Coal Chamber

All posts tagged Coal Chamber

By Carl Begai

DevilDriver1

More often that not, band biographies are loaded with show-off information and adjective-tweaked factoids meant to sell the artist in question to the press. Makes sense if a label or management is pushing a new signing, but it comes off as trying to sell snow to an Eskimo when the band has been around for over a decade and has seven albums to choose from. In short, trying to sell a veteran and altogether successful band’s new work on hype rather than substance is insulting to the folks behind the music. This is particularly true of DevilDriver and vocalist Dez Fafara, who launched the band in 2002 after carving a path into the distortion-driven music scene with Coal Chamber beginning in 1993. He’s quite content and able to to let his music do the talking, as on the new DevilDriver album Trust No One.

“I think I’m still around because I’m a no-bullshit guy,” says Fafara. “I don’t have time for the purists in music or any of that. People who know me, that are close to me, they appreciate the guy that I am because I don’t have the time to bullshit you.”

Thus we leave it to him to describe DevilDriver; the only overview that really matters in the end.

“Every single record has a DevilDriver sound and a signature groove but they’re very different from one another. Beast is very different from Pray For Villains, and Trust No One is very different from our last record. People can’t pin us down and I think that’s a good thing. They started calling us groove metal and I thought that was too broad a term, so they started calling us the California groove machine. It’s like, ‘Okay, I’ll take that…’ (laughs).”

A nifty little stamp, sure, but it still reeks of desperation on the part of the media or management as trying to put DevilDriver in a convenient little box.

“Sometimes you have to go with monikers because some people need a tag,” Fafara offers. “Long ago when I started DevilDriver, I wanted a signature sound and I knew I wanted something different. I’ve got my ear to the ground, I hear what’s going on in metal, and I see a lot of bands putting out the same record. There’s been hype and critical acclaim behind records that I listen to and I’m thinking ‘What..? Why?’ For me it’s like ‘Let’s do something different, let’s stand out,’ and I think on Trust No One – especially on the new album – that we’ve done something that’s our own. We’ve upped the sound and I’ve definitely upped the players within the band, and it has become a monster.” Continue Reading

Been a LONG time since I’ve dished out one of these columns, but things are back to what passes for normal around here which means we#re back in business. That said, read on for your metal hoser updates…

Labrie 3

As most Dream Theater fans know, Canada-born frontman James LaBrie recently released his new solo album, Impermanent Resonance. There a full story with LaBrie here that goes over the ins and outs of the record, but from a completely biased point of view it’s fair to say Impermanent Resonance is one of his best (perhaps falling just shy of Static Impulse’s epic stature).

Plenty of aggression, which falls in line with Static Impulse’s in-your-face approach, but there’s a bloody infectious melodic aspect to the songs that open LaBrie’s music up to a wider audience. Hails to collaborator/keyboardist Matt Guillory for his brilliant songwriting skills. But don’t take my word for it; check out the full record on YouTube. Continue Reading

Welcome, Canuckleheads! Time for an update…

Folks may remember Dream Theater frontman James LaBrie decapitating diehard prog-metal fans in 2010 with his fourth solo album, Static Impulse. It was anything but a continuation of his better-than-DT Elements Of Persuasion record, smacking people upside the head instead with the most aggressive music of his career, complete with death metal vocals (supplied by Darkane drummer Peter Wildoer). Attention Deficit Delirium’s Bryan Reesman recently caught up with LaBrie, who offered some insight on his next solo album, which is currently in the works:

“Right now, Matt (Guillory / keyboards), I and the other guys are writing. We’re about halfway through. I would say our main focus is that we want to raise the bar as far as the actual song compositions, so with the arrangements we want to see if we can better ourselves first and foremost. As far as the elements that we want to include or implement into the music, a lot of those elements will be familiar because we want to keep it consistent. It has to make sense and have a sense of continuity from where we left off, but there are some things that we’re talking about we want to bring in that will bring in some intriguing kind of sonics to give it its own identity.”

The complete interview can be found here.

Continue Reading