By Carl Begai
This interview took place towards the end of Kamelot’s 2013 European tour in support of their latest album, Silverthorn. By all accounts – band, fans, YouTube footage – it was a successful run that saw the band play to packed houses every night. The show on this particular night, in Munich, went off without a hitch as far as anyone on the floor could tell, with Kamelot attacking the stage like the seasoned veterans they are, playing to the audience rather than merely for them, accompanied by one of the most impressive lightshows ever seen in a rock club (seriously… and without pyro). It was a far cry from the band’s first European tour – their first road trip ever, in fact – back in 1998 with Elegy, which showcased a band that was understandably green performing to half empty rooms. A potentially demoralizing experience on one hand, but the taste was enough to make Kamelot want to push forward. Success at a level where the band became a day job was along time coming, but it’s a testament to what can be accomplished when you focus on and devote your time and energy to something you really want.
“You don’t have any pictures from that ’98 tour, do you?” laughs guitarist Thomas Youngblood.
Actually, I do. I’ll wait to be tapped for the Kamelot biography to publish them.
“When you get started you want to be like Iron Maiden, but then you start realizing how difficult that is,” says Youngblood with regards to the band’s success. “But the way things are nowadays in the industry, there aren’t a lot of bands that can get to that level. I think we’re fortunate we’ve been able to grow and maintain this band over the past 15 years. That’s pretty amazing. I think it’s a testament to working hard and making some smart decisions, and having killer fans.”
Kamelot’s biggest test came with the surprise departure of vocalist Roy Khan in September 2010, mere days before the Poetry For The Poisoned tour was due to begin. The band downplayed the seriousness of the situation at the time – they could realistically have lost their collective shirt financially due to pre-tour expenses and unfulfilled contracts – and managed to save face by finding the best possible replacement for Khan in Swedish singer Tommy Karevik.
“We didn’t think anything bad about that in terms of coming out of it intact,” Youngblood insists. “I’ve seen a lot of bands do that successfully, and I think a lot of people forget how many acts have actually had to do that. We’ve grown into different territories since then. We played Australia for the first time with Silverthorn, we’ve done different parts of Asia like Korea and Taiwan, and the US is a much bigger market for us now.” Continue reading KAMELOT – Water To Wine, Silver To Gold
By Carl Begai
“The new record turned out better than I expected and the reaction has been phenomenal. It’s a testament to the fans and their love for this band. Everyone is so re-energized, it’s awesome.”
Things could have been very different for guitarist Thomas Youngblood and his Kamelot bandmates. Following the recordings for their Poetry For The Poisoned album in 2010 and only days before the band was due to embark on a fall headline tour, vocalist Roy Khan fell ill and plans were shelved until the end of the year. Although it hasn’t been said out loud – at least not to the extent that the press jumped all over it – Khan’s tenure with Kamelot was done at that point, both sides making it official in April 2011. The writing was on the wall when the band opted to hit the road prior to the announcement with Rhapsody Of Fire frontman Fabio Lione filling in and doing a decent to killer job depending on who you talked to. By many accounts he was a worthwhile prospect as Khan’s successor. In the end, however, Kamelot opted to enlist little known singer Tommy Karevik from the Swedish band Seventh Wonder as the band’s new voice, and the result is outstanding according to a ravenous fanbase.
“I think fans are more willing to accept a band changing the singer as long as he or she has similar characteristics to the one they had for 13 years.” says Youngblood. “It would have been hard for us to bring in some power metal singer or an opera singer that didn’t have the tonal characteristics the fans want. That’s what I wanted for the band. For me, having Tommy in the band is a no-brainer.” Continue reading BW&BK Interview: KAMELOT – Tales, Truth, And A Guy Named Tommy
By Carl Begai
Guitarist / keyboardist Oliver Palotai will tell you that downtime is overrated if it means sitting around doing nothing. So it seems, given that the man has spent the last four years as a card carrying member of Kamelot while juggling schedules with artists such as Doro, Blaze Bayley and Uli Jon Roth both prior to and during his time with the band. A full plate, and one he’s managed to pile a little higher with his own band, Sons Of Seasons. It’s not a mere side-project, either, as Palotai has invested a considerable amount of time, money, heart and soul in getting the band off the ground while honouring his other commitments. The end result is Gods Of Vermin, and dark and atmospheric symphonic metal record that deftly avoids becoming yet another knock-off goth rock album. On the contrary, it’s one of those rare albums that seemingly offers up something new with each listen. Where Palotai found the time to write and record the material, let alone find the band members best suited for the job, is anybody’s guess. Including his.
Continue reading SONS OF SEASONS – It’s Good To Be King