By Carl Begai
Regardless of whether you like ’em or don’t give a damn, the Trans-Siberian Orchestra is a big deal. The two-headed troupe’s annual east and west coast road trips through North America – leading up to Christmas and beyond – are consistently ranked as top-grossing concert tours year after year, and the production seemingly gets bigger each time out. It’s fair to say that TSO has become a tradition for many a metal and/or music lover. If there’s one misfire in this success story, however, it’s the lack of attention to the European market. Not that they necessarily need the exposure, but given that the legendary Savatage is the foundation for everything TSO has become and Europe embraced Savatage with the equivalent of a bone-crushing bear hug early on, some folks figure the Orchestra owes those fans some attention. Thus, 2014 began (literally) with an exclusive performance at the Brandenburg Gate in Berlin, Germany on New Year’s Eve followed by a stripped down but still impressive European tour; only their second in a 15 year history as a live act. Guitarist Chris Caffery and drummer Jeff Plate sat down to discuss the stripped down TSO production when the band hit Nuremberg, Germany…
Jeff: “It’s very comfortable. We came over to Europe a few years ago with the Beethoven’s Last Night tour (in 2011) and it’s a great story, but I think some of it was too much for the European audiences. We had to trim that down quite a bit, and the Savatage element is much more present in the show this time. And for myself, being able to work with Chris, Johnny (Middleton/bass) and Al (Pitrelli/guitars) again is a blast. This is an arena show and we just happened to squeeze it into a theater.”
Chris: “The biggest difference for me is that I’m not nearly as tired as I am during the big production we do (laughs). We do one show a day and it’s stripped down, and we don’t have the wings that we have on the North American stage. The big stage has at least another 30 feet on each side, so you run the arena and do two shows a day. The European tour is more like doing the old Savatage concerts in many ways except the people are sitting. In a lot of ways it’s the same because I put my in-ears in and what I hear is the same as always. I don’t really hear a difference. The band is different in that I’ve got Johnny and Al there, which is always great. I usually play with Jeff and the singers rotate, so it’s not really that different of a TSO show for me.” Continue reading BW&BK Interview: TRANS-SIBERIAN ORCHESTRA Live In Europe – From SAVATAGE With Love
By Carl Begai
In North America the Trans-Siberian Orchestra has become as traditional at Christmas as Santa Claus, coloured lights and holiday parking. Even if you’ve never attended one of their seasonal shows – which usually hits a city near you anywhere from November through January – you’ve definitely heard of them, as the TSO rock opera format appeals to people from all walks of life, to everyone from children to the elderly. Plain and simple, the Trans-Siberian Orchestra has proven for well over a decade that you don’t need to be metal to ride this ride, regardless of the outfit’s Savatage-rooted history.
Producer/composer Paul O’Neill is known for pushing the envelope with every project he devises. It was his collaborative efforts with Savatage frontman Jon Oliva in the late ’80s, in fact, that slowly but surely transformed the legendary metal band into something much more theatrical in nature, which eventually spawned the Trans-Siberian Orchestra. And while TSO established itself as a Christmas-themed project when it launched in 1996, O’Neill got rid of the sleigh in 2000 for Beethoven’s Last Night, an album telling the fictitious tale of legendary composer Ludwig van Beethoven’s last night alive. TSO finally toured for the album in North America in 2010, went to Europe the following year, and 2012 sees the band on the road again, this time supporting a fully narrated re-release of Beethoven’s Last Night.
Guitarist Chris Caffery, a long time member of Savatage and the Trans-Siberian Orchestra, offered his views on the current Beethoven’s Last Night tour versus the annual winter shows during some rare and fleeting post-soundcheck downtime:
“It’s a very different vibe. The winter tour has the holiday and runaway theme to the story line, the music marries that story. This tour is the complete Beethoven’s Last Night album, and it’s not like the winter show isn’t a rock concert, but the Beethoven show has a darker feel because of the story and the theme. Beethoven is battling the devil to save his soul and his music, it’s a pretty intense story. For me personally it feels more like I’m performing a rock concert because of the way the songs and the album is structured. It’s a little bit more to where my roots were when I performed growing up. Continue reading BW&BK Interview: TRANS-SIBERIAN ORCHESTRA – There’s Something You Should Know About Last Night…
By Carl Begai
Savatage is dead.
The band’s music is alive and well thanks to the existence of Jon Oliva’s Pain, Circle II Circle and guitarist Chris Caffery’s solo career, but as a recording / touring entity Savatage will only ever exist from this point on as a pipe dream. For vocalist / founder Jon Oliva it’s an ongoing battle trying to convince the diehards that the band won’t be making a return in spite of the fact he’s released four albums with Jon Oliva’s Pain in six years. The release of a Savatage compilation entitled Still The Orchestra Plays, issued earlier this year, hasn’t helped matters. So it goes that as Oliva settles in to discuss his new JOP album, Festival, he’s forced yet again to snuff the rekindled rumours of an impending Savatage comeback.
“That compilation is something Paul (O’Neill / producer, Trans-Siberian Orchestra director) helped put together, I didn’t have much control over it,” says Oliva. “I just wanted to get something out there to kind of cap things off because I’ve moved on. Those reunion rumours… some people have been saying things they probably shouldn’t have. There was talk about doing a show to kind of give Savatage a send-off but the logistics of doing so just made it impossible. The guys have the Trans-Siberian Orchestra, I have my JOP stuff, there’s a lot of other things keeping us busy. It’s pretty aggravating, though, with people always asking about when it’s going to happen and pushing to have one. I mean, Savatage hasn’t done anything in almost 10 years! It’s just a small group of people, but they just won’t let it go and I can’t figure out why. You have the Savatage guys in the Trans-Siberian Orchestra, which was spawned from the Dead Winter Dead (1995) and Wake Of Magellan (1997) era of the band, you have Jon Oliva’s Pain doing a lot of the old Savatage material, what more do you want?” Continue reading JON OLIVA’S PAIN – Welcome To The Show