Carl Begai

By Carl Begai

It’s fair to say that former Venom bandmates Tony “Demolition Man” Dolan (vocals/bass) and Jeff “Mantas” Dunn (guitars) do their best work as a unit. There are folks that labelled Dolan a pretender to original / current Venom singer Cronos’ pincushion throne when he stomped in for three albums from 1989 – 1992 (Prime Evil, Temples Of Ice, The Waste Lands), but Dolan is still recognized as an integral part of the band’s history. The fans were reminded of this in 2004 when Dolan joined Dunn’s new albeit short-lived project, Mantas. It was a venture that died before its time, largely regarded as a nice try and not much else. When the buzz of another reunion project started up in 2010, however – this time with ex-Venom drummer Antton Lant in the mix – people were all ears, particularly since the trio had chosen to work under the banner Prime Evil as a tip of the hat to their collective past. One name change and Lant’s unfortunate but amicable departure later, Dolan and Dunn are in arguably better form than ever with Mpire Of Evil.

“We had a long discussion before anything got off the ground,” Dolan admits. “Every time we’ve tried to get back together it’s been because we wanted to, and every time we stopped it was because of some other fucker, never because of us. The Mantas thing for example; we did the album (Zero Tolerance), we shot a video, we did the Earthshaker Festival in Germany, but when we got back it became apparent to me rather quickly that the record company (Demolition Records) might not be spending the money promoting the album they way they should have been. I told them that if they didn’t invest in it, thing were going to go the same way they always have. We had a big discussion with management and the record company, and I wouldn’t let it go. I kept bringing it up and they got so pissed off at me in the end, thinking that I’d become a bit of a problem saying they should do this and that. The label eventually told Jeff that he either dropped me or they were going to drop the band.” (continue reading…)

By Carl Begai

Like any serious band, the members of Toronto-based trio Modified – Tricia Stanley (vocals), Anthony Xander (guitars/vocals), James “Jones” Rose (drums) – are fuelled by their individual rock star dreams. Those aspirations are tempered, however, by keeping their collective feet firmly planted in the real world. Every step they’ve taken since the release of their EP debut Cruel Intentions in 2009 has been with a goal in mind rather than to prove a point to curious people watching from the sidelines. Battle Of The Bands competitions, sharing the stage with screamo, pop rock and death metal bands, shooting live-off-the-floor studio footage or an official video clip, Modified have taken on the music scene with a professional and thought-out approach unexpected in a young band still learning the ropes.

Ironically, Tricia sent out a message via Facebook a month prior to this interview stating that Modified were finished with Battle Of The Bands competitions from here on out. Not quite a rant, but a clear indication the band has had enough of being a number on a ballot.

Tricia: “I’m not pissed off, but it just seemed like we were getting bombarded by these promoters coming to us all at once saying ‘Do you wanna play this show?’ which was always followed by ‘Here’s the catch…’ It’s not like: ‘We love your band, we believe in you guys.’ It all comes down to how much money they can make off us. I know that’s the reality of the business, but I feel we’re past the stage in our lives where we can drive around the city for two weeks selling tickets. I don’t like it, so I’d rather not be involved in that part of it. And half the time it’s not a true contest; it comes down to how many friends you bring and whose ass you’re kissing. If it was a true contest where you could get something significant out of it to help the band, that would be fine, but we just don’t have time for that.” (continue reading…)

By Carl Begai

In North America the Trans-Siberian Orchestra has become as traditional at Christmas as Santa Claus, coloured lights and holiday parking. Even if you’ve never attended one of their seasonal shows – which usually hits a city near you anywhere from November through January – you’ve definitely heard of them, as the TSO rock opera format appeals to people from all walks of life, to everyone from children to the elderly. Plain and simple, the Trans-Siberian Orchestra has proven for well over a decade that you don’t need to be metal to ride this ride, regardless of the outfit’s Savatage-rooted history.

Producer/composer Paul O’Neill is known for pushing the envelope with every project he devises. It was his collaborative efforts with Savatage frontman Jon Oliva in the late ’80s, in fact, that slowly but surely transformed the legendary metal band into something much more theatrical in nature, which eventually spawned the Trans-Siberian Orchestra. And while TSO established itself as a Christmas-themed project when it launched in 1996, O’Neill got rid of the sleigh in 2000 for Beethoven’s Last Night, an album telling the fictitious tale of legendary composer Ludwig van Beethoven’s last night alive. TSO finally toured for the album in North America in 2010, went to Europe the following year, and 2012 sees the band on the road again, this time supporting a fully narrated re-release of Beethoven’s Last Night.

Guitarist Chris Caffery, a long time member of Savatage and the Trans-Siberian Orchestra, offered his views on the current Beethoven’s Last Night tour versus the annual winter shows during some rare and fleeting post-soundcheck downtime:

“It’s a very different vibe. The winter tour has the holiday and runaway theme to the story line, the music marries that story. This tour is the complete Beethoven’s Last Night album, and it’s not like the winter show isn’t a rock concert, but the Beethoven show has a darker feel because of the story and the theme. Beethoven is battling the devil to save his soul and his music, it’s a pretty intense story. For me personally it feels more like I’m performing a rock concert because of the way the songs and the album is structured. It’s a little bit more to where my roots were when I performed growing up. (continue reading…)

By Carl Begai

It takes remarkable strength of character to throw yourself to the wolves knowing you’re going to get bitten and potentially ripped to shreds. So it goes that, regardless of what Into Eternity fans may think of vocalist Amanda Kiernan stepping in to replace Stu Block – now a member of Iced Earth – for the band’s live activities, they have to respect her for willingly putting herself in harm’s way. With a few gigs under her belt at the time of this writing, Kiernan had made more friends than enemies amongst Into Eternity fans even as they mourned Block’s absence, the majority seemingly able to give her the benefit of the doubt. It’s anybody’s guess how the future will play out now that the band essentially has two singers and Block’s Iced Earth career has exploded, but the bottom line is that Kiernan is committed to shedding even more blood, sweat and tears to make things work.

Kiernan’s journey began in November 2011 when Into Eternity put out the call for a “touring only” singer. She jumped in with both feet.

“I found out about the audition and called (Into Eternity drummer) Brian Newbury right away,” Kiernan says. “I just wanted to push myself to the top and prove to myself and others that I can actually do this, and that there are no limitations. After I called him we both went to my studio and spent two days recording the audition songs that Tim Roth (guitars / founder) wanted me to do.” (continue reading…)

By Carl Begai

When word came down in March 2011 that Canadian bashers Into Eternity’s vocalist Stu Block had replaced Matt Barlow as the singer for Iced Earth, it caused major confusion amongst fans in both camps. Iced Earth followers that were aware of Block’s shriek-and-growl style were convinced guitarist / founder Jon Schaffer had lost his mind, while Into Eternity fans were left wondering if the band had a future without Block’s unique vocal talents. Both he and guitarist Tim Roth have maintained that Block is still with Into Eternity – a claim that rang true with the recent release of the single ‘Fukushima’ – but news that The Order Of Chaos singer Amanda Kiernan had been brought in as Block’s live replacement so the band can tour served up another barrage of questions. With that in mind, Roth was happy to hook up and set the record straight.

“We were rehearsing on a Friday, and after a whole weekend of rehearsals he hit me with the news that he’d joined Iced Earth,” Roth recalls when asked how Block broke the news of getting the gig. “And then he hit me with a CD of him singing some new Iced Earth stuff. So not only did he tell me, he showed me some of the material they’d already recorded. I was just floored. Stu and I are best friends, and we weren’t doing anything at the time, so it makes sense that someone would come in and invite Stu to join their band. Jon Schaffer knows talent, I know talent, and Stu has always been that shining diamond in the rough. When I’d seen him in his previous band he really impressed me. I knew I had to have a guy with his kind of vocals in Into Eternity.” (continue reading…)

By Carl Begai

When former Helloween vocalist Michael Kiske announced the launch of his new band Unisonic in 2009, the buzz that followed was minimal at best. Having ex-Gotthard guitarist Mandy Meyer and the Pink Cream 69 rhythm section of Dennis Ward (bass) and Kosta Zafiriou (drums) on board did little to sweeten the pot, largely because Kiske had built a dubious track record for lack luster solo albums and making one-shot guest appearances on other projects since his 1993 departure from Helloween. Add to this his rather vocal disdain for the metal scene and many of his fans felt they’d been stabbed in the back. He redeemed himself somewhat with the Kiske / Somerville album in 2010 and his continued participation in Edguy frontman Tobias Sammet’s popular ongoing metal opera band, Avantasia – dating back to 2001 – but expectations surrounding Unisonic remained painfully low.

Enter former Helloween bandmate Kai Hansen, a long standing friend and fan of Kiske’s vocal talents. Hansen infamously left Helloween mid-tour in 1988 and went on to form Gamma Ray a year later, calling on Kiske to do guest vocals on the song ‘Time To Break Free’ for the Land Of The Free album in 1995. Since then the pair have crossed paths on various projects, with things coming to a head on Avantasia’s world tour in 2010, when Sammet called upon them to reprise their studio roles for the stage. Both Kiske and Hansen agreed, doing a string of shows together for the first time in 20 years. A few months after the tour Hansen announced he had joined Unisonic as a full time member. (continue reading…)

Welcome, Canuckleheads! Time for an update…

Folks may remember Dream Theater frontman James LaBrie decapitating diehard prog-metal fans in 2010 with his fourth solo album, Static Impulse. It was anything but a continuation of his better-than-DT Elements Of Persuasion record, smacking people upside the head instead with the most aggressive music of his career, complete with death metal vocals (supplied by Darkane drummer Peter Wildoer). Attention Deficit Delirium’s Bryan Reesman recently caught up with LaBrie, who offered some insight on his next solo album, which is currently in the works:

“Right now, Matt (Guillory / keyboards), I and the other guys are writing. We’re about halfway through. I would say our main focus is that we want to raise the bar as far as the actual song compositions, so with the arrangements we want to see if we can better ourselves first and foremost. As far as the elements that we want to include or implement into the music, a lot of those elements will be familiar because we want to keep it consistent. It has to make sense and have a sense of continuity from where we left off, but there are some things that we’re talking about we want to bring in that will bring in some intriguing kind of sonics to give it its own identity.”

The complete interview can be found here.

(continue reading…)

By Carl Begai

I recently caught up with original Saigon Kick vocalist Matt Kramer to discuss his newest project, A Book Of Poems From The Smallest Of Towns. During the conversation we addressed the rather persistent rumours of a Saigon Kick reunion looming on the horizon, which have been gathering strength over the last year. Kramer revealed that he and his former bandmates have in fact tossed around the idea of getting back together, which came as a complete shock given that the mere mention of original guitarist Jason Bieler’s name 10, or even five years ago, was enough to blast open Kramer’s well stocked crate of derogatory adjectives. It turns out there are certain finance-oriented requirements that need to be resolved with Bieler before Kramer will commit, but in a nutshell, if they can come to terms Saigon Kick’s return goes from being a pipe dream to a definite possibility.

A day after the story’s publication – found here – I received a polite email from Bieler stating that, if I had the time and interest, he’d be open to telling his side of the story. It was a surprising offer, and accepting it a no-brainer, particularly since Bieler rarely speaks to the press. Between co-managing his own label, Bieler Brothers Records, and working on his Owl Stretching project there isn’t a lot of time that can be dedicated to rehashing the past. Or at least there wasn’t until now.

It should be noted that Bieler didn’t set out to shoot down Kramer’s claims, nor did he take potshots at his former bandmate. In fact, like Kramer, Bieler didn’t display even the slightest animosity. On the contrary, Bieler is all for working with Kramer again.

“I think Matt has his own perspective, and maybe his life has gone down a different path than mine, which has given him his feelings on the way things went down,” Bieler offers. “Do I think that I hold partial responsibility for making bad decisions in Saigon Kick? Absolutely. I think everybody shares that responsibility, though. Matt and I have spoken a few times over the last year, and things have been really civil, so that’s a healthy place to be. When everybody was on the phone talking about the possibility of a reunion, I told the guys that I don’t care if they want to draw up contracts, it was cool with me. I don’t want anything more than my share. So, whatever Matt wants to do, if he wants to do it, I’m fine with it.” (continue reading…)

By Carl Begai

The Canadian metal scene has bid farewell to another hero.

On February 25th, Sven Gali guitarist Dee Cernile lost his three year battle with cancer. I didn’t know him personally, but I had the pleasure of seeing him and his band tear up the Toronto club scene for a number of years in the early ’90s. Good times indeed, with Sven Gali one of several hopefuls on the Toronto scene at the time that managed to secure a record deal and go places beyond the nearest downtown watering hole. Thanks to my early involvement with M.E.A.T Magazine, I had the opportunity to interview Cernile on a couple occasions, and one of my earliest “I’m with the band” experiences took place at the legendary Gasworks in T.O., when myself, Cernile, Sven Gali vocalist Dave Wanless and a couple Killer Dwarfs partied into the wee hours of the morning… because we could.

Rest in peace, Dee, and thanks for the memories. Here’s one of them, back when I was learning how to use a camera…

Dee’s passing has hit much closer to home for people on the Toronto that worked, played, and occasionally butted heads with Sven Gali. Famous Underground vocalist Nick Walsh – who made a name for himself fronting Slik Toxik at the same time Sven Gali was raising hell – paid tribute to Dee when he received word of his death: (continue reading…)

By Carl Begai

I recently caught up with keyboardist Adam Wakeman, the son of Yes keysman Rick Wakeman, to discuss his new prog metal band Headspace. Formed in 2006, the band – also featuring vocalist Damian Wilson, guitarist Pete Rinaldi, bassist Lee Pomeroy and drummer Richard Brook – issued their debut EP in 2007 and are now gearing up for the release of their first full length, I Am Anonymous. Wakeman also offered a look into his current status as a member of Ozzy Osbourne’s band and how that will affect his activities in promoting Headspace when the album in released.

“I would love nothing more, as I know the other guys would, than to dedicate 100% of our time to be out touring with Headspace and making more records. Part of the problem with not being 20 years old anymore is that we’ve got families, and mortgages to pay. We have to balance the time we allocate to each thing. Ozzy is going to be relatively busy this year, but it’s not going to take over the entire year which is good. We will have some time to promote Headspace.”

The easiest solution to the promo problem would be, of course, to nab a support slot on the next Ozzy tour, whenever that comes around.

“I think we could probably do a few shows,” Wakeman agrees, “but the reception we got when we did some support slots (in 2007) was quite funny. I asked Sharon (Osbourne / wife and manager) is we could do it and she asked me ‘Why would you want to be fourth on the bill? There’ll be nobody here.’ This was at Wembley Arena. I said ‘Yeah, but if there are 5,000 people in it’s the equivalent to us playing 20 club shows. We might as well get it out of the way all in one go…’ (laughs). It was good, but people weren’t really expecting us because we got on the bill quite late. So, when we walked on stage people thought we were Black Label Society. You could see the looks of confusion on the faces in the crowd (laughs).” (continue reading…)