By Carl Begai
On June 24th, German metal queen Doro released her latest in a string of anniversary DVDs entitled Strong And Proud – 30 Years Of Rock And Metal. For some people this may come off as overkill in that the lovely lady cranks out an audio-visual extravaganza every five years or so, needlessly showcasing the fact she’s still in top form and kicking ass. For the diehard fans it’s a celebration of an artist who continues to put her peers and performers half her age to shame (Doro was born in ’64; do the math). Strong And Proud is a monstrous three DVD set featuring an obligatory Wacken Open Air show, a two-night stand her Düsseldorf home town divided between Classic Night and Rock / Metal Night sets, a behind-the-scenes documentary, and bonus material Doro couldn’t leave on the cutting room floor even though she was advised to do so by the creative team backing her up.
“It was at least one-and-a-half years of work,” Doro reveals, as the 30th Anniversary show in Düsseldorf was shot in 2014. “I have a guy that works with me, he’s done the last four DVDs, but I always want to be there to help take care of stuff so it’s definitely teamwork. I know best what the fans want to see, so there might be an editor that’s great at his job technically but I want to see excitement of the fans, I want to see their faces. Those things catch my eye but the guy doing the editing might have a different perspective. And sometimes I’ll have to tell the people ‘No, the other guy is playing the guitar solo, not him, so focus on the other guy…’ It’s like they always focus on the wrong guitar player unless I’m there (laughs). There’s a team of people that work on editing, colour grading, sound and all these other details, so it was months and months of work.” Continue Reading
By Carl Begai
“Without The Sweet there would not have been a KISS.”
So says music legend, entrepreneur and mouthpiece Gene Simmons, which is a fine reason to give a damn about what The Sweet and all its moving parts are up to these days. In the case Pete Lincoln, who has been fronting the 45+ year institution since 2006, and guitarist Andy Scott (on board since 1970), they recently wrapped up a three week road trip through Germany and Switzerland with the annual Rock Meets Classic tour, now boasting seven years of success. Lincoln and Scott shared the stage with Joey Tempest (Europe), Scott Gorham and Ricky Warwick (Thin Lizzy), Dan McCafferty (Nazareth), Midge Ure (Ultravox), Doro (Warlock) and Steve Walsh (Kansas), performing some of The Sweet’s classic tunes to raucous rounds of approval night after night. On top of that, they helped to break in the new Rock Meets Classic format when it was decided the six year old formula needed to be changed.
“I saw Rock Meet Classic last year when I was in Germany and it blew me way, and I said we’ve got to get on it,” Lincoln says of how he and Scott found themselves on the tour. “Obviously we couldn’t take the whole band so it’s just me and Andy, but it’s just great. It’s a new concept for us so we had to get our heads around it because there’s the orchestra, the Mat Sinner Band band members, the set changes, other elements. It’s not the same as playing with a regular band so it took a few days, but I think we all agree that we don’t want to stop. We want to go home for a week’s rest, then come back and do another month of this. I’ve heard all these songs before, of course, but it’s great to hear them in this context. Midge’s songs, for example, take on a new life; ‘Vienna’ with an orchestra sounds killer. It’s really interesting to see how the format works on all these different types of music.” Continue Reading
By Carl Begai
Guitarist / keyboardist Oliver Palotai will tell you that downtime is overrated if it means sitting around doing nothing. So it seems, given that the man has spent the last four years as a card carrying member of Kamelot while juggling schedules with artists such as Doro, Blaze Bayley and Uli Jon Roth both prior to and during his time with the band. A full plate, and one he’s managed to pile a little higher with his own band, Sons Of Seasons. It’s not a mere side-project, either, as Palotai has invested a considerable amount of time, money, heart and soul in getting the band off the ground while honouring his other commitments. The end result is Gods Of Vermin, and dark and atmospheric symphonic metal record that deftly avoids becoming yet another knock-off goth rock album. On the contrary, it’s one of those rare albums that seemingly offers up something new with each listen. Where Palotai found the time to write and record the material, let alone find the band members best suited for the job, is anybody’s guess. Including his.