By Carl Begai
Some folks might remember Mötley Crüe frontman Vince Neil’s debut solo album from 1993, Exposed, put together after he ditched the band. It was a scorcher featuring Neil backed by the likes of Phil Soussan (ex-Ozzy Osbourne), Jack Blades (Night Ranger, Damn Yankees) and Steve Stevens (Billy Idol) as songwriters and / or players, pretty much stomping on everything the Crüe did following Dr. Feelgood (which still holds true to this day). Former Skid Row singer Sebastian Bach’s new solo record, Give ‘Em Hell, is similar in that he’s surrounded himself with greatness and coughed up music that stands at least toe-to-toe with his previous outing Kicking & Screaming, if not crushing it entirely. Time will tell.
Fact is a lot of people thought Bach was screwed after firing guitarist Nick Sterling, one of the main songwriters on Kicking & Screaming. Instead, he and his backbone – producer Bob Marlette and drummer Bobby Jarzombeck – went into the studio all guns and speed dial blazing, calling on Duff McKagan (ex-Guns N’ Roses / bass), Steve Stevens (guitars) and John 5 (Rob Zombie / guitars) to join the party. As a result, Give ‘Em Hell is ballsier, more aggressive and much darker than Kicking & Screaming, with more than a few eyebrow-raising moments thrown in to induce shit-eating grins amongst the diehard fans.
You’re not going to find anything as over-the-top and raging as ‘Slave To The Grind’ on Give ‘Em Hell, but there’s no shortage of fireworks. Opening track ‘Hell Inside My Head’ is distinctly Baz and perfect for the jump start, but it’s the Subhuman Race-era Skid Row-ish tracks ‘Harmony’ and ‘All My Friends Are Dead’ (the demented sister of ‘Eileen’) that set the tone for the album. Continue reading SEBASTIAN BACH – Give ‘Em Hell: “Stands Toe-To-Toe With Kicking & Screaming, If Not Crushing It Entirely”
By Carl Begai
Vocalist / guitarist Danko Jones is best known as the mouthpiece for the Toronto-based rock trio that bears his name. He writes songs admitting that he thinks bad thoughts about your daughter, that maybe just maybe he has a regret or two in life, and that rock n’ roll can never be too loud. When he’s not on stage somewhere in the world or locked in the studio, however, downtime beyond his private life extends to the realms of an online blog, the official Danko Jones podcast, and keeping the fans informed on the state of the world via Twitter, Facebook, and anywhere else he can think of. Call it a working vacation from his daily grind.
“I really cut out all the time-wasters in my life,” he says of pulling off this Olympic-level balancing act – “I don’t watch too much TV or movies, I don’t drink and I never really did so I don’t go to bars, I don’t sightsee, so that’s how I can do it. It’s what I’ve always wanted to do. When I’m walking around, the things that are going through my head are the things you’re reading on the Huffington Post or wherever.”
Case in point this past April, when Danko took the unusual step of expressing his disgust for what he considered a poorly written and unfair concert review posted on Beyond The Watch. Yes, he took it personally and ripped into the journalist that wrote it via his Huffington Post column:
“I fucking skewered them so hard (laughs). And then you posted it on Brave Words, so it was even more hammering on those guys. My whole thing with pointing them out is because it wasn’t just a blog or a writer, it was people from our home town. It was a more sensistive place to write a review. You can be from Toronto and put us down, but you should know why and how you’re putting us down because we’re from your home town and we’ve been doing this for 17 years. These guys are mid-20s probably, so they’ve grown up seeing our videos on MuchMusic. There’s kind of no excuse. It was a Toronto blog so I figured that fair’s fair.” Continue reading DANKO JONES – “This Mouth Gets Louder….”