By Carl Begai
So, how do you feel about ’70s music?
If you’re a Soilwork fan the last place you’d expect to find a ’70s classic rock vibe is on one of their albums. Of course, if you’re a fan you’re also aware of frontman Björn “Speed” Strid and guitarist David Andersson pulling double duty in The Night Flight Orchestra, their classic rock-infused nostalgia trip. Thus, it may be disconcerting to hear that Soilwork’s new album, The Ride Majestic, does in fact flirt with the ’70s. Nothing to lose your cookies or your minds over, though, as we’re talking about guitar and keyboard splinters and shards that pop up when you least expect them, adding another dimension to a sound that is instantly recognizable as Sweden’s first sons of melodic death metal. It makes sense this new dynamic would bleed into The Ride Majestic, however, as Strid and Andersson went into writing for it immediately after working on The Night Flight Orchestra’s second album, Skyline Whispers.
“It’s funny you bring that up because last summer I was still working on Night Flight stuff and I had to stop myself,” Strid reveals. “I had to tell myself it was time to switch over to Soilwork (laughs). It was a major transition from one day to the next because they’re two very different forms of expression.”
Folks have their favourite Soilwork moments and The Ride Majestic is bound to conjure up some new ones – the Strapping Young Lad tweaked breakdowns of “Alight In The Aftermath”, for example – but it’s fair to say the band can do little wrong in the eyes of the diehards at this point. Their previous two albums, The Panic Broadcast and The Living Infinite, have kept Soilwork surging upward, but for a lot of people the love affair really began in 2002 with the now classic Natural Born Chaos album.
“There’s something about that album,” agrees Strid, “but it definitely took some time for me to notice that. I guess it started when we did our first North American tour, when we put Natural Born Chaos out. People were telling us that the album was so unique and so awesome, but it wasn’t until a couple years later that we realized we had an impact and had affected the metal scene somehow in so many ways.” Continue Reading