BraveWords Interview: AYREON – Human Equations And Horror Stories

By Carl Begai

In 2004, Dutch multi-instrumentalist, songwriter and über-nerd Arjen Lucassen released his ongoing Ayreon project’s critically acclaimed sixth album, The Human Equation. It was yet another concept album featuring a line-up of guest vocalists and musicians, but unlike its predecessors The Human Equation was not a sci-fi based metal opera. The record became a fan favourite, so much so that it was brought to the stage as a full production in 2015 under the name The Theater Equation. Lucassen returned to his science fiction stomping grounds for the three albums that followed – 01011001 (2008), The Theory Of Everything (2013) and The Source (2017) – but 2020 sees him exploring new territory once again on new album, Transitus. Boasting a cast that features performers including Tommy Karevik (Kamelot), Cammie Gilbert (Oceans Of Slumber), Simone Simons (Epica), Dee Snider (Twisted Sister), Amanda Somerville, Marty Friedman, Joe Satriani and The Hellscore Choir, the record is far more down to earth – close to it, at any rate – and was originally imagined by Lucassen as a movie soundtrack. Three years in the making, Transitus is the Ayreon album that almost wasn’t.

BraveWords spoke with Lucassen, Keravik and The Hellscore Choir’s founder / conductor Noa Gruman (Scardust vocalist) about the making of what is being regarded by many fans as Ayreon’s strongest album since The Human Equation.

BraveWords: You’re going to hear a lot of comparisons between Transitus and The Human Equation, largely due to the fact Transitus is the warmest album you’ve done since then. It’s a lot more open than some of your previous albums, far less dense on the musical side of things.

Lucassen: “It’s cool that you say ‘warmest’ because that’s exactly what I wanted to do. The previous Ayreon album, The Source, is not a warm album. It’s a pretty cold subject, it’s a prog metal album, it’s very guitar oriented, and this time I only wanted to use real instruments. I’m so glad you said that…”

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