BW&BK Interview: EDGUY – Rhyme & Reason: Leave It To The Prose

By Carl Begai

Following is an excerpt from my latest BW&BK interview with Edguy / Avantasia frontman Tobias Sammet for the new Edguy album, Age Of The Joker….

“I think Edguy has always maintained the integrity and the key elements of our sound,” says Sammet, “but we’ve always dared – and it’s really stupid to use that terminology – to do what we feel (laughs). It really sounds odd because it’s something you take for granted when you speak to an artist. An artist should always be doing what he or she wants to do.”

Which is the very reason for Edguy’s continued success, as Sammet has no problem dropkicking the box marked “Fan Expectations.”

“I’ve said this before, but we don’t work for a pizza delivery service. Just because the fans ask us for something, it doesn’t mean they’re going to get it from us (laughs). It doesn’t work like that when you’re creating art, and we’ve always done what we wanted. I’m really happy with the album, and it’s a heartfelt happiness. I don’t know what to think about the musical direction of it, if we’ve gone back to the roots or whatever. That was never our goal, we didn’t really strive for that.”

“The thing is, if we were to do 10 songs like ‘Babylon’ for example, it wouldn’t work. Sometimes I really feel the need to do a song like that, and you can hear that in songs like ‘The Arcane Guild’ and ‘Breathe’ on Age Of The Joker. When we did the Theater Of Salvation album, although we loved that kind of music, I think we really wanted to make sure that we came up with a statement. I don’t think it was a conscious thing, but I think we really wanted to make sure we had a label put on us.” Continue reading BW&BK Interview: EDGUY – Rhyme & Reason: Leave It To The Prose

TRILLIUM – …By Any Other Name

By Carl Begai

There was a time when Amanda Somerville’s name was merely another footnote in the metal biz. Her career as a solo artist had legs as of 2000, but in the world of greasy long-haired distortion and debauchery Somerville was a behind-the-scenes helper, credit given where it was due on a guest artist roster or in a thank you list. In 2003 she took the daring plunge into a realm that was still something of a mystery to her, creating the Aina – Days Of Rising Doom metal opera with her Gate Studios colleagues, finally putting a voice and face to her name. Since then, Somerville has become a popular member of the metal world, garnering a fanbase that follows and her work even if it may not always float their respective hull-of-steel boats. Now, after years of offering her voice and knowledge to acts like Epica, Avantasia, HDK and Kiske/Somerville, “the blonde chick” has stepped into a spotlight of her own making.

And it’s very, very metal.

“I’ve been throwing around the idea of doing this over the last few years,” she reveals. “It really kind of tipped the scales doing HDK. There’s a saying in German, ‘I licked blood,’ which is disgusting but appropriate I guess, since there’s a song about vampires on the album (laughs). I’ve always done my own thing. People know me mainly from collaborations I’ve done with and for other bands, but I started out as a solo artist and I stayed one throughout. Having done all of this stuff in the metal scene for more than a decade now, it’s only natural that it rubbed off on me. I like it, and the songs that I’ve written in the last several years have been very dark and gotten heavier. Basically, I was just going to make my next solo album more metal, but then I decided I’d prefer to keep the waters a little cleaner in terms of doing a metal project. It’s a little weird if I say I’m going to do a metal album and then throw in a jazz ballad (laughs). I don’t want to compromise, and I’ve got so much material now that I might as well do a total metal album and keep my solo stuff completely separate. That way I can do what I want and not have to apologize to anybody.”

Sounds suspiciously like a typical day at the office for former Strapping Young Lad mad scientist Devin Townsend, another prolific singer / songwriter / musician prone to switching musical gears and doing so effortlessly. Somerville is in good company.

“Yeah, like that. It’s me, Devin and Garth Brooks doing his Chris Gaines thing (laughs). It’s us funky musicians and our split personalities.” Continue reading TRILLIUM – …By Any Other Name

KISKE / SOMERVILLE – Wishful Synching: Move, Don’t Freeze!

By Carl Begai

Normally I shy away from doing live / event reviews simply because I suck at them. Kind of ironic given that’s how I got my start in this business. Fact is I find it almost impossible to express how good I think a show was in print without boring myself to tears. You can only use and re-word the terms “kick ass” and “awesome” so many times until you begin to sound like that idiot hack who shows up for two songs and a shot of Jack, then heads home to compose a glowing review before bed of what he didn’t see. Between bouts of World Of Warcraft and Spongebob.

Temple1watermarkAll that said, I was invited by singer Amanda Somerville to attend a video shoot for the song ‘If I Had A Wish’, taken from the forthcoming Kiske / Somerville album featuring herself and ex-Helloween vocalist Michael Kiske. Also on board for the shoot were bassist Mat Sinner (Primal Fear / Sinner), guitarist Sander Gommans (ex-After Forever / HDK) and drummer Rami Ali. Amanda and I have known each other a long time (yes, I namedropped; sue me ;-)) and Mat has been a long time friend and supporter of BW&BK, so I was more than happy to come down and play a game of hurry-up-and-wait with them.

Besides, it was a good excuse to see if Sander was the metalhead he claims to be. I wasn’t disappointed; the ‘Painkiller’ footage was priceless (a story for another day).

In the meantime, a new video report from Amanda is available here. Below are a few highlights from the experience Continue reading KISKE / SOMERVILLE – Wishful Synching: Move, Don’t Freeze!

HDK – “Hit The Pavement!”

hdk22By Carl Begai

Suffering from what has been documented as “stress-related burnout”, After Forever guitarist/co-founder Sander Gommans’ condition put the band on forced hiatus for the duration of 2008. The downtime gave the band members an opportunity to explore other musical ventures, and for Gommans it meant taking a serious stab at bringing his long-fermenting side-project HDK to life. Initially meant as a lighthearted showcase of his heavier side – the Hate Death Kill moniker is an intentional metal cliché – he decided prior to the break that the material was strong enough to be taken far more seriously. Calling on pop rock / temporary Epica vocalist Amanda Somerville, who had collaborated with After Forever several times in the studio, for her assistance, the pair settled in to create what is by far the most brutal piece of work in their respective catalogues. Sadly, the release of the HDK debut, System Overload, was punctuated by the announcement that After Forever had decided to call it quits. Rather than look back Gommans has chosen to push forward by starting a new chapter in his musical career; one that starts on an unexpectedly brutal note.
Continue reading HDK – “Hit The Pavement!”