By Carl Begai
Ground zero for this interview was the southern German pork-shoulder-and-beer town of Fürth, prior to a gig The Creepshow bassist / founder Sean McNab says was one of the hottest shows the band had ever played. It was loud, everything was sweating – band, audience, instruments, walls, floor, bar staff – air was at a minimum, and the 100 or so attendees left the hotbox venue happy with asses kicked. Just one of many stops on The Creepshow’s second European tour in less than a year, it was a testament to how a Canadian band with a decent but far from loud enough buzz at home has been able to take other parts of the world by storm over the course of their 10 year career.
“When we first started touring we weren’t really known anywhere,” says McNab. “We started by playing Toronto, London, St. Catharines, Hamilton, and built those areas up. When we ended up in the situation of making some money, about every three months or so, we’d just put it in a pot so we’d have enough to go and play somewhere. Now we’re in a position where we can actually afford to tour. If we were on the road full time this would be my day job, especially me since I’ve been touring probably a decade longer than the rest of the guys, but after three weeks on the road I need that cut off and go home for a while. We’re really busy. This year was supposed to be chill but it’s probably the busiest year we’ve ever had (laughs). We’re all really tired but we’re still having fun.”
It seems to be a trait of Canadian music that some artists make their mark at home and nowhere else, while others garner international attention as Canada offers up warm albeit grudging acceptance outside the fanbase. The Creepshow have followed in Toronto rockers Danko Jones’ footsteps after a fashion, doing headline tours across Europe and playing festivals with wide-ranging line-ups that don’t cater specifically to the band’s trademark psychobilly sound.
“When we first started coming to Europe we’d do these psychobilly festivals, which was fine, but after a few years we were looking at playing other things like punk festivals. We did this one called Serengeti where Skindred played, Gogol Bordello, a bunch of ska bands, hardcore bands, and it was amazing. It was what we needed because most of those people had never heard of us and they’re generally open to new stuff. We’ve noticed that when we do stuff like that and then go back to that area with our own show, more people show up.” Continue reading THE CREEPSHOW – A Decade’s Worth Of Dynamite