By Carl Begai
It’s been five years since former After Forever guitarist Sander Gommans broke his self-imposed hiatus from the music business with HDK, a slavering beast of a project that flew in the face of his former band’s symphonic goth metal sound. The debut album, System Overload, was a full-on metal assault that presented both Gommans and vocalist/co-conspirator Amanda Somerville (Trillium, Avantasia) entering unexplored territory, showing off a very different and altogether volatile side of their musical personalities. A second HDK album was always in the cards; it was just a question of when the pair would get around to writing and recording it in amongst other projects that were on the go, which included the launch of Gommans’ studio/music school The Rock Station, working on albums from Trillium and Kiske / Somerville, and tours with Trillium, Avantasia and Rock Meets Classic. Serenades Of The Netherworld has finally surfaced – creeping into the light slowly but surely – as a bigger and more melodic take on System Overload. It’s certainly more dynamic and less bent on bludgeoning the listener into submission, but not at the expense of healthy sonic violence.
Amanda: “That wasn’t because of me. That was definitely Sander’s fault (laughs).”
Sander: “The thing is, with the first album I wanted to do something really different from After Forever. I’d wanted to do it for years and years, and that’s what came out. Since then I’ve had time to work with other artists and re-think some stuff. I wanted to write a new HDK album that was similar to the previous one but it came out much more symphonic and way more melodic. I didn’t have to distance myself from After Forever anymore, and I was ready to write stuff that was more melodic anyway like I did for Trillium and Kiske / Somerville. And I worked with keyboard players this time, so that gave the music a different feel as well. The new HDK is still heavy but it’s different from the first album..”
Amanda: “On the first album Sander was saying ‘There aren’t going to be any keyboards on the album because After Forever is full of frickin’ keyboards…’ (laughs). I think that has a lot to do with how the new HDK album turned out.”
Sander: “That’s why it’s a project; you can do anything you want at any time, and that’s why I don’t want to play live; I don’t want to hold myself to one sort of style or genre. It’s just cool to work together with musicians and come up with stuff. The new HDK album does sound different, I do agree.”
Also different this time out is the way HDK is being unleashed. Rather than going through the circus act of seeking out a record deal, Gommans and Somerville have opted to release Serenades Of The Netherworld independently and in stages as part of an experiment.
Sander: “We have The Rock Station now, and we really want to show musicians how to promote your work when you don’t have a label. It’s just the start, so we’re releasing this first song and it’s actually done well. But, we’ve also noticed that you can’t promote the release just once; you have to keep promoting it. We want to have something to constantly promote the album and give people time to get to know the songs instead of releasing everything all at once on an album where people listen to it a few times before moving on to the next thing. The response has been very positive so far, and I thought people were going to be saying it wasn’t cool that they couldn’t buy the whole album. In that respect people like the songs, but I can see it coming where we release two or three songs and people start asking ‘Okay, where’s the album?’” Continue Reading