This story was originally published on this site back in April 2014, heralding the arrival of HDK’s new album Serenades Of The Netherworld. Or rather, the first taste of the record in the form of two singles to get people talking, which they did. Here’s the updated version of the story to coincide with the full album’s September 1st release.
By Carl Begai
It’s been five years since former After Forever guitarist Sander Gommans broke his self-imposed hiatus from the music business with HDK, a slavering beast of a project that flew in the face of his former band’s symphonic goth metal sound. The debut album, System Overload, was a full-on metal assault that presented both Gommans and vocalist/co-conspirator Amanda Somerville (Trillium, Avantasia) entering unexplored territory, showing off a very different and altogether volatile side of their musical personalities. A second HDK album was always in the cards; it was just a question of when the pair would get around to writing and recording it in amongst other projects that were on the go, which included the launch of Gommans’ studio/music school The Rock Station, working on albums from Trillium and Kiske / Somerville, and tours with Trillium, Avantasia and Rock Meets Classic. Serenades Of The Netherworld has finally surfaced – creeping into the light slowly but surely – as a bigger and more melodic take on System Overload. It’s certainly more dynamic and less bent on bludgeoning the listener into submission, but not at the expense of healthy sonic violence.
Amanda: “That wasn’t because of me. That was definitely Sander’s fault (laughs).”
Sander: “The thing is, with the first album I wanted to do something really different from After Forever. I’d wanted to do it for years and years, and that’s what came out. Since then I’ve had time to work with other artists and re-think some stuff. I wanted to write a new HDK album that was similar to the previous one but it came out much more symphonic and way more melodic. I didn’t have to distance myself from After Forever anymore, and I was ready to write stuff that was more melodic anyway like I did for Trillium and Kiske / Somerville. And I worked with keyboard players this time, so that gave the music a different feel as well. The new HDK is still heavy but it’s different from the first album..”
Amanda: “On the first album Sander was saying ‘There aren’t going to be any keyboards on the album because After Forever is full of frickin’ keyboards…’ (laughs). I think that has a lot to do with how the new HDK album turned out.” Continue Reading
By Carl Begai
Back in July, vocalist Amanda Somerville spilled the beans on her first official metal solo project, Trillium (interview available here). With the release of the debut album, Alloy, only weeks away she shot a video for the song ‘Coward’, and we got together the following morning over tea to delve a little deeper into the new album.
It’s safe to say Somerville efforts will surprise a lot of fans – in a good way – and earn her some new ones along the way as Trillium plays out. And while it’s a no-nonsense metal album, anyone that’s followed Somerville’s decade-long non-metal career will wonder if some of the songs were consciously tweaked from a singer / songwriter / acoustic state to the tough-as-nails tracks we’re hearing now. Take away the distortion and the tracks in question would easily fit on her 2009 solo album, Windows.
“It was very conscious, actually,” Somerville reveals. “Songs like ‘Path Of Least Resistance’, ‘Purge’ and ‘Mistaken’ were pretty dark, and I’d planned to put them on my next solo album, which was going to be darker and heavier than anything I’d done before anyway. I had all this material that was building up, and since I’m a piano player and not a guitar player, it was clear to me I’d have to work with someone who played guitar as their main instrument like Sascha (Paeth / producer) or Sander (Gommans / HDK) so they could metal it up. That was the idea from the start, and the way things progressed led to those songs being on this album.”
“The songs that I wrote with Sander – and he’s a prolific songwriter, cranking them out like crazy – we already them had in mind for this project. Sander was totally into it, and every time he sits down with his guitar a song comes out of it. The way we typically work, he writes the instrumental parts and then I come in and suggest whatever changes I think should be made. Then I take the song and write a vocal line and lyrics to it. Sander likes a good challenge as well, though, and when he heard the piano / vocal demo I had for ‘Machine Gun’ he asked if he could work on it. He came up with the big main riff, which really supplements the running theme through the whole song.” Continue Reading
By Carl Begai
Normally I shy away from doing live / event reviews simply because I suck at them. Kind of ironic given that’s how I got my start in this business. Fact is I find it almost impossible to express how good I think a show was in print without boring myself to tears. You can only use and re-word the terms “kick ass” and “awesome” so many times until you begin to sound like that idiot hack who shows up for two songs and a shot of Jack, then heads home to compose a glowing review before bed of what he didn’t see. Between bouts of World Of Warcraft and Spongebob.
All that said, I was invited by singer Amanda Somerville to attend a video shoot for the song ‘If I Had A Wish’, taken from the forthcoming Kiske / Somerville album featuring herself and ex-Helloween vocalist Michael Kiske. Also on board for the shoot were bassist Mat Sinner (Primal Fear / Sinner), guitarist Sander Gommans (ex-After Forever / HDK) and drummer Rami Ali. Amanda and I have known each other a long time (yes, I namedropped; sue me ;-)) and Mat has been a long time friend and supporter of BW&BK, so I was more than happy to come down and play a game of hurry-up-and-wait with them.
Besides, it was a good excuse to see if Sander was the metalhead he claims to be. I wasn’t disappointed; the ‘Painkiller’ footage was priceless (a story for another day).
In the meantime, a new video report from Amanda is available here. Below are a few highlights from the experience Continue Reading
By Carl Begai
Suffering from what has been documented as “stress-related burnout”, After Forever guitarist/co-founder Sander Gommans’ condition put the band on forced hiatus for the duration of 2008. The downtime gave the band members an opportunity to explore other musical ventures, and for Gommans it meant taking a serious stab at bringing his long-fermenting side-project HDK to life. Initially meant as a lighthearted showcase of his heavier side – the Hate Death Kill moniker is an intentional metal cliché – he decided prior to the break that the material was strong enough to be taken far more seriously. Calling on pop rock / temporary Epica vocalist Amanda Somerville, who had collaborated with After Forever several times in the studio, for her assistance, the pair settled in to create what is by far the most brutal piece of work in their respective catalogues. Sadly, the release of the HDK debut, System Overload, was punctuated by the announcement that After Forever had decided to call it quits. Rather than look back Gommans has chosen to push forward by starting a new chapter in his musical career; one that starts on an unexpectedly brutal note.