By Carl Begai
BraveWords has been watching guitarist Luca Turilli’s career since the release of Rhapsody’s 1997 debut, Legendary Tales… back when we were BW&BK and in print only. In the time since then we’ve covered the band’s album-by-album rise to fame, their unexpected triumphant stand in Montreal supporting Manowar (and subsequent trouncing of the headliner), the court case against former management (led by Manowar’s Joey Demaio) which forced the band to change their name to Rhapsody Of Fire, and Turilli’s confusing but amicable split to form Luca Turilli’s Rhapsody. Over those 18 years, Turilli’s passion for his art hasn’t waned one iota. In fact, his present enthusiasm is downright dangerous given his vastly increased command of the English language since those early days. It kinda makes you wish you could bottle and use it as a Monday morning motivational chaser.
Bottom line is that even if you don’t care for the in-your-face happy metal soundtrack bombast of Turilli’s music, it’s very hard not to like the guy.
Turilli is currently pounding the pavement in support of his new album, Prometheus – Symphonia Ignis Divinus. Fans won’t be disappointed, as it features all the epic metal bells and whistles that made him and former partner Alex Staropoli – still with Rhapsody Of Fire – famous. This record just happens to be the biggest, most complex Rhapsody-related outing yet. A far cry from the comparative Super Mario soundtracking of Legendary Tales.
“We were influenced by Yngwie Malmsteen, the Keeper Of The Seven Keys albums from Helloween, and I was really inspired by the original soundtrack for the Batman movie directed by Tim Burton, composed by Danny Elfman,” says Turilli, laying the Rhapsody groundwork. “We weren’t so pretentious to think that we could create something brand new, but we wanted to create something out of our influences. We proposed something new with Legendary Tales, and it was the record company that decided to call it Hollywood metal. If you can imagine we were putting the classic orchestral elements into our compositions note by note using a keyboard and a sequencer. At the time, those orchestral samples we used were considered the best around.” Continue reading BraveWords Interview: LUCA TURILLI’s RHAPSODY – The Return Of Mr. Bombastic
By Carl Begai
Italian vocalist Fabio Lione first made his mark on the international metal scene in 1997 fronting Rhapsody – now known as Rhapody Of Fire for legal reasons – and holds that post to this day. Over the years, however, he has gained a reputation for being a reliable go-to replacement when circumstances make it impossible for a band to operate with their own singer. The most recent example of this was on Gamma Ray’s European tour, which featured Rhapsody Of Fire as support. Vocalist Kai Hansen was battling a serious case of bronchitis that threatened to derail the tour completely, but rather than pack it in they tapped several friends to fill in for Hansen at certain points of the nightly set. Lione pulled double duty for a good portion of the tour, performing a handful of songs for Gamma Ray on top of a full Rhapsody Of Fire set, hammering home performances that showcased just how formidable a vocalist he really is. It’s one thing to cover Helloween’s ‘Future World’ – a Gamma Ray staple that has been done to death – and quite another to nail ‘Empire Of The Undead’, a brand new song that Hansen himself has probably sung live less than 30 times.
Rhapsody Of Fire has been Lione’s top priority since the beginning, but in 2011 he was asked to front Kamelot on tour in place of Roy Khan who had bowed out (and eventually quit) for personal reasons. The Kamelot fanbase was quite naturally resistant to the idea of Lione behind the microphone, but by the end of the tour many fans agreed he had something significant to offer. In the end it was Seventh Wonder vocalist Tommy Karevik that got the job, but Lione’s ties to Kamelot are still intact.
“I love the guys in Kamelot,” says Lione. “I love the band, I love the crew, we had a beautiful tour. I think we did something like 49 shows together in North America, South America and Europe. The response in every place we played was great, so I know that it wasn’t easy for Thomas (Youngblood/guitars) to make the decision to choose someone else. Of course he preferred to get somebody that doesn’t already have a big band because it’s easier to manage the schedule without having to worry about what else is going on. In the end, I appreciate that we’re still really good friends. Thomas sends me emails every so often, he’s interested in doing a side-project with me, and I’m sure he’s happy with his decision to bring Tommy into the band.” Continue reading RHAPSODY OF FIRE Vocalist Fabio Lione – “I Love The Guys In KAMELOT; We Had A Beautiful Tour”