By Carl Begai
Purely by coincidence, this interview took place on October 2nd, 2012; two years to the day Liv Kristine’s former band Theatre Of Tragedy – she was fired in 2003 – played the final show of their career. It only dawned on me an hour or two before we met up on the Leaves’ Eyes / Firewind tour to discuss her new solo album, Libertine, and the irony wasn’t lost on her either, particularly since she’s found extra room in her heart for the Theatre over the last year-and-a-half. The focus was on Libertine, but it was interesting to learn that her Theatre Of Tragedy roots played a part in its creation.
For anyone that’s been following Liv’s career, it’s no secret or surprise that her solo albums are very different from what she does with Leaves’ Eyes. Libertine is no exception to this so-called rule.
“Most people know that this is my fourth solo album, and all four albums have been in the indie pop-rock vein somehow,” Liv begins. “The fans seem to accept that my solo albums are very different from each other and from Leaves’ Eyes. For me it’s been clear all the time that my solo stuff isn’t really for the diehard metal fans. It could be, but probably not. When Napalm Records released Libertine on the Napalm label and not on Black Rose, which is the sub-label that they promised they would release it on as well as the video for ‘Paris Paris’, the metal fans were the first ones to hear it. They said ‘We don’t need this.’ Of course they don’t; I understand that. So, there was an issue with the record company but that’s now been solved.”
In the end, however, the record company’s gaffe may have paid off. Any fallout from the metal community for getting slapped with a pop-oriented album released from the same realms as Alestorm, Grave Digger, Ahab and Battlelore has been minimal at best. Judging by widespread reactions, Libertine has become a guilty pleasure for the leather-and-loud set. Continue reading LIV KRISTINE – Paris, The Theatre, A Little Musique