By Carl Begai
St. Catharines-based Fraze Gang recently released their second album, entitled Fraze Gang 2, and along with a heavier and edgier sound they went from being a trio to a quartet, adding Dead Celebrity / former Hexus guitarist Derek McGowan to the line-up. Anyone familiar with either band will find the Fraze Gang merger a head-scratcher, but McGowan considers it an honour to be a part of the proceedings even though things are geared in a melodic ‘70s / ‘80s rock direction. And the truth is he earned his spot in the band as Fraze Gang frontman Greg Fraser’s stunt double in Brighton Rock a long time ago, which McGowan readily admits was a surreal experience.
“It’s coming up on ten years now, and that blows me away because it doesn’t feel that long ago. It was about a year after they got back together to do some reunion shows here at home. Brighton Rock’s second album, Take A Deep Breath, is still one of my favourite albums. Every single moment on that album means the world to me, because it brings me back to great memories of my childhood. I originally wanted to be a drummer, so I’d set up a makeshift kit and try to do Mark Cavarzan’s moves (laughs). It was Mark’s playing, Bobby Blotzer from Ratt and Joey Kramer from Aerosmith, those were the guys I tried to emulate up to the point where I got a guitar. The Fraze Gang thing came about because I stayed in touch with Mark, Greg, and Stevie. We’d talk on the phone and I went out to a few Fraze Gang shows, and they eventually asked me to get involved with the band. Originally I was just their live guitarist, and we’d get together to rehearse and jam on the songs.” Continue Reading
Metal news from the first nation of Hosers. Read on…
Quebec’s northern hyperblast legends Kataklysm released their new documentary DVD, Iron Will: 20 Years Determined last month, and it’s a monster. For anyone who has a band, started a band, tried starting a band and failed, tried starting a band and became Nightwish or Metallica, it’s worth spending the five hours needed to watch the whole thing. One of the best working class band documentaries ever. Seriously. It goes right back to the beginning of Kataklysm’s career, leaves no stone unturned, and shows the band at their best, worst, most embarrassing and most righteously awesome. Even if you don’t get the music, you’ll get the story: dream big, dream loud, screw the naysayers.
The package also comes with the band’s complete 20th Anniversary show from Summer Breeze 2011. Complete details can be found here along with order information. Check out a clip from the live portion of the DVD here. Continue Reading
By Carl Begai
“In the old days radio wouldn’t be so shy about trying out a new band. They’d give a band a shot. Now, because there’s so much competition, stations are so afraid you’ll change the channel if they try and push something that’s different from everything else on the radio.”
It may sound like bitterness talking, but it’s simply point of fact in the life of Fraze Gang guitarist / vocalist Greg Fraser. He made a name for himself with Brighton Rock in the ‘80s, quietly sat out the grunge era through the ‘90s, returning to the grind in the early 2000’s for the love of making music rather than trying to cash in on past glories. That said, Fraser had no delusions about breaking the bank with Fraze Gang’s self-titled debut in 2006 (issued via Bongo Beat Music in 2008), especially not with the beating the music industry was taking at the time (and continues to endure). For better or worse, however, he has retained an old school way of thinking with regards to marketing and exposure.
“With the internet being what it is you can get some exposure, but you’ll never get the massive exposure that you had in the old days because the record companies don’t have the clout anymore. And there were the magazines like Circus and Hit Parader; bands could get in there and sell records from that exposure alone. Take a band like W.A.S.P.; you’d see them, see Blackie Lawless and his codpiece and go ‘Who the hell are these guys?’ and right away they had your interest, especially of you were a kid. You had to hear them. When I first saw pictures of KISS, I was really young and it was ‘Oh my God, look at this!’ It’s a lot tougher now to get that kind of intense exposure. Then again, bands that don’t have major label deals can still get exposure thanks to the internet, so it’s a 50-50 deal.” Continue Reading