Tag: The Ramones
By Carl Begai
Maybe it’s the sense of nostalgia that makes The Alcohollys so damn attractive, or it could be the wave of relief caused by hearing real music in an age when the tripe that passes for pop rock lacks brains, soul and integrity. A clever mix of The Go-Go’s, The Cars and The Ramones, the Canadian all-female quartet surfaced earlier this year with the three-songs-delivered-as-two Flashback EP, and the thing that immediately hits home is how bloody ’70s / ’80s organic authentic they sound. Title track ‘Flashback To ’93′ is guaranteed to rivet fans of pop-punk to the floor thanks to the in-your-face delivery and what’s become their trademark synth backhand courtesy of vocalist Kimber Heart. ‘Death Riot / Demolition In Speed City’ is a slick mix of The Ramones and ’70s prog (seriously), ranking for the moment as the best track The Alcohollys have released to date. A matter of taste to be sure, but it’s an unexpected kick in the balls.
Released this month (December 2013), Girls Night is the second tease from the band as they (hopefully) gear up for a full length record. The title track is a straight-up punk ditty too smart for The Offspring crowd and somehow reminiscent of The Vincent Black Shadow, while the mid-tempo ‘Lock Stock Lola’ is a top-to-bottom Go-Go’s / Cars flavoured anthem. Biggest surprise of the moment is ‘Nobody’s Perfect (But This Is Getting Ridiculous)’ which somehow manages to channel the Foo Fighters yet keeps the brazen sunshine-and-happiness vibe that’s woven through all five tracks. (continue reading…)
DOUBLE CRUSH SYNDROME – New Album Review: “An Impressive Collection Of Garage-Band-With-Skills Songs”
By Carl Begai
With a library of albums under his belt – from Sodom in the early ’90s to Powergod, The Traceelords, and a few solo outings since then – vocalist/guitarist/producer Andy Brings seems to have finally found a place to call home.
Double Crush Syndrome is his new lease on musical life, a three-piece band hinting of everything from The Ramones to Baz-era Skid Row to The Mamas & The Papas. Yep, pretty basic three chord punch on the surface but big on the singalong hooks, with tracks ‘Yeah! Pain!’ and ‘She’s A Pistol’ sucking you in from the start even though you might be of a mind to dismiss it as pap. The You Filter is in fact a reminder that the Keep It Simple Stupid formula does work. ‘Blood On My Shirt’ and ‘Fuck You IS My Answer’ see DCS channeling Skid Row – ‘Get The Fuck Out’ and ‘Riot Act’ come to mind – while ‘I’m In Love With You’ and ‘With Me’ go in the opposite direction as two ‘60s cheese-flavoured tracks that deftly (thankfully) avoid the Travolta / Newton John Grease trap. An impressive collection of garage-band-with-skills songs, middle finger anthem ‘Die For Rock N’ Roll’, ‘We Cannot Be Ruled’ and ‘Blood On My Shirt’ coming in as the faves of the moments, all shred and attitude served up old school with choruses that stick. (continue reading…)
By Carl Begai
Over the last couple months I’ve been subjected to some unsigned bands that have done a great job of knocking me on my ass. Call this Round 1 of what will hopefully be an ongoing column on this site assuming the music continues to grab my attention as these folks have. Read on if yer curious….
Over The Coals out of Vancouver have started make a buzz outside of their regular haunts thanks to the video for the song ‘My Worth’, a track taken from a forthcoming EP. It’s my understanding that they used to have a male singer – YouTube footage supports this – but the addition of one Susie Myers seems to have been the clincher in terms of solidifying the band’s sound. First thing that came to mind when I heard ‘em…. it sounds like Strapping Young Lad and My Ruin had a baby. Must be a West Coast thing. It’s impossible to judge them on one song, of chorus, but I like the sound of serious potential