While you recover from those idiotic Christmas carols that did your head in the last time you were out shopping, some info on new quality Canadian noise guaranteed to give Santa a reason to skip your house this year…
Ultimate garage rocker Danko Jones, who just happens to have a huge metal-loving fanbase in Europe, has issued a new five-song EP entitled Mouth To Mouth as a digital-only release. Three of the tracks – ‘Rock ‘N’ Roll Proletariat’, ‘The Kids Don’t Want To Rock’, ‘Guest List Blues’ – have surfaced over the last couple years as b-sides, while ‘She’s Too Pretty’ and ‘Mouth To Mouth’ are previously unreleased must-have songs if you’re a diehard fanboy/girl. An audio player featuring the latter two tracks is available at the bottom of this update.
In addition, Danko will hit the stage for a spoken word set at the Wacken Open Air 2012, which is set to take place August 2nd – 4th in Wacken, Germany. As of today the festival was officially sold out, so anyone who doesn’t have tickets will have to content with watching his performance during the online simulcast. Continue reading Only In Canada, Eh! – December 2011: DANKO JONES, THE AGONIST, MANAHAN, And Under Grey Skies & Electric Light With WOODS OF YPRES
It’s a strange day in hell when a band bridges the gap between Dimmu Borgir and Voivod. Ana Kefr’s debut succeeds in doing just that; a vicious stand-alone conceptual piece featuring an uncompromising and ultimately unique sound in spite of the comparisons drawn. The Death Cult Armageddon vibe over top an instantly recognizable Voivod thrash and clatter is a shock to the system as lead-off track ‘The Day That Guilt Turned White’ gathers momentum, to the point that one wonders if Shagrath and Away were conscripted for the recordings. Dynamics reign, however, as Ana Kefr churn out what is quite possibly one of the most captivating listening experiences of the year, never remaining in one place too long yet smart enough to keep things simple and to the point. Continue reading ANA KEFR – Volume 1 (Muse Sick Records)
By Carl Begai
As first albums go The Agonist’s 2007 debut, Once Only Imagined, was a decent start. In spite of the unfortunate title – it’s memorable for the fact you can’t say it even one time fast – and a bumpy track sequence, the album put the band in people’s faces by yielding the brash single and video ‘Business Suits And Combat Boots’ and enabling them to jump on several different North American support tours. Of particular interest was frontwoman Alissa White-Gluz, both for her Gossow-meets-Scabbia vocal acrobatics and her looks, to a point where the music and the guys behind it were often reduced to an afterthought by the press. As if to call these people out The Agonist’s new album, Lullabies For The Dormant Mind, is everything a sophomore record should be, expanding on the ideas and performances put down on the debut in ways nobody could have imagined. This includes the band who, according to Alissa in a 2008 interview with BW&BK, weren’t sure of the direction their second album would take, with guitarist Danny Marino wanting to go down a more melodic avenue with his playing while she was determined to make things heavier. Turns out they both got their wish, although the record does favour Alissa’s frame of mind
Continue reading THE AGONIST – Hush Little Baby, I Don’t Hear A Word