By Carl Begai
One of the big metal events of 2015 was the highly anticipated Savatage reunion show at the world renowned Wacken Open Air. Many fans were sceptical of the band’s return to the stage when the buzz first started, however, as Savatage’s sister-act the Trans-SiberianOrchestra had absorbed the band members on its rise to arena rock mega-fame following Savatage’s Poets And Madmen tour in 2002. It was TSO’s continuing success as one of the highest grossing annual tours in North America that had presumably stalled any further output from the Savatage camp and effectively put them on hiatus. The press discovered over the course of 2015 that a Savatage reunion at Wacken was very much a reality in the making, with band members sworn to secrecy by management during press engagements for their own projects; it affected guitarist Chris Caffery and Circle II Circle vocalist Zak Stevens in particular, as they both had new albums come out in 2015.
“That was right up to the day of the show,” says Stevens. “You know how management is; everything has to be top secret (laughs). We really felt is was that way right up until we hit the stage. It was crazy, yeah, but everyone did a pretty good job. The consensus among some people is that we could have done better, we could have taken it more seriously. I think we had a little bit of a chip on our shoulder because we’re older, we did the rehearsals and figured out that we’re a lot better now than we were back in ’97 when we played the main stage at Wacken. And everybody in the band fell in love again. That was fantastic because it was clear that everybody missed it.”
“We had this really aggressive plan to hit the two stages at once, using fiber optic technology so we wouldn’t have any signal loss, and we brought all the pyro that we use in a season with two companies in TSO and blow it all off on one night… without trying to blow anybody up (laughs). We had one pyro meeting before the show and you would have loved that. You would have laughed your ass off because it was like ‘Okay everybody, gather round. We’ve got all this pyro from the TSO tours, we’re going to blow it all up tonight, these are the places you don’t want to stand…’ They asked how many people on stage were new to pyro and about 40% raised their hands. I raised my hand because I’ve never been involved with that kind of pyro (laughs). Because I’m a frontman and one of the elder statesman they pulled me aside and said ‘Look, definitely don’t stand here, here, here and here…’ (laughs).” Continue reading SAVATAGE Vocalist ZAK STEVENS Comes Full Circle – “You’re About To Do The Biggest Show Of Your Life”
By Carl Begai
Regardless of whether you like ’em or don’t give a damn, the Trans-Siberian Orchestra is a big deal. The two-headed troupe’s annual east and west coast road trips through North America – leading up to Christmas and beyond – are consistently ranked as top-grossing concert tours year after year, and the production seemingly gets bigger each time out. It’s fair to say that TSO has become a tradition for many a metal and/or music lover. If there’s one misfire in this success story, however, it’s the lack of attention to the European market. Not that they necessarily need the exposure, but given that the legendary Savatage is the foundation for everything TSO has become and Europe embraced Savatage with the equivalent of a bone-crushing bear hug early on, some folks figure the Orchestra owes those fans some attention. Thus, 2014 began (literally) with an exclusive performance at the Brandenburg Gate in Berlin, Germany on New Year’s Eve followed by a stripped down but still impressive European tour; only their second in a 15 year history as a live act. Guitarist Chris Caffery and drummer Jeff Plate sat down to discuss the stripped down TSO production when the band hit Nuremberg, Germany…
Jeff: “It’s very comfortable. We came over to Europe a few years ago with the Beethoven’s Last Night tour (in 2011) and it’s a great story, but I think some of it was too much for the European audiences. We had to trim that down quite a bit, and the Savatage element is much more present in the show this time. And for myself, being able to work with Chris, Johnny (Middleton/bass) and Al (Pitrelli/guitars) again is a blast. This is an arena show and we just happened to squeeze it into a theater.”
Chris: “The biggest difference for me is that I’m not nearly as tired as I am during the big production we do (laughs). We do one show a day and it’s stripped down, and we don’t have the wings that we have on the North American stage. The big stage has at least another 30 feet on each side, so you run the arena and do two shows a day. The European tour is more like doing the old Savatage concerts in many ways except the people are sitting. In a lot of ways it’s the same because I put my in-ears in and what I hear is the same as always. I don’t really hear a difference. The band is different in that I’ve got Johnny and Al there, which is always great. I usually play with Jeff and the singers rotate, so it’s not really that different of a TSO show for me.” Continue reading BW&BK Interview: TRANS-SIBERIAN ORCHESTRA Live In Europe – From SAVATAGE With Love
By Carl Begai
Savatage is dead.
The band’s music is alive and well thanks to the existence of Jon Oliva’s Pain, Circle II Circle and guitarist Chris Caffery’s solo career, but as a recording / touring entity Savatage will only ever exist from this point on as a pipe dream. For vocalist / founder Jon Oliva it’s an ongoing battle trying to convince the diehards that the band won’t be making a return in spite of the fact he’s released four albums with Jon Oliva’s Pain in six years. The release of a Savatage compilation entitled Still The Orchestra Plays, issued earlier this year, hasn’t helped matters. So it goes that as Oliva settles in to discuss his new JOP album, Festival, he’s forced yet again to snuff the rekindled rumours of an impending Savatage comeback.
“That compilation is something Paul (O’Neill / producer, Trans-Siberian Orchestra director) helped put together, I didn’t have much control over it,” says Oliva. “I just wanted to get something out there to kind of cap things off because I’ve moved on. Those reunion rumours… some people have been saying things they probably shouldn’t have. There was talk about doing a show to kind of give Savatage a send-off but the logistics of doing so just made it impossible. The guys have the Trans-Siberian Orchestra, I have my JOP stuff, there’s a lot of other things keeping us busy. It’s pretty aggravating, though, with people always asking about when it’s going to happen and pushing to have one. I mean, Savatage hasn’t done anything in almost 10 years! It’s just a small group of people, but they just won’t let it go and I can’t figure out why. You have the Savatage guys in the Trans-Siberian Orchestra, which was spawned from the Dead Winter Dead (1995) and Wake Of Magellan (1997) era of the band, you have Jon Oliva’s Pain doing a lot of the old Savatage material, what more do you want?” Continue reading JON OLIVA’S PAIN – Welcome To The Show