LORI LINSTRUTH – Tuning Up The Guilt Machine

Guilt_Machine_lori_01By Carl Begai

Ayreon founder Arjen Lucassen’s new project, Guilt Machine, is as Pink Floydian dark as one can get. It amounts to a soundtrack for the inevitable soul search, deep and introspective to the point that calling the debut On This Perfect Day almost seems like tongue-in-cheek irony. Musically it’s something of a return to form for Lucassen following the plodding Ayreon record 01011001 from 2008, but it enters unfamiliar and unexpectedly dark lyrical territory at the hands of former Stream Of Passion guitarist Lori Linstruth. What makes this particularly noteworthy is that Linstruth doesn’t suffer from a This Sucks outlook on life. On the contrary, she tackles subjects like having the best hair in metal – “I don’t do anything special; it’s all genetic” – her career thus far, and being roped into writing for a high profile release all with a good natured “Pretty cool, huh?” approach.
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AYREON – Everything In Time

arjen-5By Carl Begai

I caught up with Ayreon mastermind Arjen Lucassen a while back to discuss a variety of subjects including the last Ayreon record, 01011001, the Timeline compilation released at the end of 2008, and his new project, Guilt Machine. It was an informal fact-finding mission done outside the confines of the usual press junket routine. Many thanks to Arjen for taking the time; much appreciated.

Discussion begins with the success of 01011001, which had the daunting task of following up The Human Equation, considered by many fans to be the cornerstone of the Ayreon catalogue. By all accounts 01011001 did extremely well, but it was agreed almost across the board that it was harder to get into than its predecessor due to its considerably darker atmosphere. Once inside, however, most fans were hooked.
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