Randy Black

All posts tagged Randy Black

By Carl Begai

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Seeing as how BraveWords lays claim to being Canada’s authority on metal and boasts an international reach that few can compete with – we’re a humble lot up here in the Great White North – it falls to us to acknowledge the victory of fellow Canuck and drummer extraordinaire, Randy Black, who made a small but significant contribution to the legacy of German thrash masters Destruction in 2015. Thus, going in to discuss the band’s new slab of violence Under Attack with Destruction frontman Schmier, the first order of business was to find out how Black fared filling in behind the kit while permanent drummer Vaaver took some time off to be with his family early last year.

“He’s not a crazy Canuck,” Schmier laughs. “Randy doesn’t drink or do drugs, and he takes his job very seriously, so nothing spectacular happened like Randy destroying the bus or anything like that. He’s very focused on his work. It was difficult because we needed someone to replace Vaaver for a while and it had to be someone who was familiar with Destruction who could learn to play the material in a short amount of time. It’s not easy to learn and feel the songs like a drummer who has been playing them for a number of years, but Randy did it his way and he did a great job. Vaaver thought it was great the way Randy interpreted the songs. It was fun working with him and there were a lot of people that liked it so much that they started asking if Randy was joining the band permanently. I think it was a good challenge for him. It was a good cardio workout for him, anyway (laughs). I think the last time he played stuff like ours was with Annihilator, but Destruction has more fast stuff compared to them. Randy was in great shape by the end of the tour (laughs).”

Fast forward to the present, where Under Attack closes the four year gap since Spritual Genocide. An unusually long time between Destruction albums, but according to Schmier it was a conscious move on the band’s part to take their time making rather than having to deal with unexpected roadblocks.

“We recorded the demos for Under Attack and then went back on tour, so we were never in the studio for more than three or four days at a time. It was actually a genius move because we recorded a song or two or three, went back on the road, and we had all that energy and excitement from playing the old songs for the fans. When we went back into the studio we had that old school feeling even as we were refreshing our sound, and it made the songwriting process very smooth. If you don’t write songs for two or three years, when you do start writing again you have so many ideas. I was like a volcano of new ideas, it was shocking.” Continue Reading

By Carl Begai

In 2013 the annual Rock Meets Classic tour – featuring rock artists from the ’70s and ’80s performing their hits backed by a full band and orchestra – made its way through parts of Europe for the fourth time, once again to rave reviews. As every year changes were made to the roster of artists on board, welcoming Paul Rodgers (Bad Company), Eric Bazilian (The Hooters), Steve Augeri (ex-Journey) and Bonnie Tyler to the stage, with Chris Thompson (Manfred Mann’s Earth Band) being the only holdover from 2012. Changes were made within the usually static ranks of The Mat Sinner Band as well, with backing vocalist Kolinda Brozovic and Primal Fear / DuskMachine drummer Randy Black welcomed to the fold. Black’s presence marked the fourth of five Primal Fear members in the Rock Meets Classic family, and he was only too happy to put his well-seasoned metal impulses on the backburner in favour of performing with some of rock’s finest.

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“Not to sound sappy – and I’m going to sound like a wimp (laughs) – but there haven’t been many times in my career when I’ve had tears in my eyes on stage,” Black admits. “A song like ‘Feel Like Makin’ Love’ by Paul Rodgers, I grew up with it and cut my teeth on the cover scene in Canada with them. What people might not realize is that I’m above the stage at Rock Meets Classic, I’m looking down over the orchestra and the band, and I have an in-ear mix of everything. I’m getting goosebumps thinking about it now (laughs). I had this amazing sound in my ears, I was looking down and listening to everything, and I thought ‘I can’t believe I’m drumming for this.'”

“It’s a whole different thing. It’s not metal, but it’s what I grew up listening to; pop rock. There were so many ‘wow’ moments on the 2013 tour, like hearing Bonnie Tyler nailing those notes on ‘Total Eclipse Of The Heart’. Everybody knows the song, everybody knows what Bonnie Tyler sounds like, and she was amazing. I wish my mom could have been there for that.”

Although he was new to the crew, Black was given the spotlight along with the orchestra for a crowd-pleasing rendition of the Pirates Of The Caribbean film’s theme music, ‘He’s A Pirate’. Black played up the part accordingly, making the short interlude one of the many high points of the show.

“That actually wasn’t planned,” Black reveals. “The orchestra rehearsed it without me, and a few shows in they thought drums might add more to the piece, so they put a pirate’s hat on me and away we went. I actually just found out they put it in again for this year.” Continue Reading

By Carl Begai

Reviewing a power metal band is no more rocket scientific than the music itself. Babble on about divine guitar shred, godlike vocals, throw around terms like “old school” and “traditional” and you’re done. And while this formula has been applied to Primal Fear in the past, to do so in discussing their new outing, Delivering The Black, would be a huge disservice to the band and the fans. Primal Fear is one of those rare acts that, 10 studio albums into their career, are more vital and vibrant than they were at the beginning, and anyone that’s been following them since 1998 will have one hell of a time arguing the point in 2014. Picking up where Unbreakable (2012) left off and leaving said record choking in the dust, Delivering The Black is a brilliant energetic romp through familiar territory on a level that will make it a go-to classic of the genre 20 years from now.

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Delivering The Black grabs hold immediately with ‘King For A Day’, seals the deal with ‘Rebel Faction’, and digs its claws so damn deep it’s a shock, especially if you’re expecting ho-hum power metal-isms. The guitar riffs are huge at the hands of Magnus Karlsson, Alex Beyrodt and founder/producer/bassist Mat Sinner, while drummer Randy Black delivers some of the best steel backbone work of his career (‘King For A Day’, ‘Inseminoid’, ‘Rebel Faction’, ‘Delivering The Black’). As for vocalist Ralf Scheepers…. pffffff… the man has come a LONG way since his days with Gamma Ray and Primal Fear’s early albums. He still has one of the best high-pitched shrieks this side of Tim “Ripper Owens, Rob Halford and Kai Hansen, and his low-end voice now boasts grit, balls and character that sets him well apart from his aforementioned peers. Fact is it’s hard to pick Scheepers’ crowning moment on Delivering The Black because there are so damn many of ’em (although ‘Rebel Faction’ is probably the best track to sum up his overall performance). Continue Reading

By Carl Begai

In recent years, Primal Fear bassist Mat Sinner has crossed over from the realms of metal and become a familiar face / presence to the mainstream rock crowd in parts of Europe. As one of the masterminds behind Rock Meets Classic – which is exactly what it sounds like – he has seen what started as a grand touring experiment morph into a highly anticipated packed-to-the-rafters annual event. Boasting the Mat Sinner Band and the Bohemian Symphony Orchestra Prague as its foundation, Rock Meets Classic is gearing up for its fifth run in March / April 2014 featuring some of the finest rock vocalists/musicians the ’70s and ’80s has to offer. Previous outings with Ian Gillan (Deep Purple), Steve Lukather (Toto), Lou Gramm (Foreigner), Dan McCafferty (Nazareth), Paul Rodgers (Bad Company), Chris Thompson (Manfred Mann’s Earth Band) and Eric Bazilian (The Hooters) went over a storm, appealing to everyone from the unwashed metalheads to the husbands / wives that get out maybe twice a year, to the 65+ year-old pensioners who dress their best for the occasion. The 2014 installment of Rock Meets Classic is shaping up to be another blast for everyone involved regardless of whether they’re on stage or in the audience.

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And while their names may not fill the seats to the extent the featured artists do, Sinner is equally focused on enlisting top notch musicians as members of the Rock Meets Classic backbone. No small wonder the roster hasn’t changed very much since the first run and now features four-fifths of Primal Fear

“If I’m able to give jobs to my bandmates so that they make some decent money on a nice tour, I will,” says Sinner. “And there’s a social part to it, where for example I’m not going to give the drummer position away to another drummer when I have Randy Black. I know Randy can play all this stuff, he’s got the skills, and I know he’s a big fan of some of these singers. Everybody was very, very happy with him on the last Rock Meets Classic tour. He told me he had the time of his life, so of course he wants to do the tour next year. If I can give something back to these guys, there’s nothing wrong with that.” Continue Reading

By Carl Begai

Primal Fear’s brand of power metal will never be regarded as competition against bands like Nightwish, Dream Theater or Soilwork. Nor will their new album Delivering The Black be considered a departure from the material they’ve released 15+ years and 10 albums into their career. You’d be hard pressed to argue, however, that Primal Fear haven’t evolved by leaps and bounds since their 1998 self-titled debut. The new album’s lead-off track ‘King For A Day’ on its own is enough to push the point home that Primal Fear in is a much stronger and far more aggressive animal going in to 2014. Listen to Delivering The Black as a whole and it’s no small wonder the band is sharing if not outright stealing the spotlight from their power metal peers these days.

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“I’m very happy with it,” Sinner says of Delivering The Black, soft spoken as always. “There are subjects on the album that I like more than what we did before, and that’s important for me because if there’s no evolution in the band and no difference between albums I wouldn’t be pleased. Mostly the evolution is in the songwriting and production, and it definitely shows. I think Unbreakable (from 2012) was the most successful Primal Fear album worldwide, so it wasn’t the point to change the style of music or re-invent Primal Fear with a different approach. The next step after Unbreakable was to make this kind of music, which the fans love, even better. We worked hard on the guitar parts because the guitars are the main instruments in Primal Fear, pushing Randy (Black/drums) to a new level, and making Ralf (Scheepers/vocals) better than he ever was. Those were our targets.”

Sinner makes no bones about Unbreakable being in the band’s rear view mirror while they were putting Delivering The Black together. This self-imposed pressure paid off in the end judging by reactions from the press and the folks in charge of deciding when and how (and if) the album is promoted.

“Unbreakable was great in our view and in the eyes of the fans. Even our record company (Frontiers), which is more into melodic rock, was totally enthusiastic about the new album. And our Germany / Austria / Switzerland distributor, Soulfood – which are three very important territories for us because we sell a lot of records there – they were totally blown away and convinced the record company to produce some special limited edition formats this time. Everyone has been really surprised about the sound, the power and the energy on the album. Their reactions proved that we had the right vision and that we’re on the right track with the new record. So basically, the business people think we’ve delivered a better album than Unbreakable.” Continue Reading

By Carl Begai

In a recent interview with Sinner bassist/vocalist Mat Sinner about the band’s new album, One Bullet Left, he offered BW&BK his thoughts and impressions on the forthcoming Primal Fear record, Unbreakable, which the band had just finished recording at press time. He reveals the band opted to go back to square one rather than trying to one-up their over-the-top 2009 effort, 16.6.

Following is the exclusive look into the record, due to be released on January 20th, 2012:

“We reduced the journeys to different styles of music on the new album,” Mat reveals. “I’m trying to find the right word… let’s just say there weren’t a lot of strange experiments. We went back to where we started with the riffs, meaning that the main riff is the main point in the song. That’s how we made music in Primal Fear when we first started (in 1997). With Magnus (Karlsson) and Alex (Beyrodt) on guitars, and Randy (Black) on drums, we have the strongest Primal Fear line-up ever, and the shows we’ve done recently prove that. We played Wacken this past summer, we just did some shows in Poland, and it was killer. We tried to get that vibe, that attitude, and put it on the album. We wrote songs that go back to the basics, and some fans will love them for that reason alone. You hear the riffs and you know it’s Primal Fear.”

“It will be a different album. If people want to hear totally innovative and new music, they shouldn’t wait for this album.”

Go to this location for the complete interview.