By Carl Begai
One of the big metal events of 2015 was the highly anticipated Savatage reunion show at the world renowned Wacken Open Air. Many fans were sceptical of the band’s return to the stage when the buzz first started, however, as Savatage’s sister-act the Trans-SiberianOrchestra had absorbed the band members on its rise to arena rock mega-fame following Savatage’s Poets And Madmen tour in 2002. It was TSO’s continuing success as one of the highest grossing annual tours in North America that had presumably stalled any further output from the Savatage camp and effectively put them on hiatus. The press discovered over the course of 2015 that a Savatage reunion at Wacken was very much a reality in the making, with band members sworn to secrecy by management during press engagements for their own projects; it affected guitarist Chris Caffery and Circle II Circle vocalist Zak Stevens in particular, as they both had new albums come out in 2015.
“That was right up to the day of the show,” says Stevens. “You know how management is; everything has to be top secret (laughs). We really felt is was that way right up until we hit the stage. It was crazy, yeah, but everyone did a pretty good job. The consensus among some people is that we could have done better, we could have taken it more seriously. I think we had a little bit of a chip on our shoulder because we’re older, we did the rehearsals and figured out that we’re a lot better now than we were back in ’97 when we played the main stage at Wacken. And everybody in the band fell in love again. That was fantastic because it was clear that everybody missed it.”
“We had this really aggressive plan to hit the two stages at once, using fiber optic technology so we wouldn’t have any signal loss, and we brought all the pyro that we use in a season with two companies in TSO and blow it all off on one night… without trying to blow anybody up (laughs). We had one pyro meeting before the show and you would have loved that. You would have laughed your ass off because it was like ‘Okay everybody, gather round. We’ve got all this pyro from the TSO tours, we’re going to blow it all up tonight, these are the places you don’t want to stand…’ They asked how many people on stage were new to pyro and about 40% raised their hands. I raised my hand because I’ve never been involved with that kind of pyro (laughs). Because I’m a frontman and one of the elder statesman they pulled me aside and said ‘Look, definitely don’t stand here, here, here and here…’ (laughs).” Continue Reading
By Carl Begai
On February 7th, I was contacted by vocalist Todd La Torre, who was known first and foremost as the frontman for Crimson Glory before replacing Geoff Tate as the singer of Queensrÿche in 2012, effectively pulling double duty. After a lengthy conversation and some minor editing, La Torre handed over a press release exclusively for BW&BK (found here) announcing that, after approximately three years as Crimson Glory’s voice, he had officially resigned.
La Torre was introduced to Crimson Glory by Matt La Porte (Jon Oliva’s Pain, Circle II Circle), becoming an official member in 2010. He helped to ignite and give new life to the legendary band that had been on hiatus for nearly ten years, and mourning the loss of original vocalist Midnight. Crimson Glory emerged back into the world arena metal scene with very high praise and acceptance. La Torre toured as the new voice of Crimson Glory throughout Europe in celebration of the band’s 25th Anniversary with great success.
Talk of a new album was highly anticipated and the band appeared to be firing on all cylinders.
“We were writing the new album and things were looking good, says La Torre. “We had interest from two major European labels, which was very promising. I was very honored and proud that we were on the rise, and the fans were embracing all that we were doing. We had wonderful momentum and we were working within an important window of time within which the new record should have been recorded and released to have the most impact given the bands resurgence. Unfortunately, the record never materialized despite my best efforts.”
“My involvement with Queensrÿche had nothing to do with the album progress,” he continues. “I haven’t been contacted to write with Crimson Glory for over six months. As a band, our writing sessions were slow, eventually becoming non-existent before I ever joined Queensrÿche. During the specific timeframe that I was in talks with Queensrÿche, members of CG were simultaneously occupied by other external and internal endeavors that apparently absorbed the time and/or will away from CG, which is not fallacious per se, but it proceeded in passivity. The main reason for my resignation from Crimson Glory is primarily due to its inertia status.” Continue Reading
By Carl Begai
I recently caught up with Crimson Glory guitarist Jon Drenning for BW&BK to discuss the band’s surprising decision to carry on with a new singer (click here). “Surprising” because original vocalist Midnight, who passed away in July 2009 due to liver and kidney failure, was a defining element of the Crimson Glory sound. As far as the metal universe was concerned it could never be duplicated faithfully, with Drenning and his bandmates at the top of that list. New voice Todd La Torre has proven everyone wrong, even though he had no designs on doing so when he was asked to step up.
“Matt Laporte from Jon Oliva’s Pain and I are friends, and he told me he was doing some rehearsing with them, but it really didn’t mean anything to me,” La Torre admits. “I’d heard the name Crimson Glory before but that was about all I knew about them. Matt told me that if the guys were to hear me sing they’d shit themselves, so that night I checked out some of their stuff on YouTube. The ‘Lonely’ video was the first thing to come and I thought it was cool that the guys had been on MTV before (laughs). When I heard the first verse I though the vocals were beautiful, and I loved it. It had everything I liked in a song.”
“Long story short; when I got to the rehearsal there was a part of me that was nervous. I’d done some research on them probably two days before the rehearsal, so I was able to pick out the guys in the band from the videos (laughs). It was cool but I wasn’t really starstruck or anything like that. Sadly, and blasphemy for the true Crimson fans, I didn’t know their stuff (laughs).” Continue Reading
In a recent interview with BW&BK, Savatage / Trans-Siberian Orchestra guitarist Chris Caffery revealed that when it came time to work on a new solo album he committed himself to doing it on his own. As in locking himself away from the world in the name of his music for months at a time, surfacing occasionally for a dose of sunlight and to conscript a select few musician friends to fill in the blanks as needed. Once the material for the aptly named House Of Insanity had been hammered into a shape he was happy with, Caffery was left with the problem of mastering the record; a potentially monstrous task in its own right. Rather than take it on alone as well he turned to a member of his extended Savatage family, Jon Oliva’s Pain drummer Chris Kinder, both to preserve his sanity and to ensure a quality album. Caffery has gone on record as saying Kinder brought the songs on House Of Insanity together, citing the drummer’s production work with JOP as more than enough proof he was the right man for the job. Kinder is likewise pleased with the end result and considers the album yet another important step in his development as a producer and, ultimately, a musician.