts in Germany, which Sielck admits was completely unexpected.

“I think Unification (1999) is the only Iron Savior album that hit the charts until now, and 15 years later we’re back on the charts. It feels awesome, and I never thought we’d achieve this again with Iron Savior. It’s no secret that it’s easier to hit the charts during specific times of the year, and obviously this is such a period. So, we didn’t sell 30,000 records or anything like that, but from what AFM tells me the sales are significantly better than they were for The Landing (2011). That’s a bit of a surprise because The Landing was appreciated by the fans and sold well, much better than AFM or I expected it to at the time. Rise Of The Hero is selling even better, so we must have done something right (laughs).”

Sielck is quick to point out that The Landing played a large part in the birth Of Rise Of The Hero. The album was written following the messy implosion of his former part-owned label, Dockyard 1, and Sielck attacked the chore of making new music after the clean-up with no expectations whatsoever. With The Landing deemed a success, Sielck found himself with the daunting task of out-doing himself.

“The outcome when I wrote The Landing didn’t matter to me at all, I wrote it for myself. Things were quite different this time because The Landing set a new benchmark that I had to reach somehow with the new songs. All that Dockyard 1 business shit was out of my head so I could focus on the music for Rise Of The Hero, but it also put a lot of pressure on me and it wasn’t easy dealing with it. I went through a couple of weeks with writer’s block, I thought everything I’d written up to that point was crap and had to throw it all away. In the end I didn’t do that, and it turns out that was a good decision (laughs). It’s not that we simply pressed reset button in the studio and recorded the songs, but we used The Landing as a basis for Rise Of The Hero.”

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