Ralf Scheepers

All posts tagged Ralf Scheepers

By Carl Begai

What started five years ago as an interesting concept of mashing a rock band with an orchestra live on stage in support of popular vocalists of yesteryear, Rock Meets Classic has set a new standard for itself and anyone dumb enough to try and rip them off. Following successful runs through select parts of Europe – primarily Germany – with stars such as Ian Gillan (Deep Purple), Paul Rodgers (Bad Company), Steve Lukather (Toto), Dan McCafferty (Nazareth), Chris Thompson (Manfred Mann’s Earth Band) and Eric Bazilian (The Hooters) to name only some of ’em, the 2014 edition of Rock Meets Classic serves up its most diverse line-up yet with unexpectedly positive results. As in, a brilliant high quality ass-kicking.

In all honestly, hearing that Alice Cooper, the Uriah Heep duo of Mick Box and Bernie Shaw, and Joe Lynn Turner were going to share the stage with the likes of ’80s popsters Kim Wilde and Midge Ure (Ultravox) for the tour left me scratching my head in disbelief. As in, I was curious as to who was smoking what when they dreamed up a supposed musical car crash. It’s supposed to be ROCK Meets Classic after all, and although The Mat Sinner Band and the Bohemian Symphony Orchestra Prague have never disappointed in the past, I wondered who the hell would even care about Kim Wilde and Midge Ure.

A whole hell of a lot of people as it turns out. And rightly so, as the duo stood toe-to-toe with their rock pedigree tourmates.

So, rather than penning an overblown review with too many windbag adjectives, the following is a list of highlights from Rock Meets Classic’s fifth show of 2014 on March 14th Würzburg, Germany:

AliceMidge2

– the Würzburg show and audience crushed the Nuremberg production from the night before.

– backing vocalists Amanda Somerville, Tiffany Kirkland, Kolinda Brozovic, Ralf Scheepers and Sascha Krebs were given the deserved opening spotlight with a great rendition of the Queen classic ‘Show Must Go On’. It was also nice to see they still have their own individual looks and a minimal choreography rather than being decked out like penguin clones. Scheepers still looks metal, and nobody is trying to hide Kirkland’s rather awesome haircut (especially the lady herself).

– Midge Ure’s voice is amazing, and the symphonic rock version of the Ultravox hit ‘Dancing With Tears In My Eyes’ is a keeper. Thank the appropriate diety for YouTube so you can experience it.

– Joe Lynn Turner wore a vest that looked like the couch my parents had back when I was a kid in 1975. He sounds just as good as he ever did, which is bloody amazing.

– seeing and hearing four of five Primal Fear members out of their metal comfort zone is always a blast. They set a new benchmark for themselves this year.
Continue Reading

By Carl Begai

Reviewing a power metal band is no more rocket scientific than the music itself. Babble on about divine guitar shred, godlike vocals, throw around terms like “old school” and “traditional” and you’re done. And while this formula has been applied to Primal Fear in the past, to do so in discussing their new outing, Delivering The Black, would be a huge disservice to the band and the fans. Primal Fear is one of those rare acts that, 10 studio albums into their career, are more vital and vibrant than they were at the beginning, and anyone that’s been following them since 1998 will have one hell of a time arguing the point in 2014. Picking up where Unbreakable (2012) left off and leaving said record choking in the dust, Delivering The Black is a brilliant energetic romp through familiar territory on a level that will make it a go-to classic of the genre 20 years from now.

Primal Fear cover

Delivering The Black grabs hold immediately with ‘King For A Day’, seals the deal with ‘Rebel Faction’, and digs its claws so damn deep it’s a shock, especially if you’re expecting ho-hum power metal-isms. The guitar riffs are huge at the hands of Magnus Karlsson, Alex Beyrodt and founder/producer/bassist Mat Sinner, while drummer Randy Black delivers some of the best steel backbone work of his career (‘King For A Day’, ‘Inseminoid’, ‘Rebel Faction’, ‘Delivering The Black’). As for vocalist Ralf Scheepers…. pffffff… the man has come a LONG way since his days with Gamma Ray and Primal Fear’s early albums. He still has one of the best high-pitched shrieks this side of Tim “Ripper Owens, Rob Halford and Kai Hansen, and his low-end voice now boasts grit, balls and character that sets him well apart from his aforementioned peers. Fact is it’s hard to pick Scheepers’ crowning moment on Delivering The Black because there are so damn many of ’em (although ‘Rebel Faction’ is probably the best track to sum up his overall performance). Continue Reading

By Carl Begai

In recent years, Primal Fear bassist Mat Sinner has crossed over from the realms of metal and become a familiar face / presence to the mainstream rock crowd in parts of Europe. As one of the masterminds behind Rock Meets Classic – which is exactly what it sounds like – he has seen what started as a grand touring experiment morph into a highly anticipated packed-to-the-rafters annual event. Boasting the Mat Sinner Band and the Bohemian Symphony Orchestra Prague as its foundation, Rock Meets Classic is gearing up for its fifth run in March / April 2014 featuring some of the finest rock vocalists/musicians the ’70s and ’80s has to offer. Previous outings with Ian Gillan (Deep Purple), Steve Lukather (Toto), Lou Gramm (Foreigner), Dan McCafferty (Nazareth), Paul Rodgers (Bad Company), Chris Thompson (Manfred Mann’s Earth Band) and Eric Bazilian (The Hooters) went over a storm, appealing to everyone from the unwashed metalheads to the husbands / wives that get out maybe twice a year, to the 65+ year-old pensioners who dress their best for the occasion. The 2014 installment of Rock Meets Classic is shaping up to be another blast for everyone involved regardless of whether they’re on stage or in the audience.

Group2

And while their names may not fill the seats to the extent the featured artists do, Sinner is equally focused on enlisting top notch musicians as members of the Rock Meets Classic backbone. No small wonder the roster hasn’t changed very much since the first run and now features four-fifths of Primal Fear

“If I’m able to give jobs to my bandmates so that they make some decent money on a nice tour, I will,” says Sinner. “And there’s a social part to it, where for example I’m not going to give the drummer position away to another drummer when I have Randy Black. I know Randy can play all this stuff, he’s got the skills, and I know he’s a big fan of some of these singers. Everybody was very, very happy with him on the last Rock Meets Classic tour. He told me he had the time of his life, so of course he wants to do the tour next year. If I can give something back to these guys, there’s nothing wrong with that.” Continue Reading

By Carl Begai

Primal Fear’s brand of power metal will never be regarded as competition against bands like Nightwish, Dream Theater or Soilwork. Nor will their new album Delivering The Black be considered a departure from the material they’ve released 15+ years and 10 albums into their career. You’d be hard pressed to argue, however, that Primal Fear haven’t evolved by leaps and bounds since their 1998 self-titled debut. The new album’s lead-off track ‘King For A Day’ on its own is enough to push the point home that Primal Fear in is a much stronger and far more aggressive animal going in to 2014. Listen to Delivering The Black as a whole and it’s no small wonder the band is sharing if not outright stealing the spotlight from their power metal peers these days.

Primal Fear 2

“I’m very happy with it,” Sinner says of Delivering The Black, soft spoken as always. “There are subjects on the album that I like more than what we did before, and that’s important for me because if there’s no evolution in the band and no difference between albums I wouldn’t be pleased. Mostly the evolution is in the songwriting and production, and it definitely shows. I think Unbreakable (from 2012) was the most successful Primal Fear album worldwide, so it wasn’t the point to change the style of music or re-invent Primal Fear with a different approach. The next step after Unbreakable was to make this kind of music, which the fans love, even better. We worked hard on the guitar parts because the guitars are the main instruments in Primal Fear, pushing Randy (Black/drums) to a new level, and making Ralf (Scheepers/vocals) better than he ever was. Those were our targets.”

Sinner makes no bones about Unbreakable being in the band’s rear view mirror while they were putting Delivering The Black together. This self-imposed pressure paid off in the end judging by reactions from the press and the folks in charge of deciding when and how (and if) the album is promoted.

“Unbreakable was great in our view and in the eyes of the fans. Even our record company (Frontiers), which is more into melodic rock, was totally enthusiastic about the new album. And our Germany / Austria / Switzerland distributor, Soulfood – which are three very important territories for us because we sell a lot of records there – they were totally blown away and convinced the record company to produce some special limited edition formats this time. Everyone has been really surprised about the sound, the power and the energy on the album. Their reactions proved that we had the right vision and that we’re on the right track with the new record. So basically, the business people think we’ve delivered a better album than Unbreakable.” Continue Reading

So, me and my extended BW&BK family have issued our individual Best Of 2012 lists because that’s the sort of thing you do in this biz as the new year kicks off. I’ve decided to post my long-winded overview of the last 12 months here, with a link provided leading to my Top 10 Albums list along with other honourable (and dishonourable) mentions…

It was a rollercoaster of a year, as they all are in the music biz.

From being blindsided by Halestorm’s new album The Strange Case Of… and becoming a fan against my will, to dealing with a fuckwit promo rep at Roadrunner Records who decided to change my questions in an email interview because she felt they were “too harsh” for her artist (um, shouldn’t that be for the artist to decide?), to bucket list interviews with Brighton Rock’s Gerry McGhee and the lovely Lita Ford, to witnessing some amazing shows on both sides of the pond, 2012 has been quite the adventure.

See the list here for the Hot and Not albums of my year, then pick apart my sanity at your leisure.

Gotta say that I was surprised at not being disappointed by any of the shows I was able to attend this year. The third annual European run of Rock Meets Classic featuring Ian Gillan (Deep Purple), Steve Lukather (Toto), Chris Thompson (Manfred Mann’s Earth Band), three-fifths of Primal Fear’s roster and Trillium vocalist Amanda Somerville was positively brilliant, with PF singer Ralf Scheepers going above and beyond lending his voice to the Toto hit ‘Rosanna’ (!). Watching Devin Townsend successfully manipulate a Motörhead crowd into doing his bidding was a gut-buster, seeing former Helloween members Michael Kiske and Kai Hansen on stage together with Unisonic belting out classics ‘I Want Out’ and ‘Future World’ was ’87 surreal, and the Leaves’ Eyes / Firewind tour that looked so weird on paper turned out to be one of the best gigs of the past 12 months.

Nightwish gets a scrapbook all its own due to a brilliant show in Nuremberg – featuring more pyro than the sun – and a day and night hanging with some of the finest people in the metal business. Continue Reading