Alice Cooper

All posts tagged Alice Cooper

By Carl Begai

There are two sides to Extreme’s Pornograffitti success story. On the one hand you have ‘More Than Words’ – arguably one of the greatest ballads ever written – made popular the world over by lovesick teenagers, lonely househusbands / wives, and socially inept business people everywhere. On the other side you have the fanbase that devoured the ‘Kid Ego’ stomp and ‘Play With Me’ shred of Extreme’s self-titled debut and wanted more. Those of us in the second group weren’t prepared for what hit us when Pornograffitti was unleashed, however, as it sucker-pounded us into a mindblown state by the time ‘Get The Funk Out’ raised its middle finger four songs in. Designed as a concept record, Pornograffitti took the listener on an trip through the realms of metal, rock, rap, Queen, Sinatra and everything in between, amounting to full-on theater for the ears and mind.

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Pushing twenty-five years later, Extreme has taken Pornograffitti on the road for a 25th Anniversary tour, playing the album from front to back as the first hour of a two hour show to packed houses. Given the storybook aspect of the record one would think turning it into a complete live set would be a no-brainer, but that wasn’t the case according to vocalist Gary Cherone. Nope, a lot of thinking was done before it became a reality.

“Someone brought it up in 2012,” he says, “and I remember going to those rehearsals thinking ‘Is this gonna work? Going in chronological order, ‘More Than Words’ is the fifth song…’. I didn’t want to do Pornograffitti in order but Nuno (Bettencourt / guitars) and Pat (Badger / bass) convinced me to do it. It worked in rehearsal but I couldn’t get my head around sitting down and doing ‘More Than Words’ as the fifth song in because we usually do it later in the set. Like the record, though, it works as a show because there’s a flow. I admit that I was wrong.”

When Pornograffitti was released it was unlike anything Extreme’s hair-band peers were doing, making it stick out like a sore thumb to anyone on the scene paying attention. It’s a milestone in the band’s career, and it resonated with the die-hard fans long before ‘More Than Words’ took over the world.

“‘More Than Words’ obviously struck a chord with people, but that happened nine months after the release,” Cherone reveals. “We were writing for III Sides To Every Story, the Pornograffitti record was dead, we were touring Europe and getting ready to do the third record, and all of a sudden ‘More Than Words’ took hold in Denver and started to connect. Quoting Nuno, the Pornograffitti record is where we found ourselves. On the first record we were our influences – Aerosmith, Van Halen – and on Pornograffitti we discovered what we were. There are monster riffs on the record; Nuno is out of control (laughs).” Continue Reading

By Carl Begai

What started five years ago as an interesting concept of mashing a rock band with an orchestra live on stage in support of popular vocalists of yesteryear, Rock Meets Classic has set a new standard for itself and anyone dumb enough to try and rip them off. Following successful runs through select parts of Europe – primarily Germany – with stars such as Ian Gillan (Deep Purple), Paul Rodgers (Bad Company), Steve Lukather (Toto), Dan McCafferty (Nazareth), Chris Thompson (Manfred Mann’s Earth Band) and Eric Bazilian (The Hooters) to name only some of ’em, the 2014 edition of Rock Meets Classic serves up its most diverse line-up yet with unexpectedly positive results. As in, a brilliant high quality ass-kicking.

In all honestly, hearing that Alice Cooper, the Uriah Heep duo of Mick Box and Bernie Shaw, and Joe Lynn Turner were going to share the stage with the likes of ’80s popsters Kim Wilde and Midge Ure (Ultravox) for the tour left me scratching my head in disbelief. As in, I was curious as to who was smoking what when they dreamed up a supposed musical car crash. It’s supposed to be ROCK Meets Classic after all, and although The Mat Sinner Band and the Bohemian Symphony Orchestra Prague have never disappointed in the past, I wondered who the hell would even care about Kim Wilde and Midge Ure.

A whole hell of a lot of people as it turns out. And rightly so, as the duo stood toe-to-toe with their rock pedigree tourmates.

So, rather than penning an overblown review with too many windbag adjectives, the following is a list of highlights from Rock Meets Classic’s fifth show of 2014 on March 14th Würzburg, Germany:

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– the Würzburg show and audience crushed the Nuremberg production from the night before.

– backing vocalists Amanda Somerville, Tiffany Kirkland, Kolinda Brozovic, Ralf Scheepers and Sascha Krebs were given the deserved opening spotlight with a great rendition of the Queen classic ‘Show Must Go On’. It was also nice to see they still have their own individual looks and a minimal choreography rather than being decked out like penguin clones. Scheepers still looks metal, and nobody is trying to hide Kirkland’s rather awesome haircut (especially the lady herself).

– Midge Ure’s voice is amazing, and the symphonic rock version of the Ultravox hit ‘Dancing With Tears In My Eyes’ is a keeper. Thank the appropriate diety for YouTube so you can experience it.

– Joe Lynn Turner wore a vest that looked like the couch my parents had back when I was a kid in 1975. He sounds just as good as he ever did, which is bloody amazing.

– seeing and hearing four of five Primal Fear members out of their metal comfort zone is always a blast. They set a new benchmark for themselves this year.
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By Carl Begai

In 2013 the annual Rock Meets Classic tour – featuring rock artists from the ’70s and ’80s performing their hits backed by a full band and orchestra – made its way through parts of Europe for the fourth time, once again to rave reviews. As every year changes were made to the roster of artists on board, welcoming Paul Rodgers (Bad Company), Eric Bazilian (The Hooters), Steve Augeri (ex-Journey) and Bonnie Tyler to the stage, with Chris Thompson (Manfred Mann’s Earth Band) being the only holdover from 2012. Changes were made within the usually static ranks of The Mat Sinner Band as well, with backing vocalist Kolinda Brozovic and Primal Fear / DuskMachine drummer Randy Black welcomed to the fold. Black’s presence marked the fourth of five Primal Fear members in the Rock Meets Classic family, and he was only too happy to put his well-seasoned metal impulses on the backburner in favour of performing with some of rock’s finest.

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“Not to sound sappy – and I’m going to sound like a wimp (laughs) – but there haven’t been many times in my career when I’ve had tears in my eyes on stage,” Black admits. “A song like ‘Feel Like Makin’ Love’ by Paul Rodgers, I grew up with it and cut my teeth on the cover scene in Canada with them. What people might not realize is that I’m above the stage at Rock Meets Classic, I’m looking down over the orchestra and the band, and I have an in-ear mix of everything. I’m getting goosebumps thinking about it now (laughs). I had this amazing sound in my ears, I was looking down and listening to everything, and I thought ‘I can’t believe I’m drumming for this.'”

“It’s a whole different thing. It’s not metal, but it’s what I grew up listening to; pop rock. There were so many ‘wow’ moments on the 2013 tour, like hearing Bonnie Tyler nailing those notes on ‘Total Eclipse Of The Heart’. Everybody knows the song, everybody knows what Bonnie Tyler sounds like, and she was amazing. I wish my mom could have been there for that.”

Although he was new to the crew, Black was given the spotlight along with the orchestra for a crowd-pleasing rendition of the Pirates Of The Caribbean film’s theme music, ‘He’s A Pirate’. Black played up the part accordingly, making the short interlude one of the many high points of the show.

“That actually wasn’t planned,” Black reveals. “The orchestra rehearsed it without me, and a few shows in they thought drums might add more to the piece, so they put a pirate’s hat on me and away we went. I actually just found out they put it in again for this year.” Continue Reading

By Carl Begai

In recent years, Primal Fear bassist Mat Sinner has crossed over from the realms of metal and become a familiar face / presence to the mainstream rock crowd in parts of Europe. As one of the masterminds behind Rock Meets Classic – which is exactly what it sounds like – he has seen what started as a grand touring experiment morph into a highly anticipated packed-to-the-rafters annual event. Boasting the Mat Sinner Band and the Bohemian Symphony Orchestra Prague as its foundation, Rock Meets Classic is gearing up for its fifth run in March / April 2014 featuring some of the finest rock vocalists/musicians the ’70s and ’80s has to offer. Previous outings with Ian Gillan (Deep Purple), Steve Lukather (Toto), Lou Gramm (Foreigner), Dan McCafferty (Nazareth), Paul Rodgers (Bad Company), Chris Thompson (Manfred Mann’s Earth Band) and Eric Bazilian (The Hooters) went over a storm, appealing to everyone from the unwashed metalheads to the husbands / wives that get out maybe twice a year, to the 65+ year-old pensioners who dress their best for the occasion. The 2014 installment of Rock Meets Classic is shaping up to be another blast for everyone involved regardless of whether they’re on stage or in the audience.

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And while their names may not fill the seats to the extent the featured artists do, Sinner is equally focused on enlisting top notch musicians as members of the Rock Meets Classic backbone. No small wonder the roster hasn’t changed very much since the first run and now features four-fifths of Primal Fear

“If I’m able to give jobs to my bandmates so that they make some decent money on a nice tour, I will,” says Sinner. “And there’s a social part to it, where for example I’m not going to give the drummer position away to another drummer when I have Randy Black. I know Randy can play all this stuff, he’s got the skills, and I know he’s a big fan of some of these singers. Everybody was very, very happy with him on the last Rock Meets Classic tour. He told me he had the time of his life, so of course he wants to do the tour next year. If I can give something back to these guys, there’s nothing wrong with that.” Continue Reading

By Carl Begai

During my recent interview with Nevermore frontman Warrel Dane for the band’s new killer of an album, The Obsidian Conspiracy (found here) we discussed their latest round of cover songs that accompany the release as bonus tracks, ‘The Crystal Ship’ by The Doors and ‘Temptation’ by The Tea Party. The cover of ‘Temptation’ was of particular interest to me due to the fact that The Tea Party is a cult favourite in Canada and easily one of the most underrated bands in the world (in my humble opinion). Like Rush, they are revered at home to the point that Canadian citizens claiming not to like The Tea Party risk having their passports revoked.

“I would hope so,” laughs Dane. “It’s really weird that they were so fucking popular in Canada and Australia, but in the US they never hit. I have no idea why that is. Any of my friends that know me really well know that I worship that band. I’ve turned them all on to The Tea Party and they’re all like ‘Why isn’t this band fucking legendary?’ Well, they are, but they just don’t sell huge numbers of records.”

“I fucking love The Tea Party so much, but that’s actually not the song I wanted to do. I wanted to do ‘Transmission’ because that’s my favourite Tea Party song besides ‘Sister Awake’. It turned out good, though. The way we approach covers is normally deconstructing them and recreating them. That one is a little more straight ahead because the song didn’t call for something like the way we fucked up ‘The Sound Of Silence’.” Continue Reading

AliceI don’t usually get nervous before doing an interview. Fact is I’ve been doing this long enough that I know more or less what to expect going in, and I know what’s expected of me by my intended victim (something many newbies definitely need to learn). It has nothing to with being jaded or the shine on my choice of career having faded; I just happen to be very comfortable with what I do and I’m happy in this particular comfort zone.

There have been moments of nervousness and uncertainly of course, ranging from “I’m so over my head” to “I am SO going to die sucking” depending on who the interviewee happened to be. My very first interview was a phoner with the beautiful Michelle Meldrum, guitarist for Phantom Blue (may she rest in peace), a gut-churner due to the fact I had no idea how I was going to lead a conversation with a hot woman even if she was on the other side of the continent. I was a social car crash when it came to women…. as opposed to my present day status of being mildly inept. It’s an experience I’ll never forget because I not only survived, but she made me feel like a million bucks when all was said and done. Interviews with Rob Halford, Ronnie James Dio and Bruce Dickinson came with a prerequisite dose of the shakes because of who they are and what they represent, but in every case my fears of sticking my foot in my mouth or having a brainfart were unfounded. All three of them were gentlemen to the core yet very easygoing, making my job a hell of a lot easier than I ever would have expected. Continue Reading