Fire Music

By Carl Begai

Toronto-based rocker Danko Jones is as multi-faceted a personality as they come, to the point that people unfamiliar with his work might consider him schizophrenic. His soft-spoken, articulate and almost geek-like demeanor during interviews is a stark contrast to the obnoxious mouthpiece dedicated to ripping up the stage night after night with guitar in hand. And if he’s not attending to the next episode of his long-running official podcast, Danko is known for penning articles on everything from the pros and cons of social media, to music he bought on a Christmas shopping binge, to ripping Gene Simmons to shreds for his now infamous “rock is dead” comment. In the end Danko Jones gives Slipknot / Stone Sour frontman Corey Taylor a serious run for his money when it comes to keeping people guessing with regards to the next trick up his sleeve.

The band that bears Danko’s name echoes his diversity. Sure, every album since the Born A Lion debut in 2002 is based on the three piece of vocals/guitars/bass/drums rock formula, but each one has presented a slightly different side of the band’s persona. New record Fire Music keeps this tradition alive, and the initial buzz suggests it could well be one of the trio’s finest moments. It’s certainly the heaviest kick to the teeth in their catalogue.

“I think a lot of that has to do with the last record,” Danko begins, referring to Rock And Roll is Black And Blue. “I don’t really want to get in the dynamic that we had in the band at the time, but Atom (Willard/drums) lived in LA. We had to have these massive week long writing sessions, seven or eight hours a day, because he was in Toronto for a limited amount of time. We thought it was time well spent then and I thought it yielded some really good songs, but overall I think it was a little disjointed. There was another dynamic going on in the studio between some people that didn’t really make for a very comfortable easygoing session. There was a real sense of freedom in doing Fire Music.” Continue reading BraveWords Interview: DANKO JONES – Confessions Of A Metal Misfit

By Carl Begai

With each Danko Jones release it’s not an issue of whether the new album is point blank good or bad, but rather how well it stacks up against its predecessors. Like KISS, AC/DC or Motörhead, Danko Jones have made a career of avoiding the use of rocket science in favour of the keep-it-simple-stupid vocals / guitars / bass / drums formula, and new (seventh) record Fire Music continues this tradition. While some folks may chafe at the idea of the Canuck trio being mentioned in the same line as rock / metal royalty, there’s no escaping the fact frontman Danko, bassist JC, and the latest drummer of choice (Rich Knox, please stick around) have earned their longevity rather than living off of YouTube views and Facebook likes padded by Beliebers.

It’s gotta be said that lead-off track ‘Wild Woman’ is standard fare for any Danko Jones release; no great shakes on the one hand but a smart move easing the fans into Fire Music as all bets are off from track #2 onwards. Frontman Jones has gone on record stating that a several songs on the album were inspired / influenced by the Misfits, and it most certainly shows. ‘The Twisting Knife’ followed in rapid succession by ‘Gonna Be A Fight Tonight’ and ‘Body Bags’ amount to almost 10 minutes of punk energy gift-wrapped in singalong attitude, echoed later on the album with equally speed-crazed ‘Piranha’ and ‘Watch You Slide’. Continue reading DANKO JONES – Fire Music: “Punk Energy Gift-Wrapped In Singalong Attitude”