Noises In My Head: HELLOWEEN – “Save Us”

By Carl Begai

Helloween – “Save Us”

Album: Keeper Of The Seven Keys: Part II (1988)

Helloween is one of the building blocks of my metal persona, and my permanent residency in the pumpkin patch truly started with “Save Us”. I have no idea why I missed out on Keeper Of The Seven Keys: Part I, released in 1987 – because this love affair would have begun a year earlier – but I suspect it had to do with many (not all) European metal artists having limited exposure on the Canadian market if a major league label wasn’t involved. In any case, mega-hit “I Want Out” was making the rounds on Toronto’s / Canada’s video channels and pushed me to buy the album, but when Side 2 of the cassette I’d purchased for my car kicked in I was floored. “Eagle Fly Free” and “Dr. Stein” had impressed me, “I Want Out” was a no-brainer, but “Save Us”…. it grabbed me by the balls and wouldn’t let go.

The guitar shred was over the top – making me a Kai Hansen fan for life – and as a huge Queensrÿche fan who worshipped Geoff Tate as a vocal god thanks to Rage For Order and Operation: Mindcrime, hearing Michael Kiske storm in and lay waste to everything in his path with those high-end vocals was a religious experience. I still remember sitting in the Warden Woods parking lot after work with the song blasting from my pimped JBL speakers, thinking “Who the hell is Judas Priest?” And it’s mindblowing to hear Kiske sing just with just as much power if not more some 30 years later, with no loss of vocal range.

Interestingly, I found out only recently later that “Save Us” never appeared on the original vinyl LP release of Keeper II, but only on the CD version as a bonus track. It did, however, appear on the cassette tape version, which is odd but fortunate for me.

And, in 2016, Hansen performed the song live with Visions Of Atlantis singer Clémentine Delauney sharing lead vocals, and damn, they killed it. Unexpected, but brilliant.

BW&BK Interview: HELLOWEEN – Into The Fire

By Carl Begai

“Andi Deris sounds like a hamster being pushed through a pencil sharpener.”

The steaming little nugget above directed at Helloween’s vocalist can be found on YouTube. It was slapped down by a keyboard warrior from somewhere on this planet as his or her take on ‘Nabataea’, the first single from Helloween’s new album Straight Out Of Hell. Hardly surprising given the faceless stone-throwing that goes on in this mighty digital age, and worth exactly nothing given the band’s current and ongoing popularity. Sure, said “critic” is no doubt a diehard fan of original Helloween singer Michael Kiske – revered by many as one of the greatest metal singers of our time – but Deris has been on board for 20 years to Kiske’s seven and Helloween is still kicking up a storm.

“Those people are actually a minority, and as you know from your business it’s the smallest that always shout the loudest,” says an unperturbed Michael Weikath, one of Helloween’s founding guitarists. “I’m not saying this to dumb down these people because they have a right to say those things, but it doesn’t help me fill my cup so I don’t worry about those kinds of negative opinions.”

Get beyond the mudslinging and ‘Nabataea’ has all the birthmarks of classic old school Helloween, setting the tone for the full album. The instantly memorable guitar riffs, soaring vocals, epic drums, and some not so subtle tips of the hat to their past (see ‘Halloween’ from Keeper Of The Seven Keys: Pt 1). The fans coudn’t have asked or bargained for a better introduction to the record.

“It’s strange,” Weikath says. “We asked around, management asked around, and what we kept hearing was how much everybody liked that ‘Nabataea’ track. It wasn’t entirely clear from the start. You send the stuff to someone and they say ”Nabataea’ rocks!’ so that ends up being the first song off the album. It’s up to par in certain areas, but there’s something about this album, definitely. You can clearly tell from the feedback that there is a particular magic about it. Maybe it’s more than the last one, I don’t know.”

Since the release of ‘Nabataea’ the band has received plenty of love from their fanbase. Straight Out Of Hell is anything but a disappointment, having been compared to their massive 1996 wallop Time Of The Oath by some people, and pegged by the majority as the worthy follow-up to Helloween’s last outing, 7 Sinners (2010). Read the reviews and interviews; there’s no shortage of ass-kissing from an impressed and, in some cases, utterly gobsmacked public.

“I like having my ass kissed,” Weikath deadpans. “I’m just not supposed to admit to it. And all those tracks are just fucking great.” Continue reading BW&BK Interview: HELLOWEEN – Into The Fire