Stuck Mojo

All posts tagged Stuck Mojo

By Carl Begai

Hasta1

Québec is known for offering up top tier metal talent to the world and having a forward thinking European-bent metal fanbase. Montréal’s Hasta La Muerte is one of the province’s latest spawn, having stomped into the spotlight earlier this year with a tongue-in-cheek / bum drum rap metal debut single, ‘Pour Anotha Shot’. The song, and particularly the video, garnered them instant attention both positive and “WTF?!” negative. A few months later they followed up with a darker, meaner, uglier tune ‘Step Up’, which has at the very least cemented them as not being flash in the pan. Beyond the music, however, almost nothing has been published about their roots and plans for world domination. Having tagged them as “Van Halen getting Ugly Kid Stuck Mojo-ed” when ‘Pour Anotha Shot’ first surfaced, I decided to dig up any available dirt for Hasta La Muerte’s growing fanbase.

“The band started out with myself, Manuel (Iradian / guitars) and Kev (Alexander / drums),” says guitarist David Evangelista, “all being friends in different bands and wanting to make something different together as a new band. Even though we grew up on old school heavy metal, we listen to all kinds of music, including hip-hop, rock, blues, or whatever in our free time. When we decided to work together, we worked off some demos that I had that were sort-of groovy and hip-hop-sounding, electronic, but also metal and really low-tuned on guitar. These were basic riffs and templates that would turn into ‘Pour Anotha Shot’ and ‘Step Up’. We wanted to be open to other genres of music as influences. So we collaborated to finish these ideas and making them into full instrumental songs, the three of us.”

“We put up a demo to recruit a vocalist, and we welcomed Robby (J. Fonts) who was primarily a rapper at the time. He did a great job mixing rap and heavy vocals on the demo which would eventually turn into our first single, ‘Pour Anotha Shot’. He had a similar open-minded vision too, so it worked out really well with the other material as well. But originally, before he appeared, it wasn’t necessarily set out to be rap-metal, it just sort of happened that way and we didn’t question it.” Continue Reading

By Carl Begai

Call it a safe bet that a fair number of progressive metal fans feel slighted by having two giants of the genre – vocalist Russell Allen (Symphony X) and Mike Portnoy (ex-Dream Theater) – slamming down ton of bricks modern-edged metal with nary a 5/8 time signature or widdly keyboard flourish in sight. Nope, this is feelgood freight train mayhem minus the seatbelts done up old school, with the dynamic prog duo and guitarist Mike Orlando relying on musicality rather than gutteral aggression and the same old boring-ass downtuned chords to get their message across. Allen is a monster right out of the gate, his melodic bellow on lead-off tracks ‘Undaunted’ and ‘Psychosane’ laying the groundwork for some of the strongest material of his career (and wiping those damn Allen/Lande albums from memory). Orlando was either schooled in Stuck Mojo, or the band’s guitarist Rich Ward – who was in Adrenaline Mob for about 5 minutes – made a lasting impression on his songwriting. When it comes down to the groove crunch, and there’s plenty of it, Orlando’s shred is also an echo of Zakk Wylde, giving folks a welcome taste of Black Label Society. With Portnoy providing the backbone for the Allen/Orlando-penned tunes, it shouldn’t be a surprise that Adrenaline Mob’s overall sound is far and away from your average balls-out 4/4 metal band.
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