By Carl Begai
In mid-2011, Calgary-based Kobra And The Lotus surprised their fans with the release of a video for the song ‘Welcome To My Funeral’. At the time it was a non-album track, a taste of what was coming down the pipe later in the year with their second official record, Visionary. It was a bold move, particularly since there had been zero build-up to the new record in the press prior to the video release, and shocking in that singer Brittany “Kobra” Paige’s vocal style had evolved even further since the band’s 2010 debut, Out Of The Pit. Everything was ready to go for Visionary right down to the artwork, but the band’s plans were abruptly scuttled when they were offered a deal with Spinefarm / Universal in cooperation with KISS legend Gene Simmons’ label, Simmons Records.
A new game plan was put into play along with a couple line-up changes, and Kobra And The Lotus found themselves back at the drawing board for what would become their self-titled second outing.
“When we signed the new deal the label wanted us to write more material for them to choose from so we could release the strongest album possible,” says Paige. “They also wanted to keep it upbeat, so they cut all the ballads. We wrote a bunch of fast hit-you-in-the-face songs and they picked four to be used with what we already had for Visionary. We actually wrote ‘Forever One’ in the studio, and that was created out of four different demos that the label decided not to use (laughs). It was pretty crazy taking chopped up pieces of songs and realizing we had one really solid song in there. What’s really interesting is how the band has evolved sound-wise on the new album. There are a lot of dual guitar leads, there’s some thrash in there now. Everything is so much bigger now.” Continue Reading