By Carl Begai
In 2010, German metal legends Accept ended a 14 year hiatus with Blood Of The Nations, an album that went over a storm in spite of the band doing the unthinkable (again) by replacing original vocalist Udo Dirkschneider. News that former T.T. Quick singer Mark Tornillo was fronting the band created a nasty buzz amongst Accept diehards, many of whom regarded the Eat The Heat record from 1989 a monumental bomb due to the addition of David Reece in place of Accept’s iconic original singer. Blood Of The Nations was anything but a failure, however, silencing the naysayers with band’s strongest record since 1993’s Objection Overruled and serving as a launchpad for a decade of metal mayhem. Too Mean To Die is Accept’s latest offering five albums in from their comeback, and it’s fair to say anyone who has stuck around since then or was weaned on the Restless And Wild, Balls To The Wall and Metal Heart albums will find it delivers the expected goods.
Asked if it registers that a decade has indeed passed since the Blood Of The Nations comeback, guitarist Wolf Hoffmann says “it sounds like a long time, but really, it goes by so quickly. But, sometimes I’m amazed at how much we’ve done in the last 10 years. Five albums, I made a solo album, we made a live album, we’ve toured all over the world. Yeah, we’ve done a lot (laughs).”
One of Accept’s last road trips before getting to work on Too Mean To Die was 2019’s Symphonic Terror Tour through Europe with the Orchestra Of Death. It was an important tour for several reasons and in truth was meant to be a Wolf Hoffmann solo tour. It simply grew to become an entirely different animal during the planning stages.
“That tour was really a lot of fun” says Hoffmann. “I have to say it’s one of the best tours I’ve ever done in my life from a musical and personal standpoint. It was very satisfying. And the funny thing is, yeah, it was supposed to be a Wolf Hoffmann tour; Accept snuck in as an afterthought. Originally I was going to go on tour with my solo project and an orchestra, but then it happened step-by-step that everyone said ‘Well, if you’re going to be on stage you’re going to play ‘Balls To The Wall’, right? You’re going to play ‘Metal Heart’, right?’ And you can’t really do that without a singer, which is how the Accept guys ended up getting involved. It was hard to communicate with the outside saying that it was an Accept show with an orchestra, because I was playing all these instrumentals during the show, but what are you gonna do? I just wanted to play stuff from my solo album (Headbanger’s Symphony) and we wanted to play some Accept stuff, so we did a 50-50 thing.”Continue reading BraveWords Interview: ACCEPT – Screaming For A Wolf Bite