By Carl Begai
Four albums into his long suffering Warmen project and Children Of Bodom keyboardist Janne Wirman can officially say he has a second band. Not that he needs one. Bodom has grown from a little known Finnish punk-fried neo-death flavoured export to one of the most popular and equally loathed metal bands around, giving Janne very little free time between touring and the studio. Even so, he and his brother Antti (guitars) managed to spit out what is hands down the strongest album of Warmen’s career. A song-oriented platter rather than a showcase for Janne’s keyboard acrobatics – although there’s plenty of pseudo-ivory shred to be had – Japanese Hospitality sounds like a band effort. Straightforward and to the point, it touches on everything from rock and pop to a full metal racket that smacks more than a little of Children Of Bodom, yet keeps things streamlined and focused. No dicking around this time. At this point the music is easily identifiable as a Warmen album rather than an attempt by Janne to do something away from the comfort of home.
“Everybody’s been saying that Warmen finally sounds like a band with this one and I agree,” says Janne. “Warmen has found it’s path, I guess you could say.”
A path that was beginning to look like the one that swallowed the long-awaited and presently lost Sinergy album featuring Children Of Bodom vocalist / guitarist Alexi Laiho and guitarist Roope Latvala…