By Carl Begai
Toronto-based rocker Danko Jones is as multi-faceted a personality as they come, to the point that people unfamiliar with his work might consider him schizophrenic. His soft-spoken, articulate and almost geek-like demeanor during interviews is a stark contrast to the obnoxious mouthpiece dedicated to ripping up the stage night after night with guitar in hand. And if he’s not attending to the next episode of his long-running official podcast, Danko is known for penning articles on everything from the pros and cons of social media, to music he bought on a Christmas shopping binge, to ripping Gene Simmons to shreds for his now infamous “rock is dead” comment. In the end Danko Jones gives Slipknot / Stone Sour frontman Corey Taylor a serious run for his money when it comes to keeping people guessing with regards to the next trick up his sleeve.
The band that bears Danko’s name echoes his diversity. Sure, every album since the Born A Lion debut in 2002 is based on the three piece of vocals/guitars/bass/drums rock formula, but each one has presented a slightly different side of the band’s persona. New record Fire Music keeps this tradition alive, and the initial buzz suggests it could well be one of the trio’s finest moments. It’s certainly the heaviest kick to the teeth in their catalogue.
“I think a lot of that has to do with the last record,” Danko begins, referring to Rock And Roll is Black And Blue. “I don’t really want to get in the dynamic that we had in the band at the time, but Atom (Willard/drums) lived in LA. We had to have these massive week long writing sessions, seven or eight hours a day, because he was in Toronto for a limited amount of time. We thought it was time well spent then and I thought it yielded some really good songs, but overall I think it was a little disjointed. There was another dynamic going on in the studio between some people that didn’t really make for a very comfortable easygoing session. There was a real sense of freedom in doing Fire Music.” Continue reading BraveWords Interview: DANKO JONES – Confessions Of A Metal Misfit
Toronto rockers Danko Jones have been a buzz band for years. Europe caught on long before Canada and the United States, turning them into an annual staple on the metal festival of your choice sandwiched with some of metal’s finest. A support tour with Motörhead and Saxon in 2008 gave them a foothold in the UK, not to mention serious credibility amongst the old metal guard. Up until now Canada and the US have devoted half an eye to the band beyond the diehard fans that have been following them for a decade, but 2010 may well be the year things change for the better. It began with a coveted opening slot on the Canadian leg of Guns N’ Roses Chinese Democracy tour alongside countryman Sebastian Bach (ex-Skid Row) followed by a support tour with Clutch and select headline shows in the US. Add to this a brisk-selling Canadian headline tour announced prior to the official May release of new album Below The Belt and the rock trio seem to finally be on their way to getting the credit they deserve at home. 
First off, the new self-titled Annihilator record is a killer. Guitarist / founder Jeff Waters shreds up a storm and nobody can take away Dave Padden’s rightful position as the band’s singer. It’s a grower though, and it wasn’t until the fourth or fifth time through that I actually began hearing this album for the shredfest it is. Very ugly and mean just like the cover art, but that’s a good thing. As much as I like the previous record, Metal, I have to admit there’s an energy level and a lack of polish on the new one that makes it sit better between my ears. Been playing the hell out of it much the same way I did when Carnival Diablo came out all those year ago.
I recently caught up with Danko Jones to discuss his new album, Below The Belt, and because he and I both call Toronto home conversation invariably turned to Canadian metal – past and present – and growing up on the local scene back in the day. One topic of discussion was vocalist Sebastian Bach, easily the loudest personality of that era. Baz was also the man that put Skid Row on the map back in 1989 and took the band’s voice, face and fame with him when he got the boot in 1996. Danko, an admitted Bach fan, toured with him on the January 2010 Canadian leg of the current Guns N’ Roses tour, an experience he would be only too happy to repeat. He looks back on sharing the road with his fellow former Willowdale native… ironically, the same part of town where I grew up. It’s a small world.