So, me and my extended BW&BK family have issued our individual Best Of 2012 lists because that’s the sort of thing you do in this biz as the new year kicks off. I’ve decided to post my long-winded overview of the last 12 months here, with a link provided leading to my Top 10 Albums list along with other honourable (and dishonourable) mentions…
It was a rollercoaster of a year, as they all are in the music biz.
From being blindsided by Halestorm’s new album The Strange Case Of… and becoming a fan against my will, to dealing with a fuckwit promo rep at Roadrunner Records who decided to change my questions in an email interview because she felt they were “too harsh” for her artist (um, shouldn’t that be for the artist to decide?), to bucket list interviews with Brighton Rock’s Gerry McGhee and the lovely Lita Ford, to witnessing some amazing shows on both sides of the pond, 2012 has been quite the adventure.
See the list here for the Hot and Not albums of my year, then pick apart my sanity at your leisure.
Gotta say that I was surprised at not being disappointed by any of the shows I was able to attend this year. The third annual European run of Rock Meets Classic featuring Ian Gillan (Deep Purple), Steve Lukather (Toto), Chris Thompson (Manfred Mann’s Earth Band), three-fifths of Primal Fear’s roster and Trillium vocalist Amanda Somerville was positively brilliant, with PF singer Ralf Scheepers going above and beyond lending his voice to the Toto hit ‘Rosanna’ (!). Watching Devin Townsend successfully manipulate a Motörhead crowd into doing his bidding was a gut-buster, seeing former Helloween members Michael Kiske and Kai Hansen on stage together with Unisonic belting out classics ‘I Want Out’ and ‘Future World’ was ’87 surreal, and the Leaves’ Eyes / Firewind tour that looked so weird on paper turned out to be one of the best gigs of the past 12 months.
Nightwish gets a scrapbook all its own due to a brilliant show in Nuremberg – featuring more pyro than the sun – and a day and night hanging with some of the finest people in the metal business. Continue Reading
Metal news from the first nation of Hosers. Read on…
Quebec’s northern hyperblast legends Kataklysm released their new documentary DVD, Iron Will: 20 Years Determined last month, and it’s a monster. For anyone who has a band, started a band, tried starting a band and failed, tried starting a band and became Nightwish or Metallica, it’s worth spending the five hours needed to watch the whole thing. One of the best working class band documentaries ever. Seriously. It goes right back to the beginning of Kataklysm’s career, leaves no stone unturned, and shows the band at their best, worst, most embarrassing and most righteously awesome. Even if you don’t get the music, you’ll get the story: dream big, dream loud, screw the naysayers.
The package also comes with the band’s complete 20th Anniversary show from Summer Breeze 2011. Complete details can be found here along with order information. Check out a clip from the live portion of the DVD here. Continue Reading
By Carl Begai
“In the old days radio wouldn’t be so shy about trying out a new band. They’d give a band a shot. Now, because there’s so much competition, stations are so afraid you’ll change the channel if they try and push something that’s different from everything else on the radio.”
It may sound like bitterness talking, but it’s simply point of fact in the life of Fraze Gang guitarist / vocalist Greg Fraser. He made a name for himself with Brighton Rock in the ‘80s, quietly sat out the grunge era through the ‘90s, returning to the grind in the early 2000’s for the love of making music rather than trying to cash in on past glories. That said, Fraser had no delusions about breaking the bank with Fraze Gang’s self-titled debut in 2006 (issued via Bongo Beat Music in 2008), especially not with the beating the music industry was taking at the time (and continues to endure). For better or worse, however, he has retained an old school way of thinking with regards to marketing and exposure.
“With the internet being what it is you can get some exposure, but you’ll never get the massive exposure that you had in the old days because the record companies don’t have the clout anymore. And there were the magazines like Circus and Hit Parader; bands could get in there and sell records from that exposure alone. Take a band like W.A.S.P.; you’d see them, see Blackie Lawless and his codpiece and go ‘Who the hell are these guys?’ and right away they had your interest, especially of you were a kid. You had to hear them. When I first saw pictures of KISS, I was really young and it was ‘Oh my God, look at this!’ It’s a lot tougher now to get that kind of intense exposure. Then again, bands that don’t have major label deals can still get exposure thanks to the internet, so it’s a 50-50 deal.” Continue Reading
More noise from the Hoser Empire. Read on…
Kittie are gearing up to hit the road in support of their new album, I’ve Failed You. Following what are essentially warm-up shows in London and Toronto, they’ll head down to Australia for a string of dates on the Soundwave Festival tour. Upon their return, the ladies will spend most of April and May on the road in Canada and the US. The tour is an all-Canuck affair, with Blackguard and The Agonist – both out of Montreal – as main support. Putting the “eh!” in metal, indeed 🙂 Go to this location for the complete schedule.
In addition, Kittie will perform at the Toronto tribute show for Woods Of Ypres founder / frontman David Gold on April 5th at the Wreckroom. In a recent interview with Morgan, she mentioned to me that Kittie might perform a Woods song during their set. Stay tuned for updates, click here for details on David’s tribute show, which also includes Eclipse Eternal and Novembers Doom on the bill. Continue Reading