Dimmu Borgir

All posts tagged Dimmu Borgir

anakefrnewWhen you encounter a band boasting a song entitled ‘Feed A PETA Member To A Starving Child In Africa’ it’s a reasonable assumption they aren’t going to be giving you Mötley Crüe or Slipknot anthems. Los Angeles-based Ana Kefr are the culprits in question, and it’s clear from the word “go” that the very last thing they’re interested in is playing to singalong industry / scene expectation. Described by yours truly in a 2009 review as a demented mating of Dimmu Borgir and Voivod, the band’s independently released debut album Volume 1 is a large-as-life offering of off-the-wall strangeness. Not because it meanders like a Mr. Bungle prog thrash experiment gone mad, but because in spite of the epic scope of the music the songs are rooted firmly at street level. Ana Kefr never get lost in their own brilliance. No surprise, then, that frontman / co-founder Rhiis Lopez is likewise grounded with a very simple and well fed passion for what he does.

“Dimmu Borgir and Voivod happen to be two great bands, so comparisons like that are a big compliment,” says Lopez. “Ana Kefr’s sound is actually the product of both myself and Kyle (Coughran / rhythm guitars). Kyle and I both come from diverse musical backgrounds, we’ve grown up listening to artists from every genre you can imagine. As far as any ‘off-the-wall strangeness’, there’s not really a point to writing music, being in a band, performing or anything else if you’re just going to rip off someone else. I understand being inspired by other artists, but sounding like another act is kind of like being in a touring karaoke band – it doesn’t feel artistically honest. I’d rather have a flawed original work than a perfected forgery. Continue Reading

AnaKefrIt’s a strange day in hell when a band bridges the gap between Dimmu Borgir and Voivod. Ana Kefr’s debut succeeds in doing just that; a vicious stand-alone conceptual piece featuring an uncompromising and ultimately unique sound in spite of the comparisons drawn. The Death Cult Armageddon vibe over top an instantly recognizable Voivod thrash and clatter is a shock to the system as lead-off track ‘The Day That Guilt Turned White’ gathers momentum, to the point that one wonders if Shagrath and Away were conscripted for the recordings. Dynamics reign, however, as Ana Kefr churn out what is quite possibly one of the most captivating listening experiences of the year, never remaining in one place too long yet smart enough to keep things simple and to the point. Continue Reading