March Of The Poozers

All posts tagged March Of The Poozers

By Carl Begai

DTPDarkMatters

Within 24 hours of the metal press being given advance access to the Devin Townsend Project’s new album, Z², reviews started popping up online. They invariably heralded the highly anticipated double album – split into Sky Blue and Dark Matters – as trademark Townsend musical genius existing on multiple levels of godlike awesomeness. With all due respect to my peers – many of whom are much better review writers than I am – you might want to go back and re-evaluate Townsend’s work and then your own. There’s simply no bloody way anyone gets the Z² album after only a few listens; it’s far too adventurous, emotional, chaotic and occasionally scatterbrained to be able to embrace it as a whole so easily. And indeed, some fans have voiced their disappointment since Z²’s official release. The simple fact is Sky Blue (Part 1) is not the thundering sequel to DTP’s Epicloud album from 2012 it was expected to be, although it does follow some similar lines. Likewise, Dark Matters (Part 2) is a different beast from the original Ziltoid The Omniscient that reared his bug-eyed head in 2007.

For one thing, Dark Matters seems almost kid-oriented as a target audience rather than being metaphorically driven as the Ziltoid The Omniscient album was.

“I think there’s a part of it that’s kid-oriented, but there’s another part to it,” says Townsend. “I’ve demanded a lot of my audience for years. I drew them in with heavy metal and gave them country, new age and ambient music. There’s a part of me that, when the support came, I decided that I did my artsy-fartsy movie (Sky Blue) so I needed to do my Michael Bay-type movie (Dark Matters) and then reconsider what I want to do musically. It’s not that the well is dry, it’s just that it’s been an intense amount of work for an intense amount of time. By finishing up with the Ziltoid thing, in one way it was a conclusion to what started seven years ago. Sure, it’s still metaphor because that’s how I write, but the surface of this is much different. It’s for people to enjoy. I think the Sky Blue element of it is where the emotional aspects of it went because I was frustrated by it, and because some heavy things happened during the making of the record. I listen back to Z² and I’m proud of it, but at the same time there’s a part of me saying ‘Okay, next!’ (laughs).” Continue Reading