By Carl Begai
How about an Accept story that doesn’t involve discussion about former vocalist Udo Dirkschneider and his personal issues with the band? On top of that, let’s not talk about a possible reunion with the U.D.O frontman because, at this point in Accept’s career, stirring that pot is just plain bad manners bordering on insulting. Nope, the focus here is on Blind Rage, the band’s third go-round with singer Mark Tornillo, which the fans have been praising to high heaven according to guitarist Wolf Hoffmann. In fact, some diehards have actually gone on record calling Blind Rage the best of the three records in this “new” Accept’s catalogue. Brave words indeed, particularly when stacking it up against Blood Of The Nations, the band’s bold 2010 return that amounted to a “We’re back!” eargasm for their legion of fans.
Interestingly, Blind Rage comes off as being somewhat less heavy in places compared to Blood Of The Nations and its follow-up, Stalingrad. Call it classic heavy Accept with more melody and dynamics thrown into the mix, just like the good old days of Breaker (1981) and Restless And Wild (1982). Almost as if Hoffmann and bassist Peter Baltes experimented with branching out from what they know works for Accept fans in 2014.
“I’m not sure we did,” Hoffmann counters. “If anything I think we tried to hone it into what Accept really is. I think ‘experiment’ is a bad word to use. There are songs on Stampede that are more melodic, but all in all it’s totally Accept to me. A good song is a good song, and we always try to concentrate on songwriting more than anything, and if things sound a little softer or more melodic here and there, so be it. We’ve always been about melody in our songs. As long as people like it I’m happy.” Continue Reading