By Carl Begai
Released in early 2010, A Sign Of Sublime should have been Sarah’s triumphant return to center stage after making her mark four years earlier fronting Angtoria. A host of production woes and assorted cock-ups turned into little more than a nice try as far as she’s concerned. Rather than cop a wallowing “why me?” attitude,she chose to play live as much as her wallet and promoters would allow, with her heart set on a follow-up that would smoke A Sign Of Sublime into nothing more than a drink-addled memory. That mission has been accomplished in epic fashion with The Corruption Of Mercy, the album that should have followed Angtoria’s debut, God Has A Plan For Us All, and shares a similar vibe and attitude.
“You know, to be honest I don’t think it sounds anything like Angtoria in any way, other than some big orchestrations,” says Sarah, “but people need to find something to compare it to. And yes, it does smoke A Sign Of Sublime. That was the intention; to make sure people forgot that album, but only because of the mess it was left in thanks to a certain man at a certain record company. Dan (Abela / guitars) and I wrote this album together, alone, in a dark room, naked…. actually, no dark room (laughs). AblaZ (God’s Army), the bass player, wrote a track, so did Luke Sibthorpe (The Dead Lay Waiting), and then Pzy-Clone (The Kovenant) added his amazing parts, which was the icing on the cake for us.”
“So, to answer your question, Dan and I were directors with an aim, and that aim was to take over the world and to make sure people could notice a major difference in writing, recording and all aspects of production. We have the same musical tastes, or very similar, but of course we never once said ‘Right, gotta rip this band off’ or ‘Gotta sound like this band to give us huge record sales…’.”
Continue reading SARAH JEZEBEL DEVA – Redemption Songs