By Carl Begai
Maybe it’s the sense of nostalgia that makes The Alcohollys so damn attractive, or it could be the wave of relief caused by hearing real music in an age when the tripe that passes for pop rock lacks brains, soul and integrity. A clever mix of The Go-Go’s, The Cars and The Ramones, the Canadian all-female quartet surfaced earlier this year with the three-songs-delivered-as-two Flashback EP, and the thing that immediately hits home is how bloody ’70s / ’80s organic authentic they sound. Title track ‘Flashback To ’93’ is guaranteed to rivet fans of pop-punk to the floor thanks to the in-your-face delivery and what’s become their trademark synth backhand courtesy of vocalist Kimber Heart. ‘Death Riot / Demolition In Speed City’ is a slick mix of The Ramones and ’70s prog (seriously), ranking for the moment as the best track The Alcohollys have released to date. A matter of taste to be sure, but it’s an unexpected kick in the balls.
Released this month (December 2013), Girls Night is the second tease from the band as they (hopefully) gear up for a full length record. The title track is a straight-up punk ditty too smart for The Offspring crowd and somehow reminiscent of The Vincent Black Shadow, while the mid-tempo ‘Lock Stock Lola’ is a top-to-bottom Go-Go’s / Cars flavoured anthem. Biggest surprise of the moment is ‘Nobody’s Perfect (But This Is Getting Ridiculous)’ which somehow manages to channel the Foo Fighters yet keeps the brazen sunshine-and-happiness vibe that’s woven through all five tracks. Continue Reading