The tribute album dedicated to Woods Of Ypres frontman David Gold – who passed away in December 2011 – entitled A Heart Of Gold: Tribute To Woods Of Ypres, is now available for digital download via Bandcamp.com at this location.
Fans can purchase a CD hard copy of the album by sending $20 via PayPal with your name, mailing address and email to DavidGoldTribute@gmail.com.
The confirmed tracklist is as follows:
‘Thrill Of The Struggle’ – Catuvolcus
‘Adora Vivos’ – Raphael from Musk Ox
‘Lightning And Snow’ – Earthen
‘Falling Apart’ – Canopy
‘A Meeting Place And Time’ – Panzerfaust
‘Finality’ – Kuhrzarth
‘The Sun Was In My Eyes’ – Anemic
‘Retrosleep In The Morning Calm’ – Albireon
‘Suicide Cargoload’ (live) – Gypsy Chief Goliath
‘Career Suicide’ – Reliquis
By Carl Begai
It was announced back in February 2012 that Norway’s Theatre Of Tragedy, who spawned the career of Leaves’ Eyes vocalist Liv Kristine and officially called it quits in October 2010, were working on remastered re-issues of their first three albums: the self-titled debut, Velvet Darkness They Fear, and Aegis. Initially meant to be released in late 2012, Massacre Records have confirmed July 5th as the official release date for all three albums in digipack CD and double vinyl LP formats.
The re-releases will feature rare bonus material, and will also include a band interview conducted by me split into three parts, one for each album. It was an honour to be asked by the Theatre Of Tragedy family to contribute to the re-issues, and I consider it to be a personal career highlight.
Following is an brief excerpt from the interview conducted for the self-titled debut, which will appear in full in the re-issue liner notes. Call it an attempt to help promote the releases coupled with my pride getting away from me just this once.
The journey started with a simple demo tape, which received favourable reactions first in Theatre of Tragedy’s hometown of Stavanger, Norway and then from the international metal press. From there everything snowballed, and the rest is history.
“Most of us were so young and inexperienced at the time, so we didn’t really have the fear of being ridiculed, nor the ambitions to make it big,” says drummer Hein Frode Hansen. “We were just a bunch of kids wanting to make a hybrid of our different musical influences at the time. Individually, we were mediocre musicians at best, but together we were something fresh and new.”
“We all came from different backgrounds and that what made it so special,” continues guitarist Tommy Lindal. “We simply put some elements of all the members together and it sounded really cool; metal with piano and soprano vocals. My impression at the time was that we didn’t worry too much about if the people liked it or not, as long we enjoyed it ourselves.”
The debut album seemed to be a risky affair on many levels. The Theatre was more than a bit daring when one considers there was nothing heavy or metal about ‘…a Distance there is…’ , a track featuring piano, cello, Liv’s vocals, and the sound of falling rain. The song has since become the cornerstone of the debut for many diehard Theatre of Tragedy fans. Tommy remembers working on the track:
“…’a Distance there is…’ is a song that I think everybody in the band has a different relationship to. We were in Sweden at Dan Swanö´s studio, spending our Christmas alone in Sweden recording the debut. Lorentz and Liv had some ideas and ended up recording the song. The cello was Dan Swanö’s brilliant idea; he called a friend to drop by the studio and record some cello parts. It took some hours and the result was amazing. We were all was excited about it and decided to put it on the record.” (continue reading…)
By Carl Begai
Over the last couple months I’ve been subjected to some unsigned bands that have done a great job of knocking me on my ass. Call this Round 1 of what will hopefully be an ongoing column on this site assuming the music continues to grab my attention as these folks have. Read on if yer curious….
Over The Coals out of Vancouver have started make a buzz outside of their regular haunts thanks to the video for the song ‘My Worth’, a track taken from a forthcoming EP. It’s my understanding that they used to have a male singer – YouTube footage supports this – but the addition of one Susie Myers seems to have been the clincher in terms of solidifying the band’s sound. First thing that came to mind when I heard ‘em…. it sounds like Strapping Young Lad and My Ruin had a baby. Must be a West Coast thing. It’s impossible to judge them on one song, of chorus, but I like the sound of serious potential
By Carl Begai
On February 7th, I was contacted by vocalist Todd La Torre, who was known first and foremost as the frontman for Crimson Glory before replacing Geoff Tate as the singer of Queensrÿche in 2012, effectively pulling double duty. After a lengthy conversation and some minor editing, La Torre handed over a press release exclusively for BW&BK (found here) announcing that, after approximately three years as Crimson Glory’s voice, he had officially resigned.
La Torre was introduced to Crimson Glory by Matt La Porte (Jon Oliva’s Pain, Circle II Circle), becoming an official member in 2010. He helped to ignite and give new life to the legendary band that had been on hiatus for nearly ten years, and mourning the loss of original vocalist Midnight. Crimson Glory emerged back into the world arena metal scene with very high praise and acceptance. La Torre toured as the new voice of Crimson Glory throughout Europe in celebration of the band’s 25th Anniversary with great success.
Talk of a new album was highly anticipated and the band appeared to be firing on all cylinders.
“We were writing the new album and things were looking good, says La Torre. “We had interest from two major European labels, which was very promising. I was very honored and proud that we were on the rise, and the fans were embracing all that we were doing. We had wonderful momentum and we were working within an important window of time within which the new record should have been recorded and released to have the most impact given the bands resurgence. Unfortunately, the record never materialized despite my best efforts.”
“My involvement with Queensrÿche had nothing to do with the album progress,” he continues. “I haven’t been contacted to write with Crimson Glory for over six months. As a band, our writing sessions were slow, eventually becoming non-existent before I ever joined Queensrÿche. During the specific timeframe that I was in talks with Queensrÿche, members of CG were simultaneously occupied by other external and internal endeavors that apparently absorbed the time and/or will away from CG, which is not fallacious per se, but it proceeded in passivity. The main reason for my resignation from Crimson Glory is primarily due to its inertia status.” (continue reading…)
A couple months ago Jim McCormick out of London, Ontario launched a website dedicated to garnering attention for shows scheduled to take place in and around his home town. A musician himself, McCormick is all about the live experience. And let’s face it, if you call yourself a musician you sure as hell better be able to deliver them studio goods to the stage and impress the hell out of the folks buying your music. This is a call to arms.
I was recently asked to contribute to the site, and agreeable sort that I am – not to mention a shameless Canadian flag-waver – I decided to add my two cents to the AllStage site where required. Thus, along with whatever news bits we deem worthy for the site’s format I’ll be posting a monthly editorial on whatever tickles my fancy or irritates the hell out of me at that moment in time. (continue reading…)
So, me and my extended BW&BK family have issued our individual Best Of 2012 lists because that’s the sort of thing you do in this biz as the new year kicks off. I’ve decided to post my long-winded overview of the last 12 months here, with a link provided leading to my Top 10 Albums list along with other honourable (and dishonourable) mentions…
It was a rollercoaster of a year, as they all are in the music biz.
From being blindsided by Halestorm’s new album The Strange Case Of… and becoming a fan against my will, to dealing with a fuckwit promo rep at Roadrunner Records who decided to change my questions in an email interview because she felt they were “too harsh” for her artist (um, shouldn’t that be for the artist to decide?), to bucket list interviews with Brighton Rock’s Gerry McGhee and the lovely Lita Ford, to witnessing some amazing shows on both sides of the pond, 2012 has been quite the adventure.
See the list here for the Hot and Not albums of my year, then pick apart my sanity at your leisure.
Gotta say that I was surprised at not being disappointed by any of the shows I was able to attend this year. The third annual European run of Rock Meets Classic featuring Ian Gillan (Deep Purple), Steve Lukather (Toto), Chris Thompson (Manfred Mann’s Earth Band), three-fifths of Primal Fear’s roster and Trillium vocalist Amanda Somerville was positively brilliant, with PF singer Ralf Scheepers going above and beyond lending his voice to the Toto hit ‘Rosanna’ (!). Watching Devin Townsend successfully manipulate a Motörhead crowd into doing his bidding was a gut-buster, seeing former Helloween members Michael Kiske and Kai Hansen on stage together with Unisonic belting out classics ‘I Want Out’ and ‘Future World’ was ’87 surreal, and the Leaves’ Eyes / Firewind tour that looked so weird on paper turned out to be one of the best gigs of the past 12 months.
Nightwish gets a scrapbook all its own due to a brilliant show in Nuremberg – featuring more pyro than the sun – and a day and night hanging with some of the finest people in the metal business. (continue reading…)
One of the things I enjoy most about the whole music biz schtick is the people I meet along the way. Not just the so-called rock stars; label reps, tour managers, promoters, stage crews, promo people, merchandise watchdogs, other journalists…. I’ve met plenty of each and I’m proud to call many of them my friends.
One such specimen is Australian sound engineer Matt West, who has worked for the likes of Testament, Motörhead, and several non-metal artists; a gentleman whom I met by chance and turned out to be quite a nice guy largely due to his warped sense of humour and love of metal. Turns out we also share a love of photography, and Matt has taken a big step by releasing a book of 200 shots compiled from his travels around the world.
Gotta say, I’m impressed.
Following is an overview of the book by Matt and the official press release for the book, entitled Moments:
Matt: “Moments is a collection of images with minimal information: only a title and location accompanying each shot. My desire is to leave the interpretation up to you. A random sequence of apparently unconnected photos, moving from one country to the next, through the randomness of the images you are invited to make your own connections. The dialogue of this book is both personal and internal.
There are to be no band or celebrity shots here. These are moments that caught my eye while wandering foreign lands. A collection of images from around the world taken while on the road, mostly away from the crowds and the flashing lights.
This is a book for when you have a few quiet moments of your own to drift away. It’s easy reading and easy viewing. I hope you will find something that inspires your imagination.” (continue reading…)
Guns N’ Roses – better known by the old schooler such as myself as Axl & Roses these days – kicked off their residency at The Joint at Hard Rock Hotel, Las Vegas, NV on October 31st. Author, journalist, musician, internet radio host, long time BW&BK supporter and good friend Joel Gausten was in attendance and checked in with an exclusive review of the show. An excerpt is available below:
By Joel Gausten
“One-hundred minutes. That’s how long it took Axl Rose and his current incarnation of Guns N’ Roses to take the stage at the Joint at the Hard Rock Hotel & Casino on October 31st AFTER the 9:00pm start time actually listed on the damn ticket. While a local opening band called 333 did their best to placate the crowd with their brand of Nickelback-lite alt metal (and came back and played an additional 20 minutes AFTER ‘Thank you, good night!’), the groans from within the crowd grew louder with each passing minute. Was that bastard going to screw his audience AGAIN, even on the first night of a lengthy residency in Vegas? Would the headlines about Axl’s erratic behavior once again take center stage over the guy’s unbelievable talents? Would this guy flat-out suck? Anyone who has witnessed the train wreck that occurred at the band’s recent Bridge School Benefit gig surely couldn’t know what in the world to expect as the lights finally dimmed on the Joint’s stage. Would this much-hyped string of shows be the final nail in the coffin for one of Rock’s most incendiary acts?” (continue reading…)
Only In Canada, Eh! – October / November 2012: BLACKGUARD, GLEN DROVER, KOBRA AND THE LOTUS, And THE AGONIST’s Alissa White-Gluz Visits KAMELOT
Since there’s no NHL hockey season thanks to certain greedy sons of bitches, you can brush up on your Canuck metal below:
Blackguard are back on the road yet again, only this time they’re on the other side of the pond on the highly anticipated Kamelot tour. This is going to be huge for the band in the Kamelot are a huge draw right across Europe, and the band’s new Silverthorn has been receiving rave rviews across the board. Vocalist Paul Zinay recently commented on the trek:
“We had a blast conquering North America with Kamelot and now it’s time to conquer some new territories. We are very honored that we were asked to join them on this tour and we’d like to give our deepest thanks and gratitude to Thomas (Youngblood / guitars) and all of the Kamelot crew for extending us this invitation. This will be the last tour supporting our latest album Firefight and we can’t imagine ending on a higher note than this.”
Blackguard is due to release their new album, Storm, in the spring of 2013 via Victory Records. (continue reading…)
By Carl Begai
Toronto-based guitarist Glen Drover (ex-Megadeth, ex-King Diamond) recently revealed that he and his band had recorded a cover a classic song from Canadian rock legends Saga. Following a short conversation – and because Drover is a smart guy with excellent taste – it was agreed that BW&BK would stream the track exclusively over the weekend (October 13th and 14th), where it’ll remain even as Drover launches the track via his YouTube channel.
Check out Drover’s update below:
“Well, here it is, the first song from the forth coming Glen Drover Band album. It is tentatively titled Between Sea And Sky, and what you are about to hear is a cover song from the legendary Canadian band Saga called ‘Careful Where You Step’ that we recorded. We are super happy with the outcome and have to thank all the people involved to make it happen.
Aside from the band, which consists of myself, Jim Gilmour (keys/Saga), Paul Yee (bass) and Nick Davey (drums), we had a little help from original Saga vocalist Mike Sadler doing all lead vocals, as well as some backup vocals by Pat Mulock from Eidolon, who also sang on the Eidolon albums Coma Nation and Apostles Of Defiance. Everyone did a great job. Thanks again guys!!!
We are approaching the halfway mark of completing the recording for the next CD. Same approach as the last album as far as taking our sweet time to make sure the songs grow on us to try and make the album as strong as we possibly can.
Hope you enjoy this first track from the album as much as we do.”
Go to this location to check it out.