By Carl Begai
“In his music he has the perfect symbiotic relationship between heavy and melody and true emotions and feelings. It’s just so pure and so heavy. When I was singing for the Epicloud album I told him I could hear West Side Story in the music. It’s so fairytale-like but so damn heavy.”
The above comment from vocalist Anneke van Giersbergen with regards to the Devin Townsend Project’s new album, Epicloud – offered during a May 2012 interview with yours truly – could have turned out to be a glaring case of too-close-to-the-music enthusiasm. Understandable given the high of her first successful foray into Hevy Devy’s world with the Addicted record in 2009, but from a discerning open-minded Townsend fan’s perspective her words sum up the album perfectly. It plays with his trademark heavy on a canvas of melody, seemingly executed with a musical stage play in mind, and Townsend clearly unafraid of mixing his not entirely hidden pop tendencies with the crushing metal he’s known for. In fact, he doesn’t give a good goddamn what people think in the grand scheme of things if they choose to dismiss Epicloud as worthless. Townsend made the record for himself and anyone else who gets off on being entertained.
“I think for me, because I spent so many years writing records that threw curveballs at people out of a fear of success or failure, I never really allowed myself to make a record that was just straight up,” says Townsend. “I let myself go on autopilot for this one and I was actually surprised by what came out naturally. When I finished it I sat back and listened to it the same way I did with Alien (Strapping Young Lad), and I was thinking ‘What the hell did you make here?’ (laughs). I just allowed myself to write a bunch of stuff that seemed to be appropriate, and when all was said and done my first reaction was that Epicloud was too vulnerable, too exposed. They were going to kick me out of the Chess Club for not being progressive. I thought I was going to get lambasted for doing something like this.” Continue reading BW&BK Interview: DEVIN TOWNSEND – Exposed To The Maximum