By Carl Begai
At this point in time violinist Anna Phoebe is best known as a member of the Trans-Siberian Orchestra, a gig and title she gave up in 2010 in the interest of family and exploring other avenues. During her six year tenure with TSO she made two solo albums, the organic Gypsy (2006) and the raging full-on metal assault Rise Of The Warrior (2008); two releases that offered a look at different sides of Anna’s musical personality. After a long stretch of silence peppered with reports that a new album (or two) was definitely in the works, she closed 2013 with the release of a four track EP entitled Embrace. Like Rise Of The Warrior, the music on Embrace was another unexpected turn and marked the first official studio-recorded collaboration with her friends in UK prog metal band Jurojin; a venture that was long overdue. The EP was also the first big step towards a full length Anna Phoebe record due to be released in 2014, entitled Between The Shadow And The Soul.
I recently sat down with Anna and Jurojin guitarist Nicolas Rizzi to discuss the new music and the events that influenced this new chapter of Anna’s career. The first order of business was to clear up a few murky details regarding the collaboration, however. Initially it was reported that Anna was working with Jurojin on her album, which would be followed by a Jurojin album featuring Anna as a guest performer. Now it seems the proposed albums have been mashed together into one production.
Nic: “The idea ages ago was to do a Jurojin / Anna Phoebe album – the typical heavy Jurojin sound with Anna’s playing on top of that – but as we got deeper into the songs and started demoing them, that’s when we decided to go for a much different approach, something a lot more experimental and a lot less heavy. We had some discussions as to how to put the new music out, and even though it’s all of us we decided to go under the Anna Phoebe name, to make it sort of a continuation of her previous two records. We thought it made the most sense to do things this way. We had a 10 track album, and then we removed four tracks for the EP. The idea was to release the EP and spend the time to really develop this new project and new sound. The full length album will be nine tracks, but none of those will be the EP tracks. The only crossover might be a rearranged piano and violin version of ‘Embrace’.”
Looking back on Rise Of The Warrior, which saw Anna take her TSO persona to the next level, she says it was a success even though it may not have sold hundreds of thousands of copies because the album gave her exposure outside the Trans-Siberian Orchestra live spectacle.
Anna: “I guess each album you do is a reflection of where you are in your life at that time. My first album, Gypsy, was made after I’d been touring around the Middle East a lot and had been with the Trans-Siberian Orchestra for a year or two. Gypsy was my world music sound mixed with a bit of rock – I was dipping my toes into it – and by the time I did Rise Of The Warrior, I was fully into the musical pyrotechnics, the loud symphonic rock / metal world. Those were the people I was hanging out with musically and socially. That album is definitely a blueprint of who I was at that time.” Continue Reading