Haven album

All posts tagged Haven album

By Carl Begai

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This year Kamelot celebrates 20 years as a card-carrying signed band, but it was just over 15 years past that they released a career game-changer, The Fourth Legacy. Their first two albums – Eternity and Dominion respectively – served to put Kamelot in the public eye, the third record (Siege Perilous) generated a buzz after they snapped up Conception vocalist Roy Khan to replace Mark Vanderbilt, but it was The Fourth Legacy that enthralled theit existing fans and roped in curious bystanders from far and wide. That momentum hasn’t stopped in spite of the occasional potholes in the road forward. Khan’s departure in 2011 could have destroyed the band – the fact he bolted a week before a major North American tour, forcing its cancellation, certainly didn’t help – but they regrouped and released Silverthorn a year later to rave reviews. With new singer Tommy Karevik on board, the album and tour that followed made it clear Kamelot had regained their stride, and the new Haven album is a clear cut example of a band unafraid of trying new things and potentially freaking out their fanbase while remaining loyal to the sound that made them.

“A lot of people that have been following us since The Fourth Legacy days have said this is the album they’ve been waiting for,” says guitarist Thomas Youngblood of Haven, easily the most diverse record in their catalogue. “Haven is more in line with what fans are used to with The Black Halo and even Karma, but it was really important for us to add new elements and bring the band a little bit more into today instead of giving them the symphonic thing from 10 years ago. That was a big part of it. We definitely didn’t want the album to be overly symphonic and I think we achieved all the goals we had going in.”

Truth be told Haven isn’t an easy listen at first even for the diehard fan, but once inside it’s very hard to leave. There are the signature attacks and flourishes one has come to expect of any Kamelot opus, but you get the feeling there was a meeting on the final day of mixing where the band members arm-wrestled their way bloody and broken to a final tracklist. Nothing about Haven is as one expects; some of the heaviest material (‘Liar Liar’ and ‘Revolution’) is shoved to the back half of the album, the signature ballad rewrites what we know about Kamelot’s penchant for pulling heartstrings, and much of the once-trademark symphonic attitude has been stripped back to make way for the band. Continue Reading

By Carl Begai

Every time Kamelot and Arch Enemy vocalist Alissa White-Gluz are mentioned in the same sentence, the buzz that follows is usually enough to break the internet. With that in mind, consider this a bit of shameless promotion featuring an excerpt from a new Kamelot interview with guitarist Thomas Youngblood, due to be published on BraveWords just prior to the release of their new Haven album in early May.

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At this point in Kamelot’s career guest vocalists are an (admittedly) expected part of any production at their hands, whether it’s an album, festival show or full blown tour (headline or support). Their new album, Haven, satisfies those expectations with the return of vocalist Alissa White-Gluz (Arch Enemy), new voice on the block Charlotte Wessels (Delain), and multi-instrumentalist Troy Donockley, all of whom appear at select points during the latest Kam-epic’s run. They are a welcome element in the band’s musical tapestry that would be sorely missed by many if they weren’t involved.

“I never want to feel like we have to have female vocals on an album and who knows, maybe on the next record we won’t,” says Youngblood. “People forget that on The Fourth Legacy (1999) we had two songs with female vocals, so it wasn’t like we jumped on some bandwagon. We did that 15 years ago. The difference now is that we’re lucky enough to have some super-talented friends that also work perfectly within the Kamelot structure. Somebody like Alissa for example, who isn’t really known for melodic metal or power metal or whatever you want to call it, the way she works with us is so natural and organic it’s just amazing.” Continue Reading