JASON BIELER – A Playground For The Demented

By Carl Begai

Guitarist / vocalist / self-styled hand model Jason Bieler was a founding member and the main songwriter for Saigon Kick, launched in 1988. The band’s on again / off again career had more twists, turns, ups and down than a drug-addled rollercoaster designer’s masterpiece, but longstanding fans agree to a man (and woman) that Saigon Kick’s first two albums – the self-titled debut (1991) and The Lizard (1992) – are untouchable works of distortion heavy art (your arguments are invalid). While the band has since been laid to rest Bieler continues to make music, and in fact he never stopped even when they were in a holding pattern for years at a time. Most of it has been released independently over Bandcamp under the Owl Stretching moniker, but Bieler decided towards the end of 2019 to work on a second full blown solo album rather just single releases. The end result is Songs For The Apocalypse featuring a literal truckload of guest musicians playing to and for Bieler’s unique vision. And even though it will satisfy many a Saigon Kick fan’s want for something heavy from the man – this is the loudest he’s been in ages – one should leave all preconceived notions at the door before going in.

Prior to the making of Songs For The Apocalypse, Bieler began moving away from the Owl Stretching name in favour of his own. Devised as a one-man project with the goal of bringing a song to life within 24 hours of coming up with an idea, Owl Stretching was an ongoing experiment used to refine his craft. Sadly, not as many people were aware of it as there should have been, but the new album may change that by putting the Jason Bieler name in lights.

“That could happen,” agrees Bieler. “Having the label I’m with now (Frontiers) and talking to different people that I work with, they all told me ‘Dude, you don’t realize you’re already obscure, so by naming it Owl Stretching you aren’t helping the cause in any way, shape or form. You’re making looking for a needle in a haystack the logical choice compared to what you’re doing.’ And they were right, of course. I decided to just change it to my name to make it a little bit easier for those people that were looking.”

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TRANS-SIBERIAN ORCHESTRA – Blowing Up Europe Real Good 2014

By Carl Begai

On January 10th, the Trans-Siberian Orchestra kicked off a short European tour featuring a stripped down version of their monstrous annual North American road trip. It was only the troupe’s second time through Europe – their first time being March 2011 – and I have it on good authority that it wasn’t their last.

I had the pleasure of attending the January 20th show in Nuremberg, Germany and I was NOT disappointed. The performers, the pacing of the show, the pyro, lots of Savatage tunes in the set, and easily one of the finest crews around… it all made for one huge highlight.

So, a picture gallery featuring some half-decent shots below. I’m saving the totally decent ones for a book….

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