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	<title>Carl Begai &#187; Aegis</title>
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		<title>THEATRE OF TRAGEDY &#8211; Forever Is The World (AFM Records)</title>
		<link>http://carlbegai.com/2009/09/16/theatre-of-tragedy-forever-is-the-world-afm-records/</link>
		<comments>http://carlbegai.com/2009/09/16/theatre-of-tragedy-forever-is-the-world-afm-records/#comments</comments>
		<pubDate>Wed, 16 Sep 2009 22:49:04 +0000</pubDate>
		<dc:creator>carl</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Aegis]]></category>
		<category><![CDATA[Liv Kristine]]></category>
		<category><![CDATA[Musique]]></category>
		<category><![CDATA[Nell Sigland]]></category>
		<category><![CDATA[Raymond Rohonyi]]></category>
		<category><![CDATA[Theatre Of Tragedy]]></category>
		<category><![CDATA[Velvet Darkness They Fear]]></category>

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		<description><![CDATA[Theatre Of Tragedy have always been good for a surprise. From ditching all growling vocals from their repertoire following a smash hit breakthrough album (Velvet Darkness They Fear), to going from doom-goth to electronica (Musique and Assembly), to firing singer Liv Kristine in 2003, to returning to their goth roots with a new female vocalist [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://carlbegai.com/site/wp-content/uploads/2009/09/TheatreOfTragedycover-150x150.jpg" alt="TheatreOfTragedycover" title="TheatreOfTragedycover" width="150" height="150" class="alignleft size-thumbnail wp-image-1694" />Theatre Of Tragedy have always been good for a surprise. From ditching all growling vocals from their repertoire following a smash hit breakthrough album (Velvet Darkness They Fear), to going from doom-goth to electronica (Musique and Assembly), to firing singer Liv Kristine in 2003, to returning to their goth roots with a new female vocalist (Storm) the band has lived, breathed and occasionally died at their own hands for over 15 years. That said, fans are likely expecting something off-kilter to happen on Forever Is The World, but no one could have predicted male singer Raymond Rohonyi’s growls to return following years of swearing it would never happen. <span id="more-1693"></span>The beast is indeed back in form, although a bit more refined and used sparingly in that Rohonyi only appears on 50% of the record (and growling over only half of that). It falls to female vocalist Nell Sigland to carry Forever Is The World, and against all odds – specifically the revered legacy Liv Kristine left behind – the moment she appears it’s immediately apparent one is listening to a true Theatre Of Tragedy album and not a feeble, directionless attempt to recapture past glories. Forever Is The World is a remarkably well executed mix of Velvet Darkness They Fear (‘Hollow’, <a href="http://www.youtube.com/watch?v=-Jk94ALzRFc" target="_blank">‘Hide And Seek’</a>, ‘A Nine Days Wonder’) and Aegis (‘Transition’, ‘Revolution’, ‘Deadland’) yet it doesn’t feel like a rehash even for a moment. If anything it’s more of a trip down memory lane with an eye on the future, right down to a tip of the hat to Musique’s controversial techno vibe (‘Astray’) and the title track&#8217;s hint of ‘A Distance There Is…’ from the self-titled debut. The only complaint to be made is directed at the anti-goth album title, but given the honesty of the music and the resulting happy-as-a-pig-in-shit grin on my face one misfire is easily forgiven.   </p>
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