By Carl Begai
There are moments during this interview when Dream Theater keyboardist Jordan Rudess comes across as a peace n’ love kinda guy. Not in a so-chill-he-must-be-on-something way, but rather with a Life Is Good enthusiasm for the band’s current status as prog metal kings. You can’t blame him for being upbeat considering the wave of success Dream Theater is riding with their latest album and the recently wrapped European tour. It’s a buzz that’s sure to get louder when the they kick off their North American tour later this month, featuring (almost) nightly three-hour shows designed and guaranteed to captivate everyone in attendance.
“We decided that we were going to do the An Evening With… shows, which is a big thing because we’ve been going out with opening bands and not offering the whole big production,” Rudess begins, recapping the European tour. “This time it seemed like the fans and the promoters really wanted that and we were ready to make that happen. It was three hours of music and it was a big show; a lot of playing and my fingers are definitely feeling it (laughs). The reaction to it was really great. I felt like the European leg was our best tour so far, especially looking at the ecstatic faces in the audience at the end of a really long show. It proved to me that doing things like this was a great idea. We went into this with the idea that we would try to up our game a little bit and put even more into the show. Not only the amount of time that we played, but the whole experience. We wanted to create a show where, from the time people walk in the door to the time they leave, they’re part of our world. We wanted to take people on a journey with this tour so we put a lot of thought, time and energy into it. At the end of that two month leg, I have to say doing things this was was a gamble that paid off in terms of making the fans happy and bringing more people into the shows.” Continue Reading
By Carl Begai
Dream Theater can lay claim to devoted international fanbase, with some of those followers bordering on fanatic. It’s just a question as to which side of the room is waving that particular banner. There are the ones that find worth in every album the band puts out regardless of how much Dream Theater deviates from what’s been deemed their signature sound (established by their first three records, When Dream And Day Unite, Images And Words, Awake). Then there are those that pick and choose their favourite DT records and will gladly cyber-stomp on anyone that tells them they’re out of their proggy little minds. So it went that when music from the band’s new self-titled album started circulating, the widespread accolades for a job well done (save for the expected Mangini versus Portnoy bitching) was surprising. Sure, some folks have dismissed the new music as a letdown, but guitarist John Petrucci couldn’t be happier with the result or the positive feedback that’s been coming his way since the record landed in the laps of the press.
“One of the great things is that the press has been very genuine and very up front about the way they feel about our music,” says Petrucci. “The album has been getting a very positive response, and what’s interesting is that we set out to do certain things on this album and people have picked up on those things without us really saying what they are. That makes me feel that we were successful in following through on what we initially planned to do.”
Ditching the journalistic neutrality schtick for a moment, my long-standing personal view on Dream Theater is that somewhere down the road they forgot how to write songs. Hard to say when, but as much as I enjoy prog rock and metal, the widdly 10+ instrumental virtuoso epics that have dominated the last several albums sucked the enjoyment out of the listening experience. It felt like math class; the foundations of the exercises were familiar but they’d become too damn complicated to follow. The new Dream Theater album, however, feels like a step back to the era of real songwriting for the band some 15+ years ago.
“It was definitely a conscious decision to do that,” Petrucci insists. “Every album that we make, we do what we feel at that time. Whatever the strength is that we focus on for any particular album, it’s definitely done on purpose. In doing that, I think it’s done a couple of things for us. It’s created a lot of variety, but it can also be divisive because the albums are very different. Fans might like a certain period of Dream Theater history or a certain style, but I don’t think that takes away from the overall catalogue. The new album is so different because we went in wanting to write a more focused album.” Continue Reading