By Carl Begai
Overkill frontman Bobby “Blitz” Ellsworth is a favourite around the BraveWords office, and with good reason. He brings himself and his lust for life to the table whether he’s talking metal or songwriting or the chocolate shop he runs on the side.There are no textbook answers and no bullshit with his delivery. Thus, settling in to discuss Overkill’s new album White Devil Armory is a raucous conversation with an old friend punctuated by his trademark cackle, anecdotes left and right, Blitz’s appreciation for his lot in life as obvious as the skull on the new album cover. It also raises the question whether he’s ever going to slow down, having released albums consistently since 1985 with no more than a three year gap between them.
“I don’t know if that’s possible,” Blitz laughs. “Somebody asked me the other day what I’d be doing if I wasn’t doing this, and I told him I’d be dead in six months. It’s still a cool feeling to just press play. As time goes on it’s not that easy to make records because of the repetition factor; you don’t want to repeat yourself. You want the music to have that energy, you don’t want to feign it, but where it all starts coming together is when you realize that making music and being in a band is just what you do. When you drop all the pre-processing and just go for it, things work. Who am I to question that and try to fix what’s not broken? It’s obviously not broken at all.”
Blitz is, of course, being paid lip service from all corners leading up to the release of the new album, but the positive feedback shouldn’t come as a surprise to anyone who has been on board the Overkill thrashwagon for the duration. As Overkill albums go White Devil Armory is a welcome high speed shred-and-spit rollercoaster ride.
“A guy I spoke to recently called Overkill the Motörhead of thrash, and that’s one hell of a compliment,” he says. “That pushes through it all. I think the general feeling is that White Devil Armory is Overkill at a high level and a fresh level. We obviously know who we are, and there’s a revitalized feeling on the metal scene itself, so I think the record reflects that. I think the new record has more diversity compared to (previous album) The Electric Age (2012), which is what a lot of people have said to me. We have certain Overkill tools and D.D. (Verni/bass) uses them at will, but I think he uses them more on the new record. It shows that the band isn’t one or two dimensional, but well beyond that.” Continue Reading