By Carl Begai
In the interest of not boring the veteran Queensrÿche faithful to tears we’ll skip rehashing the episodes of Tate Hate that led to the band splintering in 2012. If you’re a new fan all you need to know is vocalist Todd La Torre replaced original Queensrÿche singer Geoff Tate after 12 albums due to some brutal personal and creative differences, and both sides are better for the change. In Queensrÿche’s case – featuring La Torre, original members Michael Wilton, Scott Rockenfield, Eddie Jackson, and Parker Lundgren – it meant returning to the signature sound of the band’s early years, which has given Queensrÿche a completely – and if we’re being honest, unexpected – new lease on life. Sure, some fans have been loud in their disapproval of La Torre taking over Tate’s post, but the live shows have succeeded in changing some narrow minds.
“It’s a new energy, man, a rebirth of the band,” says Wilton. “Like you said, it’s a shame there are some people that are complaining, but it’s just one show at a time and we’re going to have to convince people that way. We’ve been doing that for the last two-and-a-half years and it’s gotten to the point, at least in Europe and the UK, they know and remember who Queensrÿche is. We just have to prove ourselves to the rest of the world.”
“We played a good variety of shows this summer; some key festivals, the main one being Wacken, which Queensrÿche has never performed at. It was great except for the mud (laughs). Being able to do our own shows and teaming up with Dream Theater again, it was amazing. It’s been a long time since we toured with them and it was a rekindled friendship. James LaBrie was so positive with Todd, letting him know that he’s just killing it, and John Petrucci wants us to do some shows together in the States next year. And then teaming up with Armored Saint and Death Angel in the UK, it was a great variety. The show in London was just amazing because both bands were there and the fans were just blown away.”
“It’s been almost three years with Todd and his confidence level is very strong. His voice is getting stronger from all the touring we’re doing, and he’s so comfortable with the old Queensryche songs it’s unbelievable. He’s grown as an individual and he’s such a team player for Queensrÿche; the fans love him.” Continue reading BraveWords Interview: QUEENSRŸCHE – (R)Evolution Calling
By Carl Begai
Making a long and disappointing story short, metal veterans Queensrÿche came apart at the seams in April 2012 after 30 years in the trenches. With vocalist Geoff Tate on one side and the rest of the line-up on the other, the band split into two factions, both laying claim to the Queensrÿche name. The ugly details of the split can be found here (scroll down for older updates), with a court date set for November 2013 to decide who will actually be allowed to wear the moniker. In the meantime both Tate and his former bandmates are working on new albums, with both due to be released this year.
Of the two parties, the Queensrÿche consisting of founding members Michael Wilton (guitars), Eddie Jackson (bass), and Scott Rockenfield (drums) – also featuring new-ish guitarist Parker Lundgren – have had it easier by hiring former Crimson Glory singer Todd La Torre. They’ve chosen to go back to the band’s original metal sound and the long-time fans are loving it. Tate, on the other hand, has gathered a group of musicians to continue his own ‘Rÿche legacy, with Rudy Sarzo (ex-Ozzy Osbourne), Glen Drover (ex-Megadeth), Bobby Blotzer (Ratt), Kelly Gray (ex-Queensrÿche) and Randy Gane (ex-Myth) having rallied around Tate in September 2012. Only two months later, however, Drover bowed out for undisclosed reasons.
I recently caught up with Drover to discuss his decision to pack it in before any recordings or live performances with Tate’s band were in the can. Continue reading GLEN DROVER – On The Road To QUEENSRŸCHE Madness
Having established themselves as something pretty damn close to unique with their classic self-titled EP and weirdo cold progressive follow-up, The Warning, Queensrÿche blindsided pretty much everyone with Rage For Order. The goth-glam promo pictures did a decent job of scaring the shit out of the people who cared, first single / video ‘Gonna Get Close To You’ finished the job with its brooding Depeche Mode-metal vibe. Most folks outside Canada didn’t realize the song was a cover, Canuck metalheads (myself especially) couldn’t believe one of their own would cover Lisa Dalbello, but it had the desired effect. I, like so many others that had dismissed Queensrÿche as being too over-the-top for their own good, weighed hype against weirdness and took a chance on the album, and was pleasantly surprised. Continue reading QUEENSRŸCHE – Rage For Order (1986)