By Carl Begai
Leaves’ Eyes vocalist Liv Kristine Espenæs Krull and I recently sat down to discuss her new solo album, Skintight. Towards the end of the interview (found here) I asked her for her thoughts on her former band Theatre Of Tragedy’s decision to call it quits after 17 years. Liv was an integral part of the band, and it’s fair to say they were one of the building blocks in my metal education. It’s sad to see them go, and I’m not the only one that thinks so.
“I received an invitation from the guys in Theatre Of Tragedy asking me if I wanted to make a guest appearance in Stavanger at their final gig on October 2nd,” Liv reveals. “I’ll be in the States on tour so there’s no way I can do it, which is a pity. My mother is going, though, and I’m still in touch with Raymond (Rohonyi / vocals) and Lorentz (Aspen / keyboards). We’ve talked about what happened between us and, well, it is what it is. You can’t change the past.”
“Without Theatre Of Tragedy I wouldn’t be where I am today. I learned a lot during those years. I founded the band with Raymond when I was 18 and we went on tour when I was 19. It was crazy, and what we learned and experienced in those years was fantastic. Continue reading LIV KRISTINE – When Velvet Darkness Falls
By Carl Begai
During his departure-turned-hiatus from Soilwork between 2005 and 2008, guitarist Peter Wichers turned to production work and succeeded in carving out a lucrative new career. Having made his mark in 2008 with Nevermore frontman Warrel Dane’s first ever solo album, Praises To The War Machine, 2010 finds Wichers with two more critically acclaimed releases: Soilwork’s new record The Panic Broadcast and Nevermore’s surprising return to old form, The Obsidian Conspiracy. During our interview about The Panic Broadcast, he also discussed how he ended up working with Nevermore and his influences on their new record.
“The Obsidian Conspiracy was a great opportunity for me and I really enjoyed working with them,” says Wichers. “I didn’t know too much about them other than what I saw on Headbanger’s Ball when I was a teenager, but then we toured with them for A Predator’s Portrait. We learned so much from those guys and we stayed in touch, and the whole Nevermore thing came about because of Warrel’s solo record. I got involved with it, he asked me to write for it and was really happy with the end result, so I guess from that they decided to give me a shot with the new Nevermore record.” Continue reading SOILWORK Guitarist Peter Wichers – Thinking Obsidian
Sharlee D’Angelo recently sat down with me to discuss the new Witchery album, Witchkrieg, for BW&BK (found here). The interview eventually turned to focus on his main priority, Arch Enemy, who have spent the better part of the last year touring in support of their Root Of All Evil updated retrospective album. Given that it’s been three years since the band’s last all-original outing, Rise Of The Tyrant, the question was raised as to how long of a wait is in store for the next Arch Enemy studio record.
“It’s definitely in the planning stages” says D’Angelo. “It’s just that ever since we changed our whole organization a little bit, things are so much smoother and going so well now that we’re self-managed. So many offers have come in and we’ve been playing places we’ve never played before. It’s like, we’ve confirmed a show in the Maldive Islands this summer (laughs); things like that you can’t say no to. And there’s the mainland European festivals, of course. We’ve made a plan now, so shows after the tail end of November that we had scheduled, we scrapped all those so we can get into the fucking studio.”
The band isn’t necessarily ready to go with brand new material, however. It’s still very much a work in progress. Continue reading ARCH ENEMY – Chemistry Lessons
By Carl Begai
Back in November 2009 Extreme guitarist Nuno Bettencourt made the surprise announcement that he would be touring as a member of pop star Rihanna’s live band. It was coupled with the assurance that Extreme was still alive and well, he was just taking time out to do something a bit different. During a recent interview with Bettencourt about Extreme’s new live DVD, Take Us Alive, he discussed life as a session player for one of the world’s most popular popsters.
“That was one of those unexpected little things that happens,” Bettencourt says. “A friend of mine, Tony Bruno, called me up when Extreme was off the road and he told me that if I wasn’t doing anything, Rihanna was looking for a guitarist. He told me that before I said no – and I guess he figured I would because there isn’t really a lot of guitar in her songs – the idea was that she wanted to make the live show a bit heavier because she’s into bands like Linkin Park and stuff like that. She wanted somebody to make things rock a little bit, which meant that I would basically get to do what I do if I took the job. I thought it was really interesting to be able to play my style of guitar over her stuff, I thought it would be fun, so I went for it.” Continue reading NUNO BETTENCOURT – Roadwork With Rihanna
By Carl Begai
During my recent interview with Nevermore frontman Warrel Dane for the band’s new killer of an album, The Obsidian Conspiracy (found here) we discussed their latest round of cover songs that accompany the release as bonus tracks, ‘The Crystal Ship’ by The Doors and ‘Temptation’ by The Tea Party. The cover of ‘Temptation’ was of particular interest to me due to the fact that The Tea Party is a cult favourite in Canada and easily one of the most underrated bands in the world (in my humble opinion). Like Rush, they are revered at home to the point that Canadian citizens claiming not to like The Tea Party risk having their passports revoked.
“I would hope so,” laughs Dane. “It’s really weird that they were so fucking popular in Canada and Australia, but in the US they never hit. I have no idea why that is. Any of my friends that know me really well know that I worship that band. I’ve turned them all on to The Tea Party and they’re all like ‘Why isn’t this band fucking legendary?’ Well, they are, but they just don’t sell huge numbers of records.”
“I fucking love The Tea Party so much, but that’s actually not the song I wanted to do. I wanted to do ‘Transmission’ because that’s my favourite Tea Party song besides ‘Sister Awake’. It turned out good, though. The way we approach covers is normally deconstructing them and recreating them. That one is a little more straight ahead because the song didn’t call for something like the way we fucked up ‘The Sound Of Silence’.” Continue reading NEVERMORE – Temptation And A Tea Party
By Carl Begai
One of the strongest tracks on vocalist Tobias Sammet’s new Avantasia epic, The Wicked Symphony / Angel Of Babylon, is ‘Death is Just A Feeling’ featuring Jon Oliva’s Pain / Savatage frontman Jon Oliva. During my recent interview with Sammet about the new record(s) we discussed Oliva’s performance, which is essentially a bookend to Alice Cooper’s guest appearance on ‘The Toy Master’ from the previous Avantasia album, The Scarecrow.
“And that’s exactly what it is,” says Sammet. “Jon Oliva is the reincarnation of the Toy Master in the story. The funny thing is, when I initially wrote the song I had Alice Cooper on my mind but I didn’t think it worked to have the same singer play the re-incarnation of a character. I decided to bring a new colour into it but I needed someone that would suit the song just as well as Alice Cooper. The problem was there aren’t many people that sing in that theatrical, big cinematographic way… thank you Luca Turilli for that word (laughs). Jon Oliva has that kind of theatrical, dramatic voice. I was listening to the Streets album thinking about that and Sascha (Paeth / guitars, producer) wondered if Jon sounded too neat and too beautiful. He felt the voice needed to be more broken. I pointed out that Streets was 20 years old, and present day Jon Oliva sounds epic and dramatic. He’s got something tragic in the way he sings, very deep and meaningful.”
Continue reading AVANTASIA – In Search Of Finitude With JON OLIVA
Some more fun shit with one of my homeboys…
The last time I spoke with Fraze Gang frontman / Brighton Rock guitarist Greg Fraser – check out the interview here – we discussed Brighton Rock’s rise to popularity in Canada during the ’80s. They were an important part of the Toronto scene at the time, and easily one of the heaviest hair metal bands around in spite of their commercially accessible singles in regular rotation on MuchMusic and rock radio. Leaving their shows deaf was a common occurrence. I have a vivid memory of one particular show that took place at The Diamond in 1989 or 1990, which was simulcast on Q 107.1 and featured an up-and-coming local band called Winter Rose. It makes me wish digital technology had been alive and well back then, because Winter Rose featured none other than Dream Theater vocalist James LaBrie and and guitarist-turned-producer / engineer Richard Chycki in their formative years.
Continue reading BRIGHTON ROCK Meets WINTER ROSE – A Sign Of The Times…
By Carl Begai
I recently caught up with Danko Jones to discuss his new album, Below The Belt, and because he and I both call Toronto home conversation invariably turned to Canadian metal – past and present – and growing up on the local scene back in the day. One topic of discussion was vocalist Sebastian Bach, easily the loudest personality of that era. Baz was also the man that put Skid Row on the map back in 1989 and took the band’s voice, face and fame with him when he got the boot in 1996. Danko, an admitted Bach fan, toured with him on the January 2010 Canadian leg of the current Guns N’ Roses tour, an experience he would be only too happy to repeat. He looks back on sharing the road with his fellow former Willowdale native… ironically, the same part of town where I grew up. It’s a small world.
Danko: “Growing up in Toronto and going to shows, my biggest goal was to play the Concert Hall because that where all the shows I went to were. That level of band to me was ‘You made it!’ If you could get on a tour and be the first of three bands on a night, you were in. I remember seeing Testament, Savatage and Nuclear Assault there; Nuclear Assault were first up and for me it was like ‘Aw man, they made it!’. So sometimes when we get on those tours where we’re first of three I have to remind myself that that’s what I wanted (laughs).”
Continue reading DANKO JONES And SEBASTIAN BACH – All The Way From Willowdale…
By Carl Begai
At the tail end of 2003 I caught up with vocalist / bassist / actor Tony Dolan, best known in metal circles as the man that replaced original Venom vocalist Cronos for the Prime Evil album in 1989 for a total of three records. An unexpected opportunity presented by a mutual friend affectionately known as The Mad Dutchman, based on the fact that Dolan had snagged a part in the Russell Crowe film Master And Commander: The Far Side Of The World. The interview was published in January 2004 on the BW&BK website but it didn’t receive the attention it should have (in my always humble opinion ;-)). During a recent hunt through my archives for some information on another band I stumbled across the Dolan story and figured the world could do with a reminder of who the man is and his career. Particularly since he’ll be making a return in 2010. Following is an excerpt from the original story recapping the events leading to Dolan getting the part of Mr. Lamb in Master And Commander and working with Crowe:
Dolan’s move from the metal stage to the silver screen was more or less accidental. Days were spent working in theatre, the nights devoted to Venom until he decided to leave the band, at which point he signed on for a 15 month world tour with the Royal Shakespeare Company for A Comedy Of Errors. That experience led to working on the Queen tribute theatre production We Will Rock You in London, giving Dolan the best of both worlds. Then, an off-the-cuff audition for a “big Hollywood production” led to further auditions, meetings, and a huge first step into a new line of work (discounting a bit part in Judge Dredd that got hacked to pieces).
Continue reading TONY DOLAN – Life After VENOM: The Russell Crowe Big Screen Jam
By Carl Begai
Back in 1997, before the internet ruled the music world, I accidentally stumbled upon an album entitled Project One by the Japanese band Saber Tiger. I was (and remain) a fan of Japanese metal, and even though I had no idea who guitarist / ringleader Akihito Kinoshita was at the time, the musicians on the album with him had more than enough credibility to hold my interest: Anthem bassist / founder Naoto Shibata, ex-EZO drummer Hiro Homma, and vocalist Ron Keel.
I bought the record without hearing a note.
Continue reading RON KEEL And SABER TIGER – Feeding Time At The Zoo