So yeah, I’ve been all about trying to publish this book independently for the last few years and it has been a very slow process. The writing itself wasn’t an issue, although I discovered some fantastically awful grammatical errors when I went back to look at the manuscript some six months after the fact. I dragged my feet putting together a Kickstarter campaign to finance the book, as I have publicly denounced crowdfunding in the past, but realized that it’s the only way I’m ever going to (hopefully) secure the funds to publish. Back in January I foolishly announced March 15th as the Kickstarter launch even though I didn’t have all the pieces to the puzzle assembled. My pride took a beating when those plans fell through and I’m still eating my words.
It was plan from the very beginning to have a video trailer to advertise the Kickstarter campaign. One thing the music biz has taught me is Promote Or Die, and video is seemingly the best way to go in this day and age. Finding someone to do the work proved to be a problem, however, as the one soul who promised big and brash and bold things took a powder when he realized I wasn’t kidding about going through with it. Either that or the music composed by Sander Gommans (After Forever, HDK) scared the bejeezus out of him and sent him running with his award-winning tail between his legs. Trying to find someone else to do the job took a few months of hair pulling, one profanity-laced rant on Facebook, and a phone call from Rock & Royalty photo god Heiko Roith who introduced me to a colleague we’ll call Spitz for the time being. Continue Reading
I’ve said this dozens of times: one of the great things about this whole music journalist career are the people I meet along the way. Not just the so-called rock stars, but the characters – managers, promoters, stage crews, photographers, journalists, security people – behind-the-scenes as well. One such personality is Australia-born photographer Heiko Roith; very ambitious, extremely talented (but don’t tell him that, it gets him excited), and most certainly unique. Thus, it came as no surprise to discover that he decided to fill what little free time he has with a new project outside of his usual music-based commitments. The nature of that project, on the other hand, was completely unexpected.
And ultimately, completely in line with Roith’s spirit for adventure. Read on….
On April 26th 1986, Anatoli Stepanowitsch Djatlow made the decision to simulate a total blackout in Block 4 of the Chernobyl nuclear power plant. Because of serious infringements of safety regulations in force and the construction related characteristics of the reactor there was an uncontrollable increase in power, which ultimately led to the explosion of the reactor. The ensuing nuclear fallout resulted in large parts of the Ukraine, Belarus, Russia and 200,000 square kilometers of Europe being contaminated by radioactivity. The Chernobyl disaster has been dubbed the worst nuclear power plant accident in history in terms of cost and casualties.
Still today, some families live in the heavily contaminated Chernobyl areas and in the neighbouring town of Prypjat, and a few are even newly settled. The damaged reactor unit is still covered by a temporary protective shell of reinforced concrete, which should be replaced in 2015 by a more long term solution. The year 2016 marks the 30th anniversary of the Chernobyl disaster – but it will then be erased from our view forever. Continue Reading